Listed by Year

1831
  • Kiesewetter, Raphael Georg K. "Die Tabulaturen der älteren Praktiker seit Einführung der Figural- und Mensural-Musik. 2. Die Lauten-Tabulatur." Allgemeine musikalische Zeitung vol. 9 (Leipzig 1831): 133  

1851
  • Port, C. "Milleran (René)." Nouvelle Biographie Générale, ed. M. Hoefer (Paris, 1851):

1867
  • Arnold, F.W., and H. Bellerman. "Das Locheimer Liederbuch nebst der Ars organisandi von Conrad Paumann." Jb für musikalische Wissenschaft II (1867): 1–234; pubd. separately (Leipzig, 1926/R).

1872
  • Eitner, R. "Lautenbuch von 1558." MMg IV (1872/R): 52-55.

1876        
  • Eitner, R. "Giulio Abondante's Lautenbücher." MMg VII (1876): 119-21.
  • Paz y Melia A. “Coplas de Juan Fernández en contra D. Luis de Milán.” Revista de archivos, bibliotecas y museos 6 (1876): 258-75.

1877
  • Eitner, R. "Joachim vanden Hove’s Lautenbuch von 1601." MMg IX (1877): 59-60.


1880
  • Valdrighi, L.F. "Di Bellerofonte Castaldi e per incidenza di altri musicisti modenesi dei secoli XVI e XVII: annotazioni biobibliografiche." Atti e memorie delle RR. Deputazioni di storia patria per le provincie dell’Emilia, new ser., v/1 (1880), 89ff; repr. as Musurgiana, 1st ser., iii (1880/R).


1882
  • Jonckbloet, W.J.A., and J.P.N. Land (eds.). Correspondance et oeuvres musicales de Constantin Huygens. Leiden, 1882.


1886
  • Chilesotti, Oscar. "Joanne Matelart, fiamengo musico." Gazetta musicale di Milano XL (1886): 34
  • Chilesotti, Oscar. "Fasolo-Asioli." Gazetta musicale di Milano MLI (1886): 349-50, 354.
  • Fleischer, O. "Denis Gaultier." VMw II (1886): 1-180.
  • Tappert, W. "Die Lautenbücher des Hans Gerle." MMg XVIII (1886): 101–11.


1889
  • Chilesotti, Oscar.  Sulla melodia popolare del Cinquecento. Milan, 1889/R.
  • Land, J.P.N. Het luitboek van Thysius. Amsterdam, 1889.
  • Trautmann, K. "Die Familie Galilei in München." Jb für Münchener Geschichte III (1889): 553–4.


1891
  • Chilesotti, Oscar. Lautenspieler des XVI. Jahrhunderts. Leipzig: Breitkopf und Härtel, s.d.[1891], plate 19293.

1894
  • A[rmitt], M.L. "Radino." MT XXXV (1894): 663–6. 
  • Chilesotti, Oscar. "Di Hans Newsidler e di un’antica intavolatura tedesca di liuto." RMI i (1894): 48-59. 


1895        
  • Riemann, Hugo. “Das Lautenwerk des Miguel de Fuenllana, 1554.” Monatshefte für Musikgeschichte 27 (1895): 81-91.

1898
  • Brenet, M. "Notes sur l'histoire du luth en France." RMI V (1898); VI (1899), 1- 44; pubd. separately (Turin, 1899/R).

1901
  • Becker, O. Die englischen Madrigalisten William Byrd, Thomas Morley und John Dowland. Leipzig, 1901.


1902        
  • Chilesotti, Oscar. "Chansons françaises du XVIe siècle en Italie: (transcrites pour le luth)." RHCM ii (1902): 63-71, 202-5.
  • Chilesotti, Oscar. "Note circa alcune liutisti italiani della prima meta del Cinquecento." RMI IX (1902): 36-61; 233-63; published separately (Turin 1902).
  • Chilesotti, Oscar. "Francesco da Milano." SIMG IV (1902-3): 384, 400.
  • Morphy, Guillermo. Les Luthistes espagnols du XVIe Siècle. 2 vols. Leipzig: Breitkopf & Härtel, 1902; repr. New York: Broude Brothers, 1967.

1906
  • Opieński, H. "Bekwark lutnista." Biblioteka warszawska II (1906): 464–85.


1908
  • Chilesotti, Oscar. "Il primo libro di liuto di Vincenzo Galilei." RMI XV (1908): 753-8.
  • Ecorcheville, J. "Le luth et sa musique." BSIM IV (1908): 131–64.
  • Watson, H. "Thomas Mace: the Man, the Book, and the Instruments." PMA XXXV (1908-9): 87-107.


1910
  • Münnich, Richard. "Ein Brief Esaias Reußners." Festschrift zum 90. Geburtstage Sr. Excellenz des Wirklichen Geheimen Rates Rochus Freiherrn von Liliencron Dr. theol. et phil. Überreicht von Vertretern deutscher Musikwissenschaft (Leipzig, 1910): 173

1911
  • Prunières, H. "La musique de la chambre et de l'écurie sous le règne de François 1er (1516 – 1547)." Année musicale I (1911): 215-51.

1912
  • Chilesotti, Oscar. "Di Nicola Vicentino e dei generi greci secondo Vincentio Galilei." RMI XIX (1912): 
    546-65.


1914
  • Chilesotti, Oscar. "Jacomo Gorzanis, liutista del Cinquecento." RMI XXI (1914): 86-96.
  • Opieński, H. Beiträge zu Valentin Bakfark’s Leben und Werk. Dissertation, University of Leipzig, 1914.


1915        
  • Dolmetsch, Arnold. The Interpretation of the Music of the 17th and 18th Centuries. London: Novello and Company, Ltd., n.d.
  • Engel, E. Die Instrumentalformen in der Lautenmusik des 16. Jahrhunderts. Berlin, 1915.


1919
  • Frati, L. "Liutisti e liutai a Bologna." RMI XXVI (1919): 94-111.
  • Wortmann, T.  Philipp Franz Le Sage de Richée und sein Cabinet der Lauten. Dissertation, University of Vienna, 1919.


1921        
  • Alonso Cortés, Narciso. “Diego Pisador: algunos datos biográficos.” Boletín de la Biblioteca Menéndez y Pelayo 3 (1921): 331-335.
  • Chilesotti, Oscar. "Notes sur les tablatures de luth et de guitare, XVIe et XVIIe siècles." EMDC I/ii (1921): 636-684.

1922        
  • Koczirz, Adolf. “Die Gitarren Kompositionen in Miguel de Fuenllana’s Orphénica Lyra (1554).” Archiv für Musikwissenschaft 4 (1922): 241-61.

1923
  • La Laurencie, L. de. "Quelques luthistes français du XVIIe siècle." RdM IV (1923): 145-155.
  • La Laurencie, L. de. "Le luthiste Jacques Gaultier." ReM v/3 (1923-4): 32-9.


1924
  • Noack, F. "Die Tabulaturen der Hessischen Landesbibliothek zu Darmstadt." Musikwissenschaftlicher Kongress (Basel, 1924): 276-85.


1925        
  • Koczirz, Adolf. "Eine Titelauflage aus dem Jahre 1697 von Esaias Reußners „Erfreuliche Lauten-Lust.“" Zeitschrift für Musikwissenschaft (Leipzig 1925/26): 640 f.
  • Prod'homme, J.-G. "Guillaume Morlaye, éditeur d'Albert de Ripe, luthiste et bourgeois de Paris." RdM VI (1925): 157-67.
  • Trend, J. B. "Luis Milan and the Vihuelistas." Hispanic Notes and Monographs 11. Humphry Milford: Oxford University Press, 1925.

1926
  • Arnold, F.W., and H. Bellerman. "Das Locheimer Liederbuch nebst der Ars organisandi von Conrad Paumann." Jb für musikalische Wissenschaft II (1867): 1–234; pubd. separately (Leipzig, 1926/R).
  • La Laurencie, L. de. "Les luthistes Charles Bocquet, Antoine Francisque et Jean-Baptiste Besard." 
    RdM VII (1926): 69-77, 126-133.
  • Neemann, H. "Philipp Martin, ein vergessener Lautenist." ZMw IX (1926-7): 545-65.
  • Osthoff, H. Der Lautenist Santino Garsi d. Parma. Leipzig, 1926/R.
  • Sparmann, GeorgEsaias Reusner und die Lautensuite. Doctoral thesis, Berlin 1926.
  • Warlock, P. The English Ayre. London, 1926/R.


1927
  • Merian, W. Der Tanz in den deutschen Tabulaturbüchern. Leipzig, 1927.


1928
  • Blume, F. "Introduction to E. Reusner: Sämtliche Suiten für die Laute, i: Suite 1 bis 5 aus den ‘Neuen Lautenfrüchten (1676)." ed. W. Gerwig, Wolfenbüttel and Berlin, 1928.
  • Koletschka, Karl. "Esaias Reußner der Jüngere und seine Bedeutung für die deutsche Lautenmusik." Studien zur MusikwissenschaftBeihefte der Denkmäler der Tonkunst in Österreich, ed. under the direction of Guido Adler, 15. Bd., (Wien 1928), S. 3ff.  
  • La Laurencie, L. de. Les luthistes. Paris, 1928.



1929
  • Hamburger, P. "Die Fantasien in Emanuel Adriansens Pratum musicum (1600)." ZMw XII (1929-30): 148-9.
  • Haraszti, E. "Un grand luthiste du XVIe siècle: Valentin Bakfark." RdM X (1929): 159-76.


1930
  • Malecek, A.R. "Anton Rotta: eine biographische Skizze." Festschrift Adolph Koczirz, ed. R. Haas and J. Zuth (Vienna, 1930): 20-23.
  • Malecek, A.R. Der Paduaner Lautenmeister Antonio Rotta. Dissertation, University of Vienna, 1930.
  • Tessier, A. "Quelques sources de l’école française de luth du XVIIe siècle." IMSCR I (Liège 1930): 217-224.



1931
  • Dieckmann, J.  Die in deutscher Lautentabulatur überlieferten Tänze des 16. Jahrhunderts. Kassel, 1931.



1932
  • Dowling, M. "The Printing of John Dowland’s Second Booke of Songs or Ayres." The Library, 4th ser., XII (1932-3): 365-80.


1933
  • Halbig, H. "Eine handschriftliche Lautentabulatur des Giacomo Gorzanis." Theodor KroyerFestschrift, ed. H. Zenck, H. Schultz and W. Gerstenberg (Regensburg, 1933): 102-17.



1934        
  • Apel, Willi. “Early Spanish Music for Lute and Keyboard.” Musical Quarterly 20 (1934): 289-301.
  • La Laurencie, L. de, A. Mairy, and G. Thibault (eds.). "Chansons au luth et airs de cour français du XVIe 
    siècle." PSFM, 1st ser., IV–V [recte III–IV] (1934/R): xxi–xxxii.
  • Neemann, H. "Laute und Theorbe als Generalbaßinstrumente im 17. und 18. Jahrhundert." ZfMw 16 (1934): 527-34.

1935
  • Gombosi, Otto. Bakfark Bálint élete és művei (1507–1576)/Der Lautenist Valentin Bakfark: Leben und Werke (1507–1576). Budapest, 1935/R1967 in Ger. only with further bibliography. 
  • Lachèvre, F. Charles de Lespine. Paris, 1935.


1936        
  • Anglés, Higinio. “Per la Història de la Música Hispànica. Dades desconegudes sobre Miguel de Fuenllana.”Revista Musical Catalana 33 (1936): 140-43.

1937        
  • Einstein, A. "Vincenzo Galilei and the Instructive Duo." ML XVIII (1937): 360–68.
  • Fano, F. "Alcuni chiarimenti su Vincenzo Galilei." RaM X (1937): 85-92.
  • Hutchinson, Loving. The Vihuela Music of Diego Pisador. Dissertation, Eastman School of Music, 1937.


1938
  • Vatielli, F. "L’ultimo liutista." RMI XLII (1938): 469-491.
  • Wallner, B.A. "'Konrad Paumann." Münchner Charakterköpfe der Gotik, ed. A.-H. Bolongaro Crevenna (Munich, 1938): 21-36.


1939        
  • Bal y Gay, Jesús. “Fuenllana and the Transcription of Spanish Lute Music.”. Acta Musicologica 11 (1939): 16-27.
  • Häfner, E.W. Die Lautenstücke des Denis Gaultier. Endingen, 1939.
  • Marix, J. Histoire de la musique et des musiciens de la cour de Bourgogne sous le règne de Philippe le Bon. Strasbourg, 1939/R. 

1940


1941


1942        
  • Chase, Gilbert. “Guitar and Vihuela: a clarification.” Bulletin of the American Musicological Society 6 (1942):
  • Grimm, H. Meister der Renaissancemusik an der Viadrina. Frankfurt an der Oder, 1942.

1943
  • Boetticher, Wolfgang. Studien zur solistischen Lautenpraxis des 16. und 17. Jahrhunderts. Berlin, 1943.


1944


1945


1946


1947
  • Dart, Thurston. "Simone Molinaro’s Lute-Book of 1599." ML XVIII (1947): 258-261.
  • Dart, R.T.  "Morley’s Consort Lessons of 1599." PRMA LXXIV (1947-8): 1-9.
  • Verchaly, A. "Gabriel Bataille et son oeuvre personnelle pour chant et luth." RdM XXVI (1947): 1–24, 72–88.


1948        
  • Dart, Thurston. "The Cittern and its English Music." Galpin Society Journal  I (1948): 46-63.
  • Ward, John M. “The Name and Nature of the Vihuela.” Journal of the American Musicological Society I (1948): 53

1949 
  • Haraszti, E. "Pierre Bono, luthiste de Mathias Corvin." RdM XXVIII (1949): 73-85.
  • Pistarino, G. "Un episodio della vita di Pietro Paolo Borrono." RMI LI (1949): 299-305.


1950        
  • Baines, Anthony. “Fifteenth-Century Instruments in Tinctoris's De Inventione et Usu Musicae.” Galpin Society Journal 3 (1950): 19-25.
  • Gill, Donald. "The Lute and Musick’s Monument." Galpin Society Journal III (1950): 9-11.
  • Lesure, F. "La guitare en France au XVIe siècle." MD IV (1950): 187–95.


1951        
  • Schultz, M. "Francesco Corbetta und das Generalbaß-Spielen." Mf 4 (1951): 371
  • Thackeray, R.M. "Thomas Mace." MT XCII (1951): 306-7.
  • Wienandt, Elwyn. Musical Style in the Lute Compositions of Francesco da Milano. Dissertation, University of Iowa, 1951.


1952        
  • Frenk Alatorre, Margit. “Sobre los textos poéticos de Juan Vásquez, Mudarra y Narváez.” Nueva Revista de Filología Hispánica 6 (1952): 33-56.
  • Fortune, Nigel. "Giustiniani on Instruments." Galpin Society Journal V (1952): 48
  • Garton, J. J.B. Besard’s Thesaurus harmonicus. Dissertation, Indiana University, 1952.
  • Jacquot, Jean. "Musick’s Monument de T. Mace et l’évolution du goût musical en Angleterre." RdM 
    XXXI (1952): 21–7.
  • Ward, John M. "The Editorial Methods of Venegas de Henestrosa." MD, VI (1952): 105-113.
  • Ward, John M. "The Use of Borrowed Material in 16th-Century Instrumental Music." Journal of the American Musicological Society V (1952): 88-98.


1953        
  • Dart, Thurston. "Derosier’s Guitar Tutor." Galpin Society Journal VI (1953): 107 only.
  • Mackerness, E.D. "Thomas Mace: Additions to a Biography." MMR LXXXIII (1953): 43-9.
  • Oboussier, Philippe. "Turpyn's Book of Lute-Songs." Music & Letters 34/2 (April 1953): 145-49.
  • Pope, Isabel. "Notas sobre la melodía del Conde Claros." Nueva revista de filología hispánica VII (1953): 
    395-402.
  • Ward, John M. The ‘Vihuela de mano’ and its Music, 1536-1576. PhD Thesis, New York University, 1953.


1954
  • Duckles, Vincent. "The “Curious” Art of John Wilson (1595–1674): an Introduction to his Songs and Lute Music." Journal of the American Musicological Society VII (1954): 93-112.
  • Gombosi, Otto. "A la recherche de la forme dans la musique de la Renaissance: Francesco da 
    Milano." La musique instrumentale de la Renaissance (Paris 1954): 165-76.
  • Morcourt, R. de. "Le livre de tablature de luth de Domenico Bianchini (1546)." La musique instrumentale de la Renaissance (Paris. 1954): 177-95.


1955        
  • Cutts, J.P. "Robert Johnson, King’s Musician in His Majesty’s Public Entertainment." ML XXXVI (1955): 110-25.
  • Gombosi, Otto. Compositione di Meser Vincenzo Capirola: Lute-book (circa 1517). Neuilly-sur-Seine, 1955/R.
  • Lesure, F. "Trois instrumentistes français du XVIIe siècle." RdM XXXVII (1955): 186-7.
  • Lumsden, D.  The Sources of English Lute Music, 1540–1620. Dissertation, University of Cambridge, 1955.
  • Mackerness, E.D. "Thomas Mace and the Fact of Reasonableness." MMR LXXXV (1955): 211-17, 235-40.
  • Pohanka, J. "Loutnové tabulatury z rajhradského kláštera" [Lute tablatures from the Rajhrad monastery]. CMw XL (1955): 193-203.
  • Pujol, Emilio. “Les Resources instrumentales et leur rôle dans la musique pour vihuela et pour guitare au XVIe siècle et au XVIIe.” La Musique instrumentale de la Renaissance. ed. Jean Jacquot. París, CNRS, 1955: 205-16.
  • Schneider, Marius. “Un villancico de Alonso Mudarra procedente de la música popular granadina.” Anuario Musical 10 (1955): 79-83.
  • Wienandt, Elwyn. "Perino Fiorentino and his Lute Pieces." Journal of the American Musicological Society VIII (1955): 2-13.


1956        
  • Bruggart R.W. Alberto da Ripa: Lutenist and Composer. Dissertation, University of Michigan, 1956.
  • Devoto, Daniel. “Poésie et Musique dans l'oeuvre des vihuelistes (notes méthodologiques).” Annales musicologiques 4 (1956): 85-110.
  • Layer, A. "Melchior Neusiedler." Lebensbilder aus dem bayerischen Schwaben, ed. G.F. von Pölnitz and others, V (1956): 180 
  • Moe, L.H. Dance Music in Printed Italian Lute Tablatures from 1507 to 1611. Dissertation, Harvard University, 1956.
  • Palisca, C.V. "Vincenzo Galilei's Counterpoint Treatise: a Code for the Seconda pratica." Journal of the American Musicological Society IX (1956): 81-96. 


1957
  • Dart, R.T. "Lord Herbert of Cherbury’s Lute Book." ML XXXVIII (1957): 136-148.
  • Disertori, B. "Contradiction tonale dans la transcription d’un “strambotto” célèbre." Le luth et sa musique (Neuilly-sur-Seine, 1957): 37-42.
  • Heartz, Daniel. "Les premières ‘Instructions’ pour le luth (jusque vers 1550)." Le luth et sa musique (Neuilly-sur-Seine, 1957): 77-92.
  • Lesure, F, and G. Thibault. Bibliographie des éditions d’Adrian le Roy et Robert Ballard (1551–1598). Paris, 1955; suppl., RdM, XL (1957): 166-172.
  • Lesure, F. Introduction to Psaumes de Pierre Certon réduits pour chant et luth [par] Guillaume Morlaye, ed. R. de Morcourt. Paris, 1957.
  • Lesure, F. "Recherches sur les luthistes parisiens à l’époque de Louis XIII." Le luth et sa musiqueNeuilly-sur-Seine 1957: 209–23.
  • Murphy, R.M. "Fantasie et recercare dans les premières tablatures de luth du XVIe siècle." Le luth et sa musique: Neuilly-sur-Seine (1957): 127-42. 
  • Noske, F. "Remarques sur les luthistes des Pays-Bas (1580-1620)." Le luth et sa musique [Neuilly-sur-Seine 1957], ed. J. Jacquot (Paris, 1958, 2/1976): 179-192.
  • Wienandt, Elwyn. "David Kellner’s Lautenstücke." Journal of the American Musicological Society X (1957): 29-38.


1958        
  • Dart, Thurston. "Miss Mary Burwell's Instruction Book for the Lute." Galpin Society Journal XI (1958): 3-62.
  • Lesure, F., and  R. de Morcourt. "G.P. Paladino et son “Premier Livre” de luth (1560)." RdM XLII (1958): 170–83.
  • Osthoff, H. "Gedichte von Tomaso Stigliani auf Giulio Caccini, Claudio Monteverdi, Santino Garsi da Parma und Claudio Merulo." Miscelánea en homenaje a Monseñor Higinio Anglés (Barcelona, 1958–61): 615–21.
  • Sainz de la Maza, Regino. La música de laúd, vihuela y guitarra del renacimiento al barroco: Discurso leído el día 10 de        marzo do 1958 en su recepción pública. Madrid: Real Academia de Bellas Artes de San Fernando 1958.
  • Vlam, C., and T. Dart. "Rosseter in Holland." GSJ XI (1958): 63–9.



1959        
  • Horsley, I. "The 16th-Century Variation: a New Historical Survey." Journal of the American Musicological Society XII (1959): 118-32. 
  • Newton, Richard. "English Duets for Two Lutes." The Lute 1 (1959):
  • Newton, Richard. "The Lute Music of Francis Pilkington." The Lute 1 (1959): 31-37.
  • Newton, Richard. "Francis Cutting: A Bibliography." The Lute 1 (1959): 38-47.
  • Poulton, Diana. “Notes on Some Differences Between the Lute and the Vihuela and their Music”. The Consort 16 (1959): 22-26.
  • Poulton, Diana. "Some Changes in the Technique of Lute Playing from Le Roy to Mace." The Lute 1 (1959):
  • Prynne, Michael. "Some Remarks on Old Lutes." The Lute 1 (1959):
  • Prynne, Michael. "A Note on Max Unverdorben." The Lute 1 (1959):



1960        
  • Cutts, J.P. "Robert Johnson and the Court Masque." ML XLI (1960): 111-26.
  • Gill, Donald. "An Orpharion of John Rose." The Lute 2 (1960):
  • Harwood, Ian. "A Fifteenth Century Lute Design." The Lute 2 (1960):
  • Heartz, Daniel. "Parisian Music Publishing under Henry II: a Propos of Four Recently Discovered Guitar Books." MQ XXXXVI (1960): 448-67.
  • Lefkoff, G. (ed.) Five Sixteenth Century Venetian Lute Books. Washington DC, 1960.
  • Morrow, M. "Ayre on the F# String." The Lute 2 (1960):
  • Morrow, M., and M. Graubart. "Lutes and Theorboes: Their Use as Continuo Instruments, described by Praetorius in his 'Syntagma Musicum' (1619)." The Lute 2 (1960):
  • Palisca, C.V. "Girolamo Mei (1519–1594): Letters on Ancient and Modern Music to Vincenzo Galilei and Giovanni Bardi: a Study with Annotated Texts." MSD III (1960, 2/1977):
  • Palisca, C.V."Vincenzo Galilei and Some Links between 'Pseudo-monody' and Monody." MQ XLVI (1960): 344-60.
  • Radke, Hans. "Bemerkungen zur Lautenistenfamilie Gallot." Die Musikforschung, 13. Jhg., Heft 1, (1960): 51 ff.
  • Roberts, J. D. "The Lute: Historical Notes." The Lute 2 (1960): 
  • Thibault,G. "La musique instrumentale au XVIe siècle: Italie, Allemagne, France." Histoire de la musique, ed.Roland-Manuel, I (Paris, 1960): cols. 1197–1336.
  • Ward, John M. "The Lute Music of MS Royal Appendix 58." Journal of the American Musicological Society XIII (1960): 117-25.



1961        
  • Gill, Donald. "Brief Notes on the Bass Lute." The Lute 3 (1961):
  • Pope, Isabel. “La Vihuela y su música en el ambiente humanístico.” Nueva Revista de Filología Hispánica 15 (1961): 
  • Poulton, Diana. “Notes on the Spanish Pavan.”The Lute 3 (1961): 5-16.
  • Poulton, Diana. "Some Corrections to the Three Spanish Songs in A Musicall Banquet." The Lute 3 (1961):
  • Poulton, Diana. An Introduction to Lute PlayingSchott & Co., 1961.
  • Prynne, Michael. "Some Remarks on Lute Forgeries." The Lute 3 (1961):
  • Vogl, Emil. "Zur Biographie Losys." Mf XIV (1961): 189–192.



1962        
  • Doughtie, Edward. "Robert Southwell and Morley’s First Booke of Ayres." The Lute 4 (1962): 28-30.
  • Gill, Donald. "The Sources of English Solo Bandora Music." The Lute 4 (1962):
  • Greer, David. ""What if a Day": an Examination of the Words and Music." ML XLIII (1962): 304-19.
  • Harwood, Ian. "John Maynard and The XII Wonders of the World." The Lute 4 (1962):
  • Poulton, Diana. "Captain Digory Piper of the 'Sweepstake'." The Lute 4 (1962):
  • Poulton, Diana. "The Burial of John Dowland." The Lute 4 (1962):
  • Spencer, Robert. Two Missing Lute Parts for Morley's Consort Lessons, The Lute, 4, 1962.



1963        
  • Harwood, Ian. "The Origins of the Cambridge Lute Manuscripts." The Lute 5 (1963): 32-48.
  • Moël, M. le. "Pour une meilleure biographie de Mesangeau." RMFC III (1963): 21-3.
  • Poulton, Diana. "John Dowland's Patrons and Friends." The Lute 5 (1963):
  • Poulton, Diana. "Mabel Dolmetsch, A Tribute." The Lute 5 (1963):
  • Prynne, Michael. “One surviving Vihuela de mano.” Galpin Society Journal XVI (1963): 22-27.
  • Prynne, Michael. "The Old Bologna Lute Makers." The Lute 5 (1963):
  • Zecca-Laterza, A. Giacomo Gorzanis, liutista del Cinquecento. Dissertation, University of Cremona, 1963.



1964        
  • Brett, Philip. "Edward Paston (1550–1630): a Norfolk Gentleman and his Musical Collection." Transactions of the Cambridge Bibliographical Society IV (1964): 51-69
  • Crashaw, R. "Stuart Lute Technique." The Lute 6 (1964):
  • Harwood, Ian. "The Cambridge Lute Manuscripts: A Postscript." The Lute 6 (1964):
  • Heartz, Daniel. Preface to Preludes, Chansons and Dances for Lute. Neuilly-sur-Seine, 1964.
  • Holland, J.B. "The Pierpont Morgan Lute Manuscript: A Stylistic Survey." AcM XXXVI (1964): 1-18. 
  • Jacobs, C. Tempo Notation in Renaissance Spain. Brooklyn, NY, 1964.
  • Poulton, Diana. "Lute Stringing in the Light of Surviving Tablatures." The Lute 6 (1964):
  • Pozniak, Piotr. Introduction to Fantazje i wilanele na lutnię. WDMP XXIII (2/1964).
  • Prynne, Michael. "Lute Bellies and Barring." The Lute 6 (1964):
  • Roberts, J. D. Has the Problem Changed?, The Lute, 6, 1964
  • Vogl, Emil. "Aureus Dix und Antoni Eckstein, zwei Prager Lautenisten." Mf XVII (1964): 41-45.
  • Vogl, Emil. "Loutnová hudba v Čechach" [Lute music of Bohemia]. Časopis Národního musea CXXXIII (1964): 11–20 [with German summary]
  • Waldbauer, Ivan. The Cittern in the Sixteenth Century and its Music in France and the Low Countries. Dissertation, Harvard University (1964).



1965        
  • Brett, Philip. "Musicae Modernae Laus: Geoffrey Whitney's Tributes to the Lute and its Players." The Lute 7 (1965):
  • Castro Escudero, J. "La méthode pour la guitare de Luis Briçeño" [with appx by D. Devoto: ‘Sur le séjour de Briçeño à Paris’]. RdM LI (1965): 131-48.
  • Dardo, G. "Contributo alla storia del liuto in Italia: Johannes Maria Alamus e Giovanni Maria da Crema." Quaderni della RaM 3 (1965): 143-157.
  • Doughtie, Edward. "Sidney, Tessier, Bachelar and A Musicall Banquet: Two Notes." RN XVIII (1965): 123-4.
  • Flotzinger, R. Die Lautentabulaturen des Stiftes Kremsmünster: thematischer Katalog. Vienna, 1965.
  • Fortune, Nigel. "Philip Rosseter and his Songs." The Lute 7 (1965): 7-14.
  • Harwood, Ian. "Rosseter's Lessons for Consort of 1609." The Lute 7 (1965): 15-23.
  • Poulton, Diana. "Was John Dowland a Singer?" The Lute 7 (1965): 
  • Poulton, Diana. "Turtles and Twins." The Lute 7 (1965): 
  • Poulton, Diana. "The Three Spanish Songs in A Musicall Banquet (1610)." The Lute 7 (1965): 
  • Roberts, John. “Some notes on the Music of the Vihuelistas”. Lute Society Journal 7 (1965): 24-31.
  • Spencer, Robert. The Tollemache Lute Manuscript. Lute Society Journal 7 (1965).
  • Tichota, Jirí. Tabulatury pro loutnu a pribuzné nástroje na územi CSSR. Prague, 1965, II.
  • Ward, John M. "Parody Technique in 16th-Century Instrumental Music." The Commonwealth of Music, in 
    Honor of Curt Sachs, ed. G. Reese and R. Brandel (New York, 1965): 202-228.



1966        
  • Charnassé, H.  "A propos d’un recent article sur 'La méthode pour la guitare' de Luis Briçeño." RdM LII (1966): 204-7.
  • Dardo, G. "Considerazioni sull'opera di Giovan Maria da Crema, liutista del Cinquecento." CHM IV (1966): 61-77.
  • Flotzinger, R. "Rochus Berhandtzky und Wolff Jacob Lauffensteiner. Zum Leben und Schaffen zweier Lautenisten in kurbayerischen Diensten." SMw XXVII (1966): 200-240.
  • Garnsey, S. "The Use of handplucked Instruments in the Continuo Body: Nicola Matteis." ML 47 (1966): 135-40.
  • Greer, David. "The Lute Songs of Thomas Morley." The Lute 8 (1966): 25-37.
  • Jeffery, B. "Instrumentation in the Work of Antony Holborne." GSJ XIX (1966): 20–26.
  • Jeffery, B. "The Lute Music of Antony Holborne." PRMA XCIII (1966–7): 25–31. 
  • Roberts, I. An 18th Century Amateur Lutenist: Translated by, The Lute, 8, 1966.
  • Simpson, Adrienne. Richard Mathew and The Lute's Apology, The Lute, 8, 1966



1967        
  • Brown, Howard Mayer. Instrumental Music Printed Before 1600: A Bibliography. Cambridge Mass: Harvard University Press, 1967.
  • Dorfmüller, K.  Studien zur Lautenmusik in der ersten Hälfte des 16. Jahrhunderts. Tutzing, 1967.
  • Greer, David. "Campion the Musician." The Lute 9 (1967):
  • Greer, David. "The Part-Songs of the English Lutenists." PRMA XCIV (1967-8): 97-110.
  • Poulton, Diana. "John Dowland's 'Can she excuse my wrongs', B Flat or Natural?" The Lute 9 (1967):
  • Pozniak, Piotr. "Z zagadnień transkrypcji muzyki lutniowej." Muzyka (1967 n. 2): 3-10.
  • Ward, John M. "The Lute Books of Trinity College Dublin: I:MS D.3.30/1: The So-called Dallis Lute Book," The Lute IX (1967): 17-40; addns. XII (1970): 43-44. 



1968        
  • Artzt, Alice. “The Third Lute Suite by Bach, Three Manuscripts and Their Implications.” Journal of the Lute Society of America I (1968): 
  • Jeffery, B. "Antony Holborne." MD XXII (1968): 129–205.
  • Joiner, Mary. "Caccini's 'Amarilli mia bella': Its Influence on 'Miserere my maker'." The Lute 10 (1968):
  • Kelly, Thomas Forest. “Notes on the Jane Pickering Lute Book, with Special Emphasis on the Music for Two Lutes”, Journal of the Lute Society of America, I, 1968.
  • Lobaugh, H. Bruce. Three German Lute BooksDenss’s Florilegium 1594Reymann’s Noctes musicae, 1598Rude’s Flores musicae 1600. Ph.D., Musicology, University of Rochester, 1968. 2 vols., iv, 220 p.
  • MacClintock, Carol. "Two Lute Intabulations of Wert's "Cara la vita." Essays in Musicology: a Birthday Offering for Willi Apel, ed. H. Tischler (Bloomington, IN, 1968): 93-99.
  • Murphy, S. "Seventeenth-Century Guitar Music: Notes on Rasgueado Performance." Galpin Society Journal XXI (1968): 24-32.
  • Myers, Joan. “Vihuela Technique.” Journal of the Lute Society of America 1 (1968): 15-18.
  • Pohlmann, Ernst. Laute, Theorbe, Chitarrone: die Instrumente, ihre Musik und Literatur von 1500 bis zur Gegenwart. Bremen, 1968 (enlarged 5/1982).
  • Poulton, Diana. "'If ever hapless woman' by John Bartlet." The Lute 10 (1968):
  • Pozniak, Piotr. "Wersja kameralna i lutniowa jednej z fantazji Diomedesa Catona." Muzyka (1968 n. 2): 79-82.
  • Roberts, John. “The Death of Guzman”. Lute Society Journal 10 (1968): 36-37.
  • Rubsamen, Walter H. "The Earliest French Lute Tablature." Journal of the American Musicological Society XXI/3 (Autumn 1968): 286-299.
  • Simpson, Adrienne. 'Of a petty French lutenist in England' by Richard Flecknoe, The Lute, 10, 1968.
  • Sutton, Julia. “Jean-Baptist Besard, Renaissance Gentleman”, Journal of the Lute Society of America, I, 1968.
  • Walker, T. "Ciaccona and Passacaglia: Remarks on their Origin and Early History." Journal of the American Musicological Society XXI (1968): 300-320.
  • Ward, John M. "The Lute Books of Trinity College Dublin: II:MS.D.l.21: The So-called Ballet Lute Book." The Lute 10 (1968): 15-32.
  • Wolff, C. "Conrad Paumanns Fundamentum organisandi und seine verschiedenen Fassungen." AMw XXV (1968): 196-222.



1969        
  • Bloch, Suzanne. “Saga of a Twentieth-Century Lute Pioneer.” Journal of the Lute Society of America II (1969):
  • Buetens, Stanley. Method for the Renaissance Lute. Instrumenta Antiqua Publications, Menlo Park, California, 1969.
  • Buetens, Stanley. “The Instructions of Alessandro Piccinini.” Journal of the Lute Society of America II (1969):
  • Buetens, Stanley. “Nicolas Vallet’s Lute Quartets.” Journal of the Lute Society of America II (1969): 28-36.
  • Danner, Peter. “Some Observations on Recent Editions of Lute Music.” Journal of the Lute Society of America II (1969):
  • Giraud, Y. "Deux livres de tablature inconnus de Francesco da Milano." RdM LV (1969): 217-19.
  • Heartz, Daniel. Pierre Attaingnant, Royal Printer of Music. Berkeley, 1969.
  • Marshall, W. A. "A Musical Contest." The Lute 11 (1969):
  • Myers, Joan. “Performance Practice Indications in Adrianssen’s Lute Ensemble Music.” Journal of the Lute Society of America II (1969): 18-27.
  • Nordstrom, Lyle. “Ornamentation of Flemish Chansons Found in Lute Duets of Francesco Spinacino.” Journal of the Lute Society of America II (1969): 1-5.
  • Palisca, C.V. "Vincenzo Galilei's Arrangements for Voice and Lute." Essays in Musicology in Honor of Dragan Plamenac, ed. G. Reese and R.H. Snow (Pittsburgh, 1969/R): 207-32.
  • Price, Curtis A. "An Organizational Peculiarity of Lord Herbert of Cherbury's Lute Book." The Lute 11 (1969): 5-27.
  • Satoh, Toyohiko. “A Method for Stringing Lutes”, Journal of the Lute Society of America, II, 1969.
  • Tichota, Jirí. Loutnová tabulatura psaná Mikulásem Šmalem z Lebendorfu. Prague, 1969, 163ff.
  • Ward, John. “Spanish Musicians in Sixteenth-Century England”. Essays in Musicology in Honor of Dragan Plamenac on his 70th Birthday. Eds. G. Reese and R.J. Snow. Pittsburgh: University of Pittsburgh Press, 1969. 353-364.
  • Ward, John M. "The Fourth Dublin Lute Book." The Lute 11 (1969): 28-46.
  • Ward, John. “Spanish Musicians in Sixteenth-Century England”. Essays in Musicology in Honor of Dragan Plamenac on his 70th Birthday. eds. G. Reese and R.J. Snow. (Pittsburgh: University of Pittsburgh Press, 1969): 353-364.



1970        
  • Brossard, Y. de. "La vie musicale en France d\'après Loret et ses continuateurs 1650–1688." RMFC X (1970):
  • Buetens, Stanley. “On Fretting a Lute.” Journal of the Lute Society of America III (1970):
  • Danner, Peter. “Dd.4.23 or English Cittern Music Revisited.” Journal of the Lute Society of America III 1970:
  • Drake, S. "Vincenzio Galilei and Galileo." Galileo Studies (Ann Arbor, 1970): 43-62.
  • Honegger, Marc. Les messes de Josquin des Pres dans la tablature de Diego Pisador (Salamanque, 1552). Contribution a l’etude des alterations au XVIe siecle. Dissertation, Université de París, 1970.
  • Hudson, Richard. "Chordal Aspects of the Italian Dance Style 1500-1650." Journal of the Lute Society of America III (1970): 35-52.
  • Hudson, Richard. "Further Remarks on the Passacaglia and Ciaccona." Journal of the American Musicological Society XXIII (1970): 302-14.
  • Jeffery, B. Introduction to Francis PilkingtonComplete Works for Solo Lute. London, 1970 [incl. facs.].
  • Kingsley, Victoria. The Words Do Matter, Lute Society Journal 12 (1970)
  • Lobaugh, H. Bruce. “Adrian Denss’ Florilegium (1594).” Journal of the Lute Society of America III (1970): 13-21.
  • Murphy, S. "The Tuning of the Five-Course Guitar." Galpin Society Journal XXIII (1970): 49-63.
  • Myers, Joan. “Caccini-Dowland: Monody Realized.” Journal of the Lute Society of America III (1970):
  • Ness, Arthur J. The Lute Music of Francesco Canova da Milano (1497-1543). Cambridge, Mass. (Harvard publications in music 3, 4), 1970.
  • Poulton, Diana. “How to Play with Good Style by Thomas de Sancta Maria.” The Lute 12 (1970): 23-30.
  • Pozniak, Piotr.  Introductions to Diomedes Cato: Preludia, fantazje, tańce i madrygały, na lutnieWDMP XXIV (2/1970) and LXVII (1973).
  • Ruff, Lillian M. and Arnold Wilson, Allusion to the Essex Downfall in Lute Song Lyrics. Lute Society Journal 12 (1970)
  • Ward, John M. "Additions to the Inventory of TCD MS D.3.30/1." The Lute 12 (1970): 43
  • Ward, John M. "Barley's Songs without Words." The Lute 12 (1970):



1971        
  • Benoit, M. Versailles et les musiciens du roi, 1661–1733. Paris, 1971.
  • Bonner, Stephen. "Two Renaissance Lute Carvings." The Lute 13 (1971):
  • Boorman, Stanley. "Notari, Porter and the Lute." The Lute 13 (1971):
  • Buetens, Stanley. “Left-Handed Fingerings of Difficult Single-Line Passages.” Journal of the Lute Society of America IV (1971):
  • Cyr, Mary. “Song Accompaniments for Lyra Viol and Lute.” Journal of the Lute Society of America IV (1971):
  • Grebe, María Ester. "Modality in the Spanish Vihuela Music of the Sixteenth-Century and its Incidence in Latin-American Music." Anuario Musical 26 (1971): 29-59; 27 (1972): 109-29.
  • Hudson, Richard. "The Folia Dance and the Folia Formula in 17th-Century Guitar Music." MD XXV (1971): 199-221.
  • Hudson, Richard. "Music in Italian Tablatures for Five-Course Spanish Guitar." Journal of the Lute Society of America IV (1971): 21-42.
  • MacClintock, Carol. “Notes on Four Sixteenth-Century Tuscan Lutebooks.” Journal of the Lute Society of America IV (1971):
  • Poulton, Diana, and David Mitchell. "A List of Printed Lute Music in the British Museum: Part 1." The Lute 13 (1971):
  • Rooley, Anthony. The Lute Solos and Duets of John Danyel, The Lute, 13, 1971.
  • Scott, David. John Danyel: His Life and Songs, The Lute, 13, 1971.
  • Simpson, Adrienne. “The Lute in the Czech Lands, An Historical Survey”, Journal of the Lute Society of America, IV, 1971.



1972        
  • Benkö, Dániel. “A Hungarian Lute Manuscript.” Journal of the Lute Society of America V (1972):
  • Blackman, Martha. "A Translation of Hans Judenkünig's Ain Schone Kunstliche Underweisung... (1523)." The Lute 14 (1972):
  • Danner, Peter. “Before Petrucci: The Lute in the Fifteenth-Century.” Journal of the Lute Society of America V (1972):
  • Danner, Peter. “Bibliography of Guitar Tablatures 1546-1764.” Journal of the Lute Society of America V (1972):
  • Dombois, Eugen M. "The Allegro from J S Bach's Prelude, Fugue and Allegro in E flat Major BWV 998." The Lute 14 (1972):
  • Grebe, María Ester. “Modality in the Spanish Vihuela Music of the Sixteenth-Century and its Incidence in Latin-American Music”. Anuario Musical 26 (1971): 29-59; 27 (1972): 109-29.
  • Heartz, Daniel. "Mary Magdalene, Lutenist." Journal of the Lute Society of America V (1972): 52-67.
  • Lobaugh, H. Bruce. "Johann Rude's Flores Musicae (1600)." The Lute 14 (1972): 1-12.
  • Long, Martin. Daniel BachelerSelected Works for Lute. London, 1972.
  • Loraine, Michael. “Description of a Lute.” Journal of the Lute Society of America V (1972):
  • Maier, E. Die handschriftlich überlieferten Tabulaturen für Lauteninstrumente des 17. und 18. Jahrhunderts aus dem Bestand der Österreichischen Nationalbibliothek mit dem Wiener Lautenbuch des Jacques de Saint-Luc. Dissertation, University of Vienna, 1972.
  • McGrady, R.J. "Thomas Morley’s First Booke of Ayres." MR XXXIII (1972): 171-6.
  • Nordstrom, Lyle. “The Cambridge Consort Books.” Journal of the Lute Society of America V (1972): 70-103.
  • Pellanda-Weber, A. Die Lautentabulatur des Ludwig Iselin: eine kritische Übertragung der Lautentabulatur Basel U.B. Ms. F.IX.23. Dissertation, University of Fribourg, 1972.
  • Poulton, Diana, and David Mitchell. "A List of Printed Lute Music in the British Museum: Part 2." The Lute 14 (1972):
  • Pujol, Emilio. “El Maestro Pedrell, la vihuela y la guitarra.” Anuario Musical 27 (1972): 47-59.
  • Rooley, Anthony and James Tyler. The Lute Consort, The Lute, 14, 1972.
  • Smith, Hopkinson. The pavans of Daniel Bacheler. undergrad thesis, Harvard 1972.
  • Strizich, Robert. “Ornamentation in Spanish Baroque Guitar Music”, Journal of the Lute Society of America, V, 1972.



1973        
  • Brown, Howard Mayer. "Sixteenth-Century Instrumentation: the Music for the Florentine Intermedii." MSD XXX (1973): 197-207.
  • Buetens, Stanley. "Theorbo Accompaniments of Early Seventeenth-Century Italian Monody." Journal of the Lute Society of America VI (1973): 37-45.
  • Danner, Peter. “An Update to the Bibliography of Guitar Tablatures.” Journal of the Lute Society of America VI (1973).
  • Dombois, Eugen M. “Correct and Easy Fret Placement.” Journal of the Lute Society of America VI (1973):
  • Dombois, Eugen M. "Uber die Fuge und das Prelude aus JS Bachs Präludium Fuge und Allegro Es-dur BWV998/The Fugue and Prelude from JS Bach's Prelude, Fugue and Allegro in E Flat Major BWV 998." The Lute 15 (1973):
  • Echols, J.A. Melchiore de Barberiis’s Lute Intabulations of Sacred Music. Dissertation, University of North Carolina, 1973.
  • Edwards, David. "A A A Geometrical Construction for a Lute Profile." The Lute 15 (1973):
  • Godwin, Joscelyn. "Robert Fludd on the Lute and Pandora." The Lute 15 (1973):
  • Godwin, Joscelyn. "The Survival of the Theorbo Principal." Journal of the Lute Society of America VI (1973):
  • Hadaway, Robert. "The Cittern." Early Music 1/ii (April, 1973): 77-81.
  • Henning, Rudolf. "German Lute Tablature and Conrad Paumann." The Lute 15 (1973): 7
  • Henning, Uta. "The Lute Made Easy: A Chapter from Virdung's Musica Getutscht (1511)." The Lute 15 (1973):
  • Herman, R.H. "Dialogo della musica antica et moderna" of Vincenzo Galilei: Translation and Commentary. Dissertation, University of North Texas, 1973.
  • Honegger Marc. "La tablature de Diego Pisador et le problème des altérations au XVIe siècle." Revue de Musicologie 59 (1973): 38-59; 59 (1973): 191-230; 60 (1974): 3-32.
  • Inglefield, Ruth K. The Lutebooks of Bernhard Jobin, 1572/73. Dissertation, University of Cincinnati, 1973.
  • Jacquot, Jean. "Thomas Mace et la vie musicale de son temps." Festschrift für Ernst Hermann Meyer
    ed. G. Knepler (Leipzig, 1973): 215–22.
  • Moureau, F. "Nicolas Hotman: bourgeois de Paris et musicien." RMFC XIII (1973): 5-22.
  • Nordstrom, Lyle. “Two New English Lute Duets.” Journal of the Lute Society of America VI (1973):
  • Pierce, Jane. Hans Gerle: Sixteenth-Century Lutenist and Pedagogue. (Dissertation, University of North Carolina, 1973. [see also JLSA VI (1973): 17-29]
  • Pierce, Jane. “Hans Gerle: Sixteenth-Century Lutenist and Pedagogue.” Journal of the Lute Society of America VI (1973): 17-29.
  • Pozniak, Piotr. "Utwory polskich lutnistów w rękopisie lorda Herberta of Cherbury." Z Dziejów Muzyki Polskiej (Zesz. Bydgoskiego Tow. Naukowego) 15 (Bydgoszcz 1973): 27-40.
  • Pozniak, Piotr. D. Cato: Preludia, fantazje, tańce i madrygały. II/WDMP 67, Kraków, 1973.
  • Smith, Douglas Alton. “Baron and Weiss Contra Mattheson: In Defense of the Lute”, Journal of the Lute Society of America, VI, 1973
  • Thomas,Benjamin William. The Lute Books of Giulio Cesare Barbetta: A Polyphonic Transcription of the Composer’s Complete Works and an Analysis of the Fourteen Fantasias. Ph.D., Musicology, North Texas State University, 1973. 3 vols., xx, 1177 p.
  • Tonazzi, Bruno. "Il cinquecentista Giacomo Gorzanis, liutista e cittadino di Trieste." Il Fronimo (1973): 6–21.



1974        
  • Danner, Peter. “Giovanni Paolo Foscarini and His ‘Nuova Inventione.’” Journal of the Lute Society of America VII (1974): 4-18. 
  • Dimsdale, V. "English Sacred Music with Broken Consort." The Lute 16 (1974): 39-64.
  • Dobson, Charles, and Ephraim Segermann, and James Tyler. "John Danyel's 'Eyes looke no more'The Tunings of the Four-Course French Cittem and of the Four-Course Guitar in the 16th century." The Lute 16 (1974): 
  • Dombois, Eugen M. “Varieties of Meantone Temperament Realized on the Lute.” Journal of the Lute Society of America VII (1974):
  • Edwards, W. "The Walsingham Consort Books." ML LV (1974): 209-14.
  • Godwin, Joscelyn. "Eccentric Forms of the Guitar, 1770–1850." Journal of the Lute Society of America VII (1974):
  • Griffiths, John. Selected Songs from ‘Libro de Musica en cifras para Vihuela intitulado el Parnaso’ by Esteban Daza (Valladolid, 1576). BA Hons dissertation, Monash, 1974.
  • Heck, Thomas F. "Lute Music: Tablatures, Textures and Transcriptions." Journal of the Lute Society of America VII (1974):
  • Hellwig, Friedemann. "Lute Making in the Late 15th and 16th Century." The Lute 16 (1974):
  • Henning, Rudolf. "A Possible Source of Lachrimae." The Lute 16 (1974): 65-68.
  • Holman, Peter. "The Jonsonian Masque." ML LV (1974): 250-52. 
  • Honegger Marc “La tablature de Diego Pisador et le problème des altérations au XVIe siècle”, Revue de Musicologie 59 (1973): 38-59; 59 (1973): 191-230; 60 (1974): 3-32.   
  • Jeffery, B. "The Lute Music of Robert Johnson." EMc II (1974): 105–9.
  • Lindley, David. "John Danyel's 'Eyes looke no more'." The Lute 16 (1974):
  • Lundberg, Robert. “Sixteenth- and Seventeenth-Century Lute-Making.” Journal of the Lute Society of America VII (1974):
  • Poulton, Diana (and Basil Lam). The collected lute music of John Dowland. London: Faber Music, 1974.
  • Strizich, Robert. “A Spanish Guitar Tutor: Ribayaz’s Luz y Norte Musical (1677)”, Journal of the Lute Society of America, VII, 1974.
  • Tonazzi, Bruno. Liuto, Vihuela, Chitarra e strumenti similari nelle loro intavolaturecon cenni sulle loro letterature. Ancona: Berben, 1974.
  • Wells, Robin Headlam. "The Art of Persuasion: A Note on the Lyric 'Come again: sweet love doth now invite'." The Lute 16 (1974):



1975        
  • Abbott, Djilda, and Ephraim Segermann. "The Cittern in England before 1700." The Lute 17 (1975): 
  • Amos, Charles Nelson. Lute practice and lutenists in Germany between 1500 and 1750. Iowa City, Univ. of Iowa, Dissertation, 1975.
  • Benkö, Dániel. "Bakfark Problems I. (Lasso-Bakfark “Veni in hortum meum”)." SM XVII (1975): 297-313. 
  • Greer, David. "'...thou court's delight': Biographical Notes on Henry Noel." The Lute 17 (1975):
  • Harwood, Ian. A brief History of the Lute. Lute Society Booklet No. 1, 1975.
  • Hobbs, Mary. "John Wilson's Literary Sources." The Lute 17 (1975):
  • Inglefield, Ruth K. “The Bernhard Jobin Lutebooks (1572–1573).” Journal of the Lute Society of America VIII (1975):
  • Lockwood, L. "Pietrobono and the Instrumental Tradition at Ferrara in the Fifteenth Century." RIM X (1975):115–33.
  • Lowenfeld, E.M. Santiago de Murcia´s thorough-bass treatise for the Baroque guitar (1714). Master of Arts dissertation, City Col., 1975.
  • Lyons, David B. “Nathaniel Diesel, Guitar Tutor to a Royal Lady.” Journal of the Lute Society of America VIII (1975):
  • Poulton, Diana. "Two More Dowland Attributions." The Lute 17 (1975):
  • Pozniak, Piotr. "Przejawy estetyki baroku w utworach lutniowych S. L. Weissa." Muzyka a społeczeństwo. Brzeg, 1975: 121-124 ; wersja włoska: "I momenti dell'estetica barocca nell'opera liutistica di S. L. Weiss." Il Fronimo (Mediolan) 26/I (1979): 20-23.
  • Pozniak, Piotr. "Utwory lutniowe Hortenzjusza Perli i Mikołaja z Padwy." Pagine 197 (Warszawa 1975):177-190.
  • Rooley, Anthony. “Orpheus with his Vihuela da Mano and Gittern”. Guitar (May 1975): 18-19.
  • Saffle, Michael. “Lutes and Related Instruments in Eight Important European and American Collections”, Journal of the Lute Society of America, VIII, 1975.
  • Smith, Douglas Alton. “The Instructions in Matthaeus Waissel’s Lautenbuch”, Journal of the Lute Society of America, VIII, 1975
  • Tyler, James. "Further Remarks on the Four-Course Guitar." The Lute 17 (1975):



1976        
  • Brown, Howard Mayer. “Accidentals and Ornamentation in sixteenth-century intabulations of Josquin Motets.” Josquin des Prez. Proceedings of the International Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. Ed. E. Lowinsky. Londres: Oxford University Press, 1976: 475-522.
  • Curry, Donna. "Regarding lute pegs and bridges." FoMRHI Quarterly 3 (April, 1976):
  • Edwards, David. "Durer's Drawing 'Angel with a Lute." The Lute 18 (1976):
  • Griffiths, John. "The The Vihuela Book ‘El Parnaso’ by Esteban Daza." Studies in Music 10 (1976): 37-51.
  • Harwood, Ian. "On the Publication of Adrian Le Roy's Lute Instructions." The Lute 18 (1976):
  • Harwood, Ian. "A possible Dallis Reference?" The Lute 18 (1976):
  • Henning, Rudolf. "Hans Judenkünig, c.1455/60-1526: Commemorating the 450th Anniversary of his Death." The Lute 18 (1976):
  • Homolya, I., and D. Benko (eds.). Valentini Bakfark opera omnia. Budapest, 1976-82.
  • Hultberg, Warren E. "Diego Pisador’s Libro de musica de vihuela (1552)." Festival essays for Pauline Aldermana musicological tribute (Provo, Utah: Brigham Young University Press, 1976): 29-51.
  • Liddell, Catherine. The Guitar, Theorbo and Lute Works of Robert de Visée: a Study in his Process of Arranging. Dissertation, Schola Cantorum Basiliensis, 1976.
  • Nordstrom, Lyle. "The English Lute Duet and Consort Lesson." The Lute 18 (1976): 5-22.
  • Nordstrom, Lyle. “The Lute Duets of John Johnson.” Journal of the Lute Society of America IX (1976): 30-42.
  • Ohlsen, Oscar. “A Recently Discovered Vihuela in Quito, Ecuador.” The Lute 18 (1976):
  • Page, Christopher. "Musical instruments in Jean de Gerson's Tractatus de Canticis." FoMRHI Quarterly 3 (April, 1976):
  • Pinnell, Richard T. “Alternate Sources for the Printed Guitar Music of Francesco Corbetta (1615-1681).” Journal of the Lute Society of America IX (1976): 62-85.
  • Poulton, Diana. “A vihuela in Ecuador.” The Lute 18 (1976): 45-46.
  • Poulton, Diana. “Notes on the Guitarra, Laud and Vihuela.” The Lute 18 (1976): 46-48.
  • Rey, Juan José. “Enríquez de Valderrábano: siete obras de Cristóbal de Morales para una y dos vihuelas”. Tesoro sacro musical 59 (1976): 3-8, y suplemento musical 1-15.
  • Saffle, Michael. “Lutes and Related Instruments in Eight Important European and American Collections (ctnd.)”,  Journal of the Lute Society of America, IX, 1976.
  • Scott, David. Elizabeth I as Lutenist, The Lute, 18, 1976
  • Smith, Douglas Alton, and Peter Danner. “‘How Beginners...Should Proceed:’ The Lute Instructions of LeSage De Richee ”,Journal of the Lute Society of America, IX, 1976.
  • Ward, John M. “Le problème des hauteurs dans la musique pour luth et vihuela au XVIe siècle.” Le Luth et sa Musique, ed. J. Jacquot. 2ª edición (Paris: CNRS, 1976): 171-178.
  • Ward, John M. “The So-Called ‘Dowland Lute Book’ in the Folger Shakespeare Library.” Journal of the Lute Society of America IX (1976): 4-29.
  • Wells, Robin Headlam. "Thomas Morley's 'Fair in a Morn'." The Lute 18 (1976):
  • Wentzel, Wayne Clifford. The Lute Pavans and Galliards of John Johnson, Anthony Holborne, Francis Cutting, John Dowland, and Daniel Bacheler: A Stylistic Comparison. Ph.D., Musicology, University of Pittsburgh, 1976. 237 p.
  • Zayas, R. de. "Gaspar Sanz and his Music." Guitar Review XL (1976): 2–32.



1977        
  • Brown, Howard Mayer. "Principal instruments of 14th century Italy and their structural features." FoMRHI Quarterly 8 (July, 1977):
  • Chiesa, R. "Storia della letteratura del liuto e della chittarra – il cinquecento. XVIII–XXI: Hans Gerle." Il Fronimo V (1977), no.18, pp.15–18; no.19, pp.24–7; no.20, pp.15–17, no.21, pp.16–18; VI (1978), no.22, pp.18–20.
  • Downing, John. "Notes on the barring of an Arabian lute." FoMRHI Quarterly 9 (October, 1977):
  • Fallows, David. “15th Century Tablatures for Plucked Instruments: A Summary, A Revision and a Suggestion,” The Lute Society Journal 19 (1977):
  • Forbes, J. The Non-Liturgical Vocal Music of Johannes Hieronymous Kapsberger. Dissertation, University of North Carolina, Chapel Hill, 1977.
  • Hall, Monica. “Performing early music on record. VI: The vihuela repertoire.” Early Music 5 (1977): 59-65.
  • Jeffery, B. Introduction to Francisco GuerauPoema Harmonico (Madrid, 1694). London, 1977.
  • Poulton, Diana. “The Lute in Christian Spain.” The Lute 19 (1977): 34-49.
  • Samson, William B. The Twelve-Course 'English' Lute, The Lute, 19, 1977
  • Scott, David. Notes and Information 'Jiggy-Joggy', The Lute, 19, 1977
  • Ward, John M. “A Dowland Miscellany: Biography, Music, Index of Works, Background Material.” Journal of the Lute Society of America X (1977): 5-153.
  • Ward, John M. "Anthony Holborne’s Letter to an Unnamed Patron." Journal of the Lute Society of America X (1977): 117-118.
  • Ward, John M. "Thomas Robinson." Journal of the Lute Society of America X (1977): 119–23.
  • Wright, Laurence. "The Medieval Gittern and Citole: A Case of Mistaken Identity." The Galpin Society Journal XXX (May, 1977): 8-42.



1978        
  • Abbott, Djilda, and Ephraim Segermann. "Catline strings." FoMRHI Quarterly 12 (July, 1978):
  • Abbott, Djilda, and Ephraim Segermann. "A string calculator." FoMRHI Quarterly 13 (October, 1978):
  • Allworth, Christopher. "Cetra et cetera, by Christopher Allworth." FoMRHI Quarterly 10 (January, 1978):
  • Boetticher, Wolfgang. Handschriftlich überlieferte Gitarren- und Lautentabulaturen des 15. bis 18. Jahrhunderts. Munich, 1978.
  • Denis, F.-E. "La guitare en France au XVIIe siècle: Son importance, son répertoire." RBM XXXII–XXXIII (1978-9): 147-8.
  • Dobbins, Frank. "The Lute Airs of Charles Tessier." The Lute 20 (1978): 23-42.
  • Downing, John. "The Maler and Frei lutes - some observations." FoMRHI Quarterly 11 (April, 1978): [see also FoMRHI Quarterly Comm 142 (William Samson)]
  • Gill, Donald. "The de Gallot Guitar Books [1660–1684]." EMc VI/1 (1978): 79-87.
  • Gill, Donald. "A vihuela in Ecuador." The Lute 20 (1978): 53-55.
  • Harwood, Ian. "Thomas Robinson’s ‘Generall Rules’." The Lute 20 (1978): 18-22.
  • Holman, Peter. "New Sources of Music by Robert Johnson." The Lute 20 (1978): 43-52.
  • Jacobs, C. Introduction to Miguel de Fuenllana: Orphénica Lyra. Oxford, 1978.
  • Jacquot, Jean. "Le Luth et sa Musique: From the Neuilly Colloquium to the Corpus of French Lutenists." The Lute 20 (1978):
  • Klima, Josef. Die Hs. Venetiis, 7. Zbr 1712 aus der Bibliothek Genevi[è]ve Thibault. S.L. Weiss, J.S. Weiss, Graf Losy und    französische Meister der Spätzeit : Themenverzeichnis (Maria Enzersdorf bei Wien, 1978 ; Wiener Lautenarchiv. Nr 20).
  • Klima, Josef. Fantasies [sic] et préludes composées par Mr. Weiss à Rome mit Werken von S.L. Weiss, Gebel und Chorälen : Handschrift aus der Bibliothek von Mme G. Thibault : Themenverzeichnis (Maria Enzersdorf bei Wien, 1978 ; Wiener Lautenarchiv, 21).
  • Lesure, F. Introduction to C. MoutonPièces de luth sur différents modes. Geneva, 1978: vii–xii [in French 
    and English].
  • Lindley, Mark. “Luis Milán and Meantone Temperament.” Journal of the Lute Society of America XI (1978): 45-62.
  • Lyons, David B. Lute, Vihuela, Guitar to 1800: a Bibliography. Detroit: Information Coordinators, 1978; Detroit studies in music bibliography; 40.
  • MacLeod-Coupe, Philip. Lute Construction. Lute Society Booklet No. 4, 1978.
  • Miller, David. "Mace's theorbo from Musick's Monument, 1676." FoMRHI Quarterly 13 (October, 1978):
  • Miller, TheodorusMaking lute pegs." FoMRHI Quarterly 12 (July, 1978):
  • Päffgen, Peter. "Laute und Lautenspiel in der ersten Hälfte des 16. Jahrhunderts. Beobachtungen zur Bauweise und Spieltechnik." Kölner Beiträge zur Musikforschung (Regensburg: Bosse, 1978): 95
  • Sandman, Susan G. “Thomas Robinson’s Interpretive Left-Hand Fingerings for the Lute and Cittern”, Journal of the Lute Society of America, XI, 1978.
  • Smith, Douglas Alton. “The Lutes in the Bavarian National Museum in Munich”, Journal of the Lute Society of America, XI, 1978.
  • Southard, Marc, and Suzana Cooper. “A Translation of H. Newsidler’s Ein Newgeordnet Künstlich Lautenbuch”, Journal of the Lute Society of America, XI, 1978.
  • Vang, Ole, and Ephraim Segerman. "Two-headed lute news."FoMRHI Quarterly 13 (October, 1978):
  • Walker, D.P. "Some Aspects of the Musical Theory of Vincenzo Galilei and Galileo Galilei." PRMA C (1973-4): 33–47; repr. in Walker, Studies in Musical Science in the Late Renaissance (London, 1978): 14–26.
  • Weidlich, Joseph. “Battuto Performance Practice in Early Italian Guitar Music (1606–1637).” Journal of the Lute Society of America XI (1978): 63-86.



1979        
  • Abbott, Djilda, and Ephraim Segermann. "On the time of invention of overspun strings." FoMRHI Quarterly 14 (January, 1979):
  • Abbott, Djilda, Ephraim Segermann, and Peter Spencer. "Fret distances from the nut for every interval above the open string." FoMRHI Quarterly 14 (January, 1979):
  • Beier, Paul. "Right-Hand Position in Renaissance Lute Technique." Journal of the Lute Society of America XII (1979): 5-24.
  • Bernstein, J. "Philip Van Wilder and the Netherlandish Chanson in England." MD XXXIII (1979): 55
  • Boetticher, Wolfgang. "Zur inhaltlichen Bestimmung des für Laute intavolierten Handschriftenbestands." Acta Musicologica 51 (1979): 193-203.
  • Caffagni, Mirco. “The Modena Tiorba Manuscript.” Journal of the Lute Society of America XII (1979): 25-42.
  • Cook, Frederick. “A Vihuela in Quito?” Guitar and Lute 9 (April, 1979): 11-12.
  • Cristoforetti, O. Introduction to G.A. CastelionoIntabolatura de leuto de diversi autori, Milano, 
    1536. Florence, 1979. [facs.]
  • Dell'Ara, M. "Giovanni Battista Granata: chitarrista, compositore, e barbiere chirurgico," Il Fronimo 26 (1979): 6-15.
  • Downing, John. "Soundhole migration in the development of the lute." FoMRHI Quarterly 15 (April, 1979):
  • Downing, John. "Early 16th century lute construction." FoMRHI Quarterly 15 (April, 1979):
  • Ellis, Mark. "A jig for preparing and glueing lute neck joints." FoMRHI Quarterly 17 (October, 1979):
  • El-Mallah, I. Die Pass’e mezzi und Saltarelli aus der Münchner Lautenhandschrift von Jacomo Gorzanis [Bayerische Staatsbibliothek Mus.Mss.1511a]. Tutzing, 1979.
  • Forrester, Peter. "Some original receipts, appertaining to the varnishes of lutes in Italy." FoMRHI Quarterly 17 (October, 1979):
  • Goodwin, R.F. A preliminary study into the music and practice of thoroughbass on the Theorbo in the 17th. Century. Senior Paper, California State University, 1979.
  • Griffiths, John. "The Lutes in the Museo Municipal de Música in Barcelona." Journal of the Lute Society of America XII (1979): 48-66.
  • Harwood, Ian. "A possible soundboard finish for lutes and guitars." FoMRHI Quarterly 14 (January, 1979):
  • Heitland, Winfried. "Zur Rekonstruktion historischer Musikinstrumente. Das Beispiel der Vihuela da mano." Musica 33/1 (1979): 27-30.
  • Hodgson, Martyn. "The identity of 18th century 6-course lutes." FoMRHI Quarterly 14 (January, 1979):
  • Hodgson, Martyn. " Early 16th century lute constructions." FoMRHI Quarterly 14 (January, 1979):
  • Hodgson, Martyn. " A table to convert plain gut string sizes to equivalent overwound string specifications." FoMRHI Quarterly 14 (January, 1979):
  • Hodgson, Martyn. "MacLeod-Coupe: Lute construction." FoMRHI Quarterly 15 (April, 1979):
  • Hodgson, Martyn. "The development of the calachon." FoMRHI Quarterly 15 (April, 1979):
  • Hodgson, Martyn. "Early 16th century lute reconstructions." FoMRHI Quarterly 16 (July, 1979):
  • Howell, S. "Paulus Paulirinus of Prague on Musical Instruments." Journal of the American Musical Instrumental Society V-VI (1979-80): 16
  • Humphreys, D. "Philip van Wilder: a Study of his Work and its Sources." Soundings VIII (1979-80): 13-36.
  • Jaenecke, Joachim. "Nachwort zu „Erfreuliche Lauten=Lust. Reusner, Esaias." Zentralantiquariat der DDR (Leipzig, 1979) [Fotomechanischer Neudr. der Orig.-Ausg. 1979].
  • Karp, Cary. "On Mersenne's twisted data and metal strings." FoMRHI Quarterly 14 (January, 1979):
  • Klima, Josef. The D Minor Lute in Central Europe After the Second World War, Journal of the Lute Society of America, XII (1979), p. 73-77.
  • Klima, Josef. Die "Lauten" handschrift (Mandore?) sign. Hs. 1869 des Steiermärkischen Landesarchives, Graz. Themenverzeichnis (Maria Enzersdorf bei Wien, 1979 ; Wiener Lautenarchiv, A, 23)
  • MacEvoy, Bruce. “The Renaissance Thumb-Under Lute Technique.” Divisions 1/iii (1979): 4-20.
  • Mackmeeken, M. Introduction to Santiago de Murcia: Passacalles y obras, facs., Monaco, 1979.
  • Nordstrom, Lyle. "Albert de Rippe, joueur de luth du roy." EMc VII (1979): 378-85.
  • Nordstrom, Lyle. "A Lute Duet of John Dowland." Journal of the Lute Society of America XII (1979): 43-47.
  • Pinnell, Richard T. "The Theorboed Guitar: its Repertoire in the Guitar Books of Granata and Gallot." EMc VII (1979): 323-9.
  • Poulton, Diana. "The Dolmetsch Library, Haslemere, MS II.B.1: A Preliminary Study." The Consort 35 (1979): 327-341.
  • Preciado, Dionisio. “Las esclavas del canónigo vihuelista Alonso Mudarra (†1580).” Revista de Musicología 2 (1979): 132-35.
  • Ramirez, Omar Antonio. “A study of the vihuela: with a focus on the music of Diego Pisador”. Tesis, University of California, San Diego, 1979
  • Rottmann, Kurt. Resurrection of the Lute in Twentieth Century Germany, Journal of the Lute Society of America, XII (1979), p. 67-72.
  • Ward, John M. "Sprightly and Cheerful Musick: Notes on the Cittern, Gittern, and Guitar in 16th and 17th Century England." The Lute 21 (1979-81): 1-234.



1980        
  • Abondance, Pierre. “La vihuela du Musée Jacquemart-André: Restauration d’un document unique.” Revue de Musicologie 56 (1980): 57-69.
  • Chiesa, R. "Storia della letteratura del liuto a della chitarra, XXXIII: il Cinquecento - Pietro Paolo Borrono; Joan Jacobo Albutio." Il Fronimo VIII/3 (1980): 21-24.
  • Cramer, E.C. "Elizabethan and Jacobean Lute-Song Cycles." NATS Bulletin XXXVII/3 (1980-81): 16-20.
  • Dombois, Eugen M. "Die Temperament für Laute bei Hans Gerle (1532)." Forum musicologicum: Basler studien zur Interpretation der alten Musik II (1980): 60-71; Eng. trans. in The Lute 22 (1982): 3-13, 89 only.
  • Downing, John. "Lute body manufacture - the authentic way." FoMRHI Quarterly 19 (April, 1980):
  • Eisel, Gunnar George. “Selected Motets of Nicholas Gombert and Adrian Willaert as Reflected in the Vihuela Intabulations of Miguel Fuenllana, Diego Pisador and Enriquez de Valderrábano.” Thesis, California State University, Fullerton, 1980.
  • Gill, Donald. "Mandora and calachon." FoMRHI Quarterly 19 (April, 1980):
  • Hall, Monica. Introduction to Santiago de MurciaResumen de acompañar la parte con la guitarra (1714). Facs., Monaco, 1980.
  • Hope, Harvey. "Tyler: The early guitar." FoMRHI Quarterly 20 (July, 1980):
  • Jones, E. H. The performance of English song 1610-1670. Ph.D. Dissertation Musicology, University of York, 1980.
  • Klima, Josef. In Memoriam Emil Vogl (1901-1977), Journal of the Lute Society of America, XIII (1980), p. 55-87.
  • Klima, Josef. Die Lautenhandschrift R II Kk 73 Prag (Raudnitz) der Staatsbibliothek der CSSr. Themenverzeichnis (Maria Enzersdorf bei Wien, 1980 ; Wiener Lautenarchiv, 24)
  • Louri, Philip. "Notes on the drawings and photographs of the liuto attiorbato by Choc in the V&A museum." FoMRHI Quarterly 18 (January, 1980):
  • Louri, Philip. "Building lute backs with a flattened section." FoMRHI Quarterly 21 (October, 1980):
  • Moser, Wolf. “Über die Unterschiede zwischen Gitarre und Vihuela bei Bermudo.” Gitarre und Laute 2.5 (1980): 32-43.
  • Page, Christopher. "French Lute Tablature in the 14th Century?" Early Music 8/4 (1980): 488-492.
  • Pinnell, Richard T. Francesco Corbetta and the Baroque Guitar, with a Transcription of His Works2 vols. (vol.1, biography, guitar history, concordances; vol.2, table of ornaments and 327 transcriptions from printed and MS sources). UMI Studies in Musicology XXV. Ann Arbor, MI, 1980.
  • Prizer, William F. “Lutenists at the Court of Mantua in the Late Fifteenth and Early Sixteenth Centuries.” Journal of the Lute Society of America 13 (1980): 5-34.
  • Söhne, Gerhard Christian. On the Geometry of the Lute, Journal of the Lute Society of America, XIII (1980), p. 35-54.
  • Tajetti, O.  Introduction to Pietro Paolo RaimondiLibro de sonate diverse, 1601. Como, 1980 [facs. of I-COc 1.1.20].
  • Vanhulst, Henri. "Édition comparative des instructions pour le luth, le cistre et la guitare publiées à Louvain par Pierre Phalèse (1545-1570)." Revue belge de Musicologie XXXIV-XXXV (1980-1981): 81-105.
  • Vogl, Emil. "Johann Anton Losy: Lutenist of Prague." Journal of the Lute Society of America XIII (1980): 58-86.



1981        
  • Congleton, J. "'The false consonances of musick', N. Nattei's Instructions for the playing a true base upon the guitarre." EM 9 (1981): 463-69.
  • Cristoforetti, O. Introduction to G.A. TerziIntavolatura di Liutto. Florence, 1981.
  • Downing, John. "Lute construction - further comments." FoMRHI Quarterly 22 (January, 1981):
  • Etzion, Judith. “The Spanish Polyphonic Ballad in 16th-Century Vihuela Publications.” Musica Disciplina 35 (1981): 179 - 197.
  • Fabris, Dinko. "Composizioni per “cetra” in uno sconosciuto manoscritto per liuto del primo Seicento." RIM XVI (1981): 185-206.
  • Gill, Donald. "Vihuelas, violas and the Spanish guitar." Early Music 9 (1981): 455-62.
  • Hudson, Richard. Passacaglio and Ciaccona: from Guitar Music to Italian Keyboard Variations in the 
    17th Century. Ann Arbor, 1981.
  • Lundgren, Stefan. Method for the Renaissance Lute. Munich: Tree Edition, 1981.
  • Mason, K. F. "Campion's secret of accompaniment for the theorbo, guitar, and lute." Journal of the Lute Society of America XIV (1981): 69-94.
  • Meadors, James. "Dowland’s 'Walsingham'." Journal of the Lute Society of America XIV (1981): 59-68:
  • Page, Christopher. “The 15th - Century Lute: New and Neglected Sources.” Early Music 9/1 (1981): 11-21.
  • Pennington, N.D.  The Spanish Baroque Guitar with a Transcription of De Murcia’s Passacalles y obras. Ann Arbor, 1981.
  • Pinnell, Richard T. "Francesco Corbetta: chitarrista barocco alla corte d’Inghilterra." Il Fronimo 37 (Oct. 1981): 6-29.
  • Poulton, Diana. Lute playing technique. The Lute Society, 1981.
  • Rey, Juan José. “El vihuelista Luis de Guzmán”. Revista de Musicología 4 (1981): 129-32.
  • Rudén, Jan Olof. Music in Tablature: A Thematic Index with Source Descriptions of Music in Sweden. Stockholm: Svenskt    Musikhistoriskt Arkiv, 1981.
  • Russell, Craig H. S. de Murcia: Spanish theorist and guitarist of the 18th. century. Transcription and translation of S. de Murcia's complete works, Ph.D. diss., Univ. of North Carolina, Chapel Hill 1981
  • Stenzl, Jürg. “Peter Falk und die Musik in Freiburg”, Schweizerische Musikzeitung 121 (1981), 289-295.
  • Strizich, Robert. L'accompagnamento di basso continuo sulla chitarra barocca, in Fronimo IX/34 1981, 15-26 und IX/35 1981, 8-27.
  • Tyler, James. "The mandore in the 16th and 17th centuries." Early Music 9/1 (January 1981):
  • Vaccaro, Jean-Michel. La musique de luth en France au XVIe siècle. Paris, 1981.
  • Vogl, Emil. "The Lute Music of Johann Anton Losy." Journal of the Lute Society of America XIV (1981): 5-58.



1982        
  • Arnold, Donna. The Lute Music and Related Writings in the Stammbuch of Johann Stobaeus. Ph.D., Musicology, North Texas State University, 1982. iv, 148 p.
  • Barber, Stephen. "Making Lute Moulds." The Lute 22/1 (1982): 21-24.
  • Barber, Stephen. "A Six-Course Lute by Magno Dieffopruchar." The Lute 22/2 (1982): 47-54.
  • Brown, Lawrence D. "Lute action." FoMRHI Quarterly 28 (July, 1982):
  • Brown, Lawrence D. "Finishing lute soundboards." FoMRHI Quarterly 29 (October, 1982):
  • Calvo-Manzano, M.R. Ruiz de Ribayaz: Luz y norte musical. Madrid, 1982. [incl. facs. and commentary]
  • Chiesa, R. "Storia della letteratura del liuto e della chitarra, XXXIX. Il Cinquecento: la vihuela; Luys 
    Milan, El maestro." Il Fronimo XXXIX (1982): 19-27.
  • Crawford, Tim. "New Sources of the Music of Count Losy." Journal of the Lute Society of America XV (1982): 52-83.
  • Dombois, Eugen M. "Lute Temperament in Hans Gerle (1532)." The Lute 22/1 (1982): 3-14; 22/2 (1982): 89 only.
  • Dombois, Eugen M. "Lute Temperament in Hans Gerle (1532): A Comment from the Author." The Lute 22/2 (1982):
  • Fabris, Dinko. “Prime aggiunte italiane al volume RISM B/VII --intavolature mss. per liuto e chitarra.” Fontes Artis Musicae 29 (1982): 103-21.
  • Grandis, L. de. "Famiglie di musicisti del ’500. I Piccinini: vita col Liuto." NRMI XVI (1982): 226-32.
  • Griffiths, John (ed.). Esteban DazaThe Fantasias for Vihuela. Recent Researches in Music of the Renaissance, 54. Madison: A-R Editions, 1982.
  • Hudson, Richard. The Folia, the Saraband, the Passacaglia, and the Chaconne: the Historical evolution of four forms that originated in music for the five-course Spanish Guitar. Neuhausen-Stuttgart, 1982.
  • Irvine, Robert. "All-nylon strung lutes." FoMRHI Quarterly 27 (April, 1982):
  • Jones, Lewis. "The Thibault Lute Manuscript: An Introduction, I." The Lute 22/2 (1982): 69-88.
  • Klima, Josef. Die Lautenhandschrift 13769 der Nationalbibliothek Buenos Aires. Die sogenannte Kalywodahandschrift. thematisches Verzeichnis (Maria Enzersdorf bei Wien, 1982; Wiener Lautenarchiv, A, 25).
  • Klima, Josef. Aus dem Lautenbuch des Christophorus Herholder. Padova 1602, Privatbesitz. Themenverzeichnis. (Maria Enzersdorf bei Wien, 1982 ; Wiener Lautenarchiv, A, 26).
  • Lajaruzny, Anatoly. "Lute outlines - geometrical description." FoMRHI Quarterly 26 (January, 1982):
  • Ledbetter, David. "Aspects of 17th-Century Lute Style Reflected in the Works of the ‘Clavecinistes’." The Lute 22/2 (1982): 55-68.
  • Lundgren, Stefan (ed.). English Duets for Two Renaissance Lutes. Munich, 1982-6.
  • Nussbächer, G. "Zur Biographie von Valentin Greff-Bakfark." Forschungen zur Volks- und Landeskunde XXV/1-2 (1982): 103-5.
  • Peckham, R. J. "Computing lute rib shapes." FoMRHI Quarterly 28 (July, 1982):
  • Pergreffi, P. Bellerofonte Castaldi: Le rimeDissertation, University of Bologna, 1982.
  • Pohlmann, Ernst. Laute Theorbe Chitarrone. Die Lauten-Instrumente, ihre Musik und Literatur von 1500 bis zur Gegenwart, 5th ed. (Lilienthal/Bremen, 1982).
  • Poulton, Diana. “The vihuela in Latin America.” The Lute 22/1 (1982): 15-16.
  • Poulton, Diana. John Dowland. University of California Press, 1982.
  • Prizer, William F. “Isabella d’Este and Lorenzo da Pavia, master instrument-maker.” Early Music History 2 (1982): 87-127.
  • Robinson, John O. Ornamentation in Sebastian Ochsenkun’s Tabulaturbuch auff die Lauten, Journal of the Lute Society of America, XV (1982), p. 5-26.
  • Russell, Craig H. Santiago de Murcia: The French Connection in Baroque Spain, Journal of the Lute Society of America, XV (1982), p. 40-51.
  • Samson, Bill. Charles Mouton’s ‘Avertissement’ from Pièces de Luth (1699), The Lute, 22/1 (1982), p. 17-20.
  • Vanhulst, Henri. "L’instruction pour le cistre parue dans la version anversoise de l’Hortulus citharae (1582)." Revue belge de Musicologie XXXVI-XXXVIII (1982-1984): 65-87.
  • Ward, John M. “Changing the instrument for the Music.” Journal of the Lute Society of America XV (1982): 27-39.
  • Weisman, Maish. “The Paris vihuela reconstructed.” Galpin Society Journal XXXV (1982): 68-77.
  • Williams, Ken. "Perforating soundboard roses with scissors.FoMRHI Quarterly 29 (October, 1982):



1983        
  • Barber, Stephen. "A Damascus Oud." The Lute 23/2 (1983): 13-22.
  • Buch, David J. "On the Authorship of William Lawes’s Suite for Two Lutes." Journal of the Lute Society of America XVI (1983): 12-14.
  • Coelho, Victor. “G.G. Kapsberger in Rome, 1604-1645: New Biographical Data.” Journal of the Lute Society of America XVI (1983): 103-133.
  • Coldwell, Charles P. "Angelo Gardano’s Balletti Moderni and its Relations to Cesare Negri’s Le Gratie D’Amore." Journal of the Lute Society of America XVI (1983): 57-102.
  • Comberiati, C.P. "On the Threshold of Homophony: Texture in Sixteenth-Century Lute Music." JMR IV (1983): 331-351.
  • Domning, Joachim. "Der Lautenist Adam Falckenhagen." Laute und Guitarre V (1983): 322-8.
  • Dugot, Joël. "Some Lutes in Paris Museums, Part 1." Journal of the Lute Society of America XVI (1983): 27-56.
  • Forrester, Peter. "Some notes on cittern fingerboards and stringing.FoMRHI Quarterly 32 (July, 1983):
  • Glixon, Jonathan. "Lutenists in Renaissance Venice: Some Notes from the Archives." Journal of the Lute Society of America XVI (1983): 15-26.
  • Griffiths, John. The Vihuela FantasiaA Comparative Study of Forms and Styles. Ph.D. Dissertation, Monash University, 1983.
  • Hall, Monica. The Guitar Anthologies of Santiago de Murcia. Dissertation, Open University, Milton Keynes, 1983. [incl. edn of Resumen and Passacalles] 
  • Hall, Monica. "Santiago de Murcia and François Le Cocq." Journal of the Lute Society of America XVI (1983): 3-7; see also ibid., XVII-XVIII (1984-5): 139-41.
  • Harwood, Ian. "Diana Poulton: An 80th Birthday Appreciation." The Lute 23/2 (1983):
  • Hodgson, Martyn. "The sizes and pitches of Italian archlutes.FoMRHI Quarterly 32 (July, 1983):
  • Imamura, Yasunori. Das Lautenkonzert von Carlo Giuseppe Toeschi. Dissertation, Schola Cantorum Basiliensis, Basel, 1983.
  • Jones, Lewis. "The Thibault Lute Manuscript: An Introduction, II." The Lute 23/1 (1983): 21-26.
  • Marincola, Federico. "The Instructions from Vincenzo Capirola’s Lute Book: A New Translation." The Lute 23/2 (1983): 23-28.
  • Mason, K. The Chitarrone and its Repertoire in Early Seventeenth-Century Italy. Ph.D. Dissertation, Washington 1983.
  • Plank, S. "Continuo Realization Fragments from Seventeenth Century Rome." The Courant (1983, 1): 11-18.
  • Reijen, Paul van. Tablature 205-B-32 in the Toonkunst Library, Amsterdam, The Lute, 23/1 (1983), p. 3-14.
  • Russell, Craig H. François le Cocq’s Influence on Santiago de Murcia: Problems with Dates, Sources, and Recomposition, Journal of                the Lute Society of America, XVI (1983), p. 7-11.
  • Spencer, Robert. Minikins and Lace, The Lute, 23/1 (1983), p. 27-28.
  • Thomas, C.M. "Sacred Hymnsby Robert TailourA Criical Study and Transcription. Dissertation, London University, 1983.
  • Toffolo, Stefano. "The Corporation of Lute-Makers in Venice: Historical Aspects." The Lute 23/2 (1983): 29-34.
  • Wallace, B.K. A translation and commentary on Generalbass in drey Accorden by J. F. Daube, Ph. D., Theory, North. Texas State University, 1983.
  • Wilson, Dr. Christopher R. "Thomas Campion’s ‘Ayres filled with parts’ Reconsidered." The Lute 23/2 (1983): 3-12.



1984        
  • Allsen, J. Michael. "A Chitarrone and Lute Manuscript for Stefano Pignatelli." Journal of the Lute Society of America XVII/XVIII (1984/1985): 1-25.
  • Arriaga, G. "Francisco y Gabriel Garau, músicos mallorquines." RdMc VII (1984): 253–99.
  • Arriaga, G. Introduction to Santiago de Murcia: Resumen de acompañar la parte con la guitarra (1714). Facsimile, Madrid, 1984.
  • Bailes, Anthony. "An introduction to French lute music of the XVIIth century." in: Jean-Michel Vaccaro (ed.), Le Luth et sa Musique II (Paris: Éditions du CNRS, 1984): 213-228.
  • Benkö, Dániel. "Quelques réflexions à propos de Bakfark." in: Jean-Michel Vaccaro (ed.), Le Luth et sa Musique II (Paris: Éditions du CNRS, 1984): 113-122.
  • Brown, Howard Mayer. "La musica ficta dans les mises en tablature d’Albert de Rippe et Adrian Le Roy." in: Jean-Michel Vaccaro (ed.), Le Luth et sa Musique II (Paris: Éditions du CNRS, 1984): 163-182.
  • Coelho, Victor. “Studies in the Lute and its Music: Prospects for the Future.” Journal of the Lute Society of America XVII-XVIII (1984-85): 118-32.
  • Corona-Alcalde, Antonio. "The Viola da Mano and the Vihuela, Evidence and Suggestions about their Construction." The Lute 24/1 (1984): 3-32.
  • Corona-Alcalde, Antonio. “Fray Juan Bermudo and his Seven Vihuelas." The Lute 24/2 (1984): 77-86.
  • Crawford, Tim. "Haydn’s music for lute." in: Jean-Michel Vaccaro (ed.), Le Luth et sa Musique II (Paris: Éditions du CNRS, 1984): 69-85.
  • Crookes, David Z. "More cello spikes and lute strings.FoMRHI Quarterly 37 (October, 1984):
  • Davies, Ian. "Replete for Three Lutes - The Missing Parts." The Lute 24/1 (1984): 38-43.
  • Dugot, Joël. "Some Lutes in Paris Museums, Part 2." Journal of the Lute Society of America XVII/XVIII (1984/1985): 53
  • Gétreau, Florence. "The Lute Collection of the Paris Museum of Musical Instruments: Its Character, Formation and Development." Journal of the Lute Society of America XVII/XVIII (1984/1985): 50-52.
  • Göllner, Marie-Louise. "On the Process of Lute Intabulation in the Sixteenth Century." in: H. Leuchtmann, R. Münster, Festschrift K. Dorfmüller (Tutzing, 1984): 83-96.
  • Hall, Monica. "Communications." Journal of the Lute Society of America XVII-XVIII (1984-5): 139-41.
  • Homolya, István. "Bakfark and Greff: Two Names - One Person." The Lute 24/1 (1984): 33-36.
  • Homolya, I. Bakfark. Budapest, 1984.
  • Hong, Choon Mee. Sebastian Ochsenkun’s Tabulaturbuch auff die Lauten (1558)Transcription and Study. Dissertation, Ph.D. Musicology, Michigan State University, 1984. 603 p.
  • Ivanoff, Vladimir. "Das Lautenduo im 15. Jahrhundert." Basler Jahrbuch für Historische Aufführungspraxis VIII (1984): 147-162.
  • Jensen, Richard d’Arcambal. "A Computerized Approach to the Early Italian Lute Ricercar." Journal of the Lute Society of America XVII/XVIII (1984/1985): 106-113.
  • Kanasawa, Masakata. A comparative study of versions for lute, cittern, bandora and instrumental ensemble of compositions by Anthony Holborne, in: Jean-Michel Vaccaro (éd.), Le Luth et sa Musique II (Paris: Éditions du CNRS, 1984), p. 123-138.
  • Lindley, Mark. Lutes, Viols, and Temperaments. Cambridge University Press, 1984.
  • Lockwood, L. Music in Renaissance Ferrara 1400–1505. Cambridge, MA, 1984.
  • Meadors, James M. Italian Lute Fantasias and Ricercars Printed in the Second Half of the Sixteenth Century. Ph.D., Musicology, Harvard University, 1984. ix, 378 p.
  • Minamino, Hiroyuki. "Transformation in Intabulation." Journal of the Lute Society of America XVII/XVIII (1984/1985): 114-116.
  • Morrow, Michaël. "Fifteenth-century lute music: some possible sources." in: Jean-Michel Vaccaro (ed.), Le Luth et sa Musique II (Paris: Éditions du CNRS, 1984): 31-33.
  • Ness, Arthur J. "A descriptive catalogue of lute sources." in: Jean-Michel Vaccaro (ed.), Le Luth et sa Musique II (Paris: Éditions du CNRS, 1984): 93-96.
  • Ness, Arthur J. "Domenico Bianchini: Some recent findings." in: Jean-Michel Vaccaro (ed.), Le Luth et sa Musique II (Paris: Éditions du CNRS, 1984): 97-111.
  • Ness, Arthur J. The Herwarth Lute Manuscripts at the Bavarian State Library, Munich. A Bibliographical Study with Emphasis on the Works of Marco dall’Aquila and Melchior Newsidler. Ph.D., Musicology, New York University, 1984.
  • Nolde, Richard James. English Renaissance Lute Practice as Reflected in Robert Dowland's Varietie of Lute-Lessons. Dissertation, Master of Music, Rice University, Houston, TX, May 1984.
  • Nussbächer, G. "Precizări cu privire la biografia lui Valentin Greff-Bakfark" [Corrections concerning the biography of Bakfark]. Studii de muzicologie XIII (1984): 139-48.
  • O'Dette, Paul. "Quelques remarques sur l’exécution de la musique de danse de Dalza." Jean-Michel Vaccaro (ed.), Le Luth et sa Musique II (Paris: Éditions du CNRS, 1984): 183-191.
  • O'Kelly, Joseph M. "Lute string calculation and identification.FoMRHI Quarterly 35 (April, 1984):
  • Poulton, Diana. "L’usage des ornements dans la musique de luth de la Renaissance." Jean-Michel Vaccaro (ed.) Le Luth et sa Musique II (Paris: Éditions du CNRS, 1984): 194-202.
  • Pozniak, Piotr. "I canti per voce sola e liuto nel XVI e XVII secolo come uno dei modi di genesi della monodia barocca." Sodalium voces, Bologna 1984: 157-167; wersja pol., Muzyka (1984 n.4): 35-44.
  • Pozniak, Piotr. "Jacques Polonais et Jacob Reys." Jean-Michel Vaccaro (ed.), Le Luth et sa Musique II (Paris: Éditions du CNRS, 1984): 35-42.
  • Robinson, John O. Elias Mertel’s Hortus Musicalis Novus and Progressive Tendencies in the Late Renaissance Lute Fantasia, Journal of the Lute Society of America, XVII/XVIII (1984/1985), p. 26-41.
  • Rollin, Monique. Quelques échos des opéras de Lully dans la musique de luth, in: Arts du Spectacle et histoire des idées. Recueil offert en hommage à Jean Jacquot (Tours: Centre d’Études supérieures de la Renaissance, 1984), 229-234
  • Rollin, Monique. A propos du cataloguement de la musique française pour luth du XVIIe siècle, in: Jean-Michel Vaccaro (éd.), Le Luth et sa Musique II (Paris: Éditions du CNRS, 1984), p. 88-91.
  • Shann, Richard. "The transition from octave to unison stringing.FoMRHI Quarterly 37 (October, 1984):
  • Smith, Douglas Alton, Editing XVIIIth century lute music: the works of Silvius Leopold Weiss, in: Jean-Michel Vaccaro (éd.), Le Luth et sa Musique II (Paris: Éditions du CNRS, 1984), p. 253-260.
  • Sparr, Kenneth. French lutenists and French lute-music in Sweden, in: Jean-Michel Vaccaro (éd.), Le Luth et sa Musique II (Paris: Éditions du CNRS, 1984), p. 59-67.
  • Sparr, Kenneth. Hinrich Niewerth - Lutenist at the Swedish Court, The Lute, 24/2 (1984), p. 69-75.
  • Spencer, Robert. Performance style of the english lute ayre c. 1600, in: Jean-Michel Vaccaro (éd.), Le Luth et sa Musique II (Paris: Éditions du CNRS, 1984), p. 203-211.
  • Spencer, Robert. Performance Style of the English Lute Ayre c. 1600, The Lute, 24/2 (1984), p. 55-68.
  • Stearns, Roland B. An American in Zillertal, The Lute, 24/2 (1984) 
  • Tichota, Jirí. "Problèmes d’édition des tablatures de rédaction défectueuse." Jean-Michel Vaccaro (ed.), Le Luth et sa Musique II (Paris: Éditions du CNRS, 1984): 43-58.
  • Tichota, Jirí. "Bohemika a cesky repertoár v tabulaturách pro renesancni loutnu." Miscellanea musicologica XXI (1984): 143-225.
  • Torelli, Francesca. "Una prima documentazione sui Melli, musicisti di Reggio Emilia." Il flauto dolceRivista per lo studio e la pratica della musica antica X-XI (1984): 35-9.
  • Torelli, Francesca. "Pietro Paolo Melii, Musician of Reggio Emilia." Journal of the Lute Society of America XVII/XVIII/ 1 & 2 (1984/1985): 42-49.
  • Vaccaro, Jean-Michel. "Une courante célèbre de Dubut le père: une étude de concordances." J.-M. Vaccaro (ed.), Le Luth et sa Musique II (Paris: Éditions du CNRS, 1984): 229-252.
  • Wells, Robin Headlam. "The Ladder of Love: Verbal and Musical Rhetoric in the Elizabethan Lute Song." EMc XII (1984): 173–89.
  • Young, (Robert) Crawford. "Zur Klassifikation und ikonographischen Interpretation mittelalterlicher Zupfinstrumente." Basler Jahrbuch für historische Musikpraxis VIII (Winterthur: Amadeus Verlag, 1984): 67-104.



1985        
  • Buch, David J. "Style brisé, Style luthée, and the Choses luthées." MQ LXXI (1985): 52-67.
  • Carter, Tim. "'Serate musicali' in Early Seventeenth-Century Florence: Girolamo Montesardo’s 
    'L’allegre notti di Fiorenza' (1608)." Renaissance Studies in Honor of Craig Hugh Smyth (Florence, 
    1985), i: 555-68.
  • Chauvel, Claude. Introduction to Manuscrit Barbe, pièces de luth de différents auteurs en tablature française. Geneva, 1985. [facs.]
  • Corona-Alcalde, Antonio. “La vihuela et la guitare. Instruments de musique espagnols du XVIe au XIXe siècle." Europalia 85 España (Bruxelles: Societé Generale, 1985): 73-91.
  • Crawford, Tim. "Lord Danby, Lutenist of 'Quality'." The Lute 25/2 (1985): 53-68.
  • Cristoforetti, O. "Les Piccinini et l'évolution organologique du luth à la fin du XVIe siècle." Musique Ancienne 19 (1985): 4-20.
  • Dugot, Joël, and M. Horvat (eds.). "Piccinini: Avertimenti, 1623: Les “Avertimenti”, ou instructions 
    précédent l'Intavolatura de liuto et di chitarrone, libro primo." Musique Ancienne 19 (1985): 21-39.
  • Edwards, David van. "Gut Strings and Angled Bridges." The Lute 25/1 (1985): 17-28.
  • Forrester, Peter. "Violas, vihuelas and iconography.FoMRHI Quarterly 39 (April, 1985): [See also FoMRHI Quarterly 45Comm 758]
  • Griffiths, John. "L’Oiseau Lyre and Australian Music", and "L’Oiseau Lyre in the Middle Ages, Renaissance and Baroque." L’Oiseau LyreThe Work of Louise Hanson-Dyer and the Lyrebird Press. Melbourne: University of Melbourne, 1985, 19: 27-28.
  • Henriksen, Chris. Libro Primo di Sinfonie … del Signor Giovanni Girolamo Kapsperger: the Music and Application Possibilities of Lute Family Instruments. Dissertation, Schola Cantorum Basiliensis, Basel, 1985.
  • Hobohm, W. Commentary to E. Thom, ed.: David KellnerTreulicher Unterricht im General-Bass, nebst einer Vorrede von Georg Philipp Telemann. Michaelstein, ?1985.
  • Hodgson, Martyn. "The case of the unknown scholar and the missing lute.FoMRHI Quarterly 40 (July, 1985):
  • Hodgson, Martyn. "On cammer-ton and on the sizes of lutes.FoMRHI Quarterly 41 (October, 1985):
  • Hodgson, Martyn. "The stringing of a baroque guitar.FoMRHI Quarterly 41 (October, 1985):
  • Kecskés, András. Lanttabulatúra - virágének, Nógrád megyei múzeumok évkönyve, XI (1985), p. 271-288.
  • Lesca, L. "Antoine Francisque, joueur de luth et compositeur." Musique ancienne XIX (1985): 45–56.
  • Lindley, Mark. "More on Denis Gaultier, Sohne, Zarlino et al.FoMRHI Quarterly 39 (April, 1985):
  • MacClintock, Carol. Vincenzo Galilei, Fronimo, 1584, translated and edited by Carol MacClintock, Musicological studies and documents 39, Neuhausen, 1985.
  • Manfredini, Paola. Le raccolte di intavolature per liuto di Melchiorre de Barberiis. Dissertation, Cremona, Scuola di Paleografia e Filologia Musicale dell'Università di Pavia, 1985, X, 279 p.
  • McCormack, Len. "The vihuela.FoMRHI Quarterly 39 (April, 1985): [see also FoMRHI Quarterly Comm 629 Comm 631, Comm 660, and Comm 661]
  • McCutcheon, Meredith. Guitar and VihuelaAn Annotated Bibliography. RILM Retrospectives 3. New York: Pendragon, 1985.
  • Meyer, Christian. "Observations pour une analyse des tempéraments des instruments à cordes pincées: le 
    luth de Hans Gerle (1532)." RdM LXXI (1985): 119-141.
  • Mössinger, M. Die Gitarre als Continuoinstrument im 17./18. Jahrhundert. 1985, Ref. Max Lütolf.
  • Ness, Arthur J. "A Letter from Melchior Newsidler." in: Anne Dhu Shapiro (ed.), Music and Context. Essays for John M. Ward (Cambridge, Mass., 1985): 352-369.
  • Rooley, Anthony. ‘The Art of Singing’, The Lute, 25/1 (1985), p. 31-39.
  • Short, R. PhD diss. The theorbo and guitar as continuo instruments, 1985, London
  • Sparr, Kenneth. Lutenists at the Royal Court of King Gustavus I of Sweden, The Lute, 25/2 (1985), p. 69-80.
  • Spencer, Robert. Postscript to ‘Performance Style of the English Lute Ayre c.1600’, The Lute, 25/1 (1985), p. 40.
  • Spencer, Robert. Singing Lute Songs: A Final Word, The Lute, 25/2 (1985), p. 81.
  • Toft, Robert. "An Approach to Performing the Mid 16th-Century Italian Lute Fantasia." The Lute 25/1 (1985): 3-16.
  • Vaccaro, Jean-Michel. "Les tablatures de luth manuscrites conservées à la Bibliothèque universitaire d’Uppsala: quelques hypothèses." Revue de Musicologie 71 (1985): 181-183.
  • Vaccaro, Jean-Michel. "Roland de Lassus, les luthistes français et la chanson." Revue belge de Musicologie, XXXIX-XL (1985-1986): 158-174.



1986        
  • Ballman, Christine. "Technique de chant au luth d’après le manuscrit Cavalcanti (Bruxelles, Bibliothèque Royale Albert Ier, Ms II 275)." Revue belge de Musicologie L (1986): 35-48.
  • Benatar, Rafael. "Making Catlines at Home." Lute Society of America Quarterly XXI/2 (1986): 13
  • Bollini, A. "L'attività liutistica a Milano dal 1450 al 1550: nuovi documenti." RIM XXI (1986): 31-60. 
  • Burgers, J. "Sources Concerning Vallet.": appx. to: Introduction to The Complete works of Nicolaes Vallet, ed.L.P. Grijp, R. Spencer and J. Burgers (Utrecht, 1986–92) iii: xxxv–lxviii.
  • Chiesa, R. "Storia della letteratura del liuto e della chitarra, LV–LVI: il Cinquecento – Joan Maria da Crema." Il Fronimo XIV/55-6 (1986): 21-5, 34-8.
  • Coelho, Victor. “G.G. Kapsberger ‘della tiorba’ e l’influenza liutistica sulle Toccate di Frescobaldi.” in: Girolamo Frescobaldi nel IV centenario della nascita, ed. S. Durante & D. Fabris. Florence: Leo Olschki, 1986: 341-57.
  • Corona-Alcalde, Antonio. "The Lute in Spain." Lute News 1 (July 1986):
  • Corona-Alcalde, Antonio. "A Vihuela Manuscript in the Archivo de Simancas." The Lute 26/1 (1986): 3-17.
  • Corona-Alcalde, Antonio, and Stewart McCoy (ed.). "Seven Pieces for Vihuela from the Simancas Manuscript." The Lute 26/1 (1986): 18-20.
  • Eyler, Frank. "The Modern “Venice Catline” Reconsidered." Lute Society of America Quarterly XXI/3 (1986): 3
  • Fischlin, Daniel T. "‘The Consent of Speaking Harmony’: The Literary Aesthetics of the English Air." Journal of the Lute Society of America XVIIII (1986): 29-57.
  • Forrester, Peter. "Citterns and chitarra battente.FoMRHI Quarterly 44 (July, 1986): [See also ibid. Comm 741, Comm 742 and FoMRHI Quarterly 45Comm 757]
  • Forrester, Peter. "On extended peghead lutes.FoMRHI Quarterly 44 (July, 1986): [See also ibid. Comm 742 and FoMRHI Quarterly 45Comm 757]
  • Gill, Donald. "Alternative Lutes: The Identity of 18th-Century Mandores and Gallichones." The Lute 26/2 (1986): 51-60.
  • Gill, Donald. "Chitarra battente, further comments.FoMRHI Quarterly 44 (July, 1986): 
  • Gill, Donald. "Mandores and alternative lutes." Lute News 1 (July 1986):
  • Goldschmidt, Gusta (ed. Pat O'Brien). "A Technique for Stringing a Lute with Gut." Lute Society of America Quarterly XXI/1 (1986): 19
  • Griffiths, John. "La ‘Fantasía que contrahaze la harpa’ de Alonso Mudarra: estudio histórico-analítico." Revista de Musicología 9 (1986): 29-40.
  • Grijp, Louis Peter. Introduction to The Complete works of Nicolaes Vallet, ed.L.P. Grijp, R. Spencer and J. Burgers. Utrecht, 1986-92.
  • Hodgson, Martyn. "A matter of temperament.FoMRHI Quarterly 43 (April, 1986):
  • Hodgson, Martyn. "Von Radolt's instructions to lute players (Vienna 1701).FoMRHI Quarterly 44 (July, 1986):
  • Hodgson, Martyn. "On extended peghead lutes.FoMRHI Quarterly 44 (July, 1986):
  • Hope, Harvey. "Chitarra battente.FoMRHI Quarterly 43 (April, 1986): [see also FoMRHI Quarterly 45Comm 759]
  • Hope, Harvey. "Vihuela.FoMRHI Quarterly 43 (April, 1986):
  • Hulse, Lynn. "Hardwick MS 29: a New Source for Jacobean Lutenists." The Lute 26/2 (1986): 62-72. 
  • Hulse, Lynn. "Francis and Thomas Cutting: Father and Son?" The Lute 26/2 (1986): 73-74.
  • Lindley, Mark. "An exceptional G-sharp in Milan.FoMRHI Quarterly 42 (January, 1986):
  • Lundgren, Stefan. New Method for the Renaissance Lute. Munich: Lundgren Musik-Edition, 1986.
  • MacGee, Timothy J. “Instruments and the Faenza Codex.” Early Music 14 (1986):
  • Martell, Paul. "Parody Versus Paraphrase in G. P. Paladino’s Fantasia on ‘Alcun non puo saper." Journal of the Lute Society of America XVIIII (1986): 1-12.
  • Martin, C. "Ornementation dans les tablatures françaises…" Instruments et musique instrumentale, ed. H.Charnassé and L. Hellen (Paris, 1986):
  • McCoy, Stewart. "Lost Lute Solos Revealed in a Paston Manuscript." The Lute 26/1 (1986): 21-39.
  • McCoy, Stewart. "New discoveries in the Paston lute books." Lute News 1 (July 1986):
  • McGrady, R.J. "Campion and the Lute." MR XLVII (1986): 1-15.
  • Meunier, Robert. "3, 4 and 20 Lutes." Lute Society of America Quarterly XXI/1 (1986): 15
  • Meyer, Christian. "Les manuscrits de luth du fonds Fétis (Bruxelles, Bibliothèque Royale Albert Ier, Mss II 4086-4089)." Revue belge de Musicologie, L (1986): 197-216.
  • Minamino, Hiroyuki. "Conrad Paumann and the Evolution of Solo Lute Practice in the Fifteenth Century." Journal of Musicological Research 4 (1986): 291-310.
  • Noailly, Jean-Michel. "Une tablature italienne pour le luth: le manuscrit 6244 de la Bibliothèque municipale de Lyon." Revue de Musicologie 72 (1986): 261-270.
  • Nordstrom, Lyle. "Five-part music for four-part ensemble: polyphonic pieces in the Consort Lessons." Lute News 1 (July 1986):
  • Orsini, C. Vincenzo Galilei: Catalogo tematico ragionato delle sue opere musicali con particolare riferimento agli esemplari conservati nelle biblioteche italiane. Dissertation, University of Pisa, 1986.
  • Pozniak, Piotr. "Czarna krowa czy O guardame las vacas." Muzyka (1986 no. 3): 49-56.
  • Pujol, Emilio. “Erinnerungen an die Anfänge.” Gitarre und Laute 8.2 (1986): 18-19.
  • Pujol, Emilio. “Die Vihuela and ihre Spieler.” Gitarre und Laute 8.2 (1986): 47-50.
  • Ryding, Erik S. Collaboration Between Campion and Rosseter?, Journal of the Lute Society of America, XVIIII (1986), p. 13-28.
  • Sparr, Kenneth. An Early 18th-Century Swedish Lute Tutor, The Lute, 26/2 (1986), p. 75-80.
  • Sparr, Kenneth. A Poet’s Description of the Lute Playing of Silvius Leopold Weiss, and a Possible Link Between Weiss and David Kellner, Journal of the Lute Society of America, XVIIII (1986), p. 58-67.
  • Spencer, Robert. "Performance Style of the English Lute Ayre c. 1600", Lute Society of America Quarterly, XXI/4 (1986)
  • Turner, Charles. "Arnolt Schlick’s Maria zart for Lute and Voice: Background, Sources, Performance." Journal of the Lute Society of America XVIIII (1986): 68
  • Ward, John M. "The Morris Tune." Journal of the American Musicological Society XXXIX (1986): 294-331.


1987        
  • Blardone, A. "Giovanni Battista Granata: una figura da riscoprire." Il ‘Fronimo 61 (1987): 41-7.
  • Buch, David J. "Texture in French Baroque Lute Music and Related Ensemble Repertories." Journal of the Lute Society of America XX/XXI (1987/1988): 120-154.
  • Chiesa, R."Storia della letteratura del liuto e della chitarra, LVIII: il Cinquecento – Domenico Bianchini." Il Fronimo XV/58 (1987): 23-7.
  • Chiesa, R. "Storia della letteratura del liuto e della chitarra, LXI: il Cinquecento – Francesco Bianchini.’ Il Fronimo XV/61 (1987): 39-40.
  • Coelho, Victor. “Frescobaldi and the Lute and Chitarrone Toccatas of ‘Il Tedesco della tiorba.’” in: Frescobaldi Studies, ed. A. Silbiger. Durham: Duke University Press, 1987: 137-56.
  • Crawford, Tim. "Influences on the style of Sylvius Leopold Weiss." Lute News 3 (January, 1987):
  • Fabris, Dinko. Andrea Falconieri Napoletano: un liutista-compositore del Seicento. Rome, 1987.
  • Fabris, Dinko. "Tre composizioni per liuto di Claudio Saracini e la tradizione del liuto a Siena tra Cinque 
    e Seicento." Il flauto dolce 16 (1987): 14-25.
  • Fischlin, Daniel T. "‘The Highest Key of Passion’: Inexpressibility and Metaphors of Self in John Dowland’s First Book of Songes or Ayres." Journal of the Lute Society of America XX/XXI (1987/1988): 46-86.
  • Forrester, Peter. "17th century guitar woodwork.FoMRHI Quarterly 48 (July, 1987):
  • Forrester, Peter. "A Scottish Consort." The Lute 27 (1987): 38-41.
  • Gill, Donald. "The 17th century gittern and bell gittern.FoMRHI Quarterly 47 (April, 1987):
  • Goldberg, C. Stilisierung als kunstvermittelnder Prozess: die französischen Tombeau-Stücke im 17. Jahrhundert. Laaber, 1987.
  • Greer, David. "A Dowland Curiosity." The Lute 27 (1987): 42-44.
  • Griffiths, John. "La evolución de la fantasía en el repertorio vihuelístico." España en la Música del Occidente. Ed. Emilio Casares, José López-Calo and Ismael Fernández de la Cuesta, Vol. 1 (Madrid: Ministerio de Cultura, 1987): 315-322.
  • Griffiths, John. "Berlin Mus. MS40032 y otros nuevos hallazgos en el repertorio para vihuela." España en la Música del Occidente. Ed. Emilio Casares, José López-Calo and Ismael Fernández de la Cuesta, Vol. 1 (Madrid: Ministerio de Cultura, 1987): 323-324.
  • Griffiths, John. "On Playing the Fantasia." Early Music New Zealand 3/1 (1987): 3-17.
  • Guillo, L. "Giovanni Paolo Paladino à Lyon." RdM LXXIII (1987): 249-53.
  • Harrán, D. "Sulla genesi della famosa disputa fra Gioseffo Zarlino e Vincenzo Galilei: Un nuovo profilo." NRMI XXI (1987): 467-75.
  • Holman, Peter, and Tim Crawford. "The lute concerti of Sylvius Leopold Weiss." Lute News 4 (April, 1987):
  • Hope, Harvey. "Vihuela and José Romanillos.FoMRHI Quarterly 47 (April, 1987): [see also FoMRHI Quarterly 48, Comm 824]
  • Humeau, Hubert. "Interpretation in the Air de Cour." Lute News 3 (January 1987):
  • Jacobs, Charles T. "Melchior Neusidler: Intabulation and Transcription." Journal of the Lute Society of America XX/XXI (1987/1988): 108-119.
  • Jape, M. Introduction to Le petit boucquet. Peer, 1987: 5–22 [facs.].
  • Jones, Lewis. "Lutes depicted in Italian intarsie." Lute News 3 (January 1987):
  • Jones, Lewis. "The Pesaro lute MS." Lute News 5 (July 1987):
  • Laki, P. "Claudio Saracini: Innovative or Incompetent?" IMSCR XIV, Bologna 1987, iii: 905-913.
  • Ledbetter, David. Harpsichord and Lute Music in 17th-century France. London: Macmillan, 1987.
  • Lorimer, M. Preface to Santiago de Murcia: Saldívar Codex No.4. Facs., Santa Barbara, CA, 1987.
  • Lowe, Michael. "Some diffuse thoughts on the baroque lute." Lute News 4 (April 1987):
  • Massip, C. "Recherches biographiques." Preface to Oeuvres de Gallot (Paris 1987): xv–xxiii.
  • North, Nigel. Continuo Playing on the Lute, Archlute and Theorbo. London: Faber 1987.
  • Nutter, David. "An Intabulation for Contrabass Lute?" Journal of the Lute Society of America XX/XXI (1987/1988): 22-45.
  • Pilch, Anthoni. "Polish dances in the lute repertoire." Lute News 5 (July 1987):
  • Polk, Keith. "Instrumental Music in the Urban Centres of Renaissance Germany." Early Music History I (1987): 159-86.
  • Poulton, Diana. "The Early History of the Lute." Journal of the Lute Society of America XX/XXI (1987/1988): 1-21.
  • Rave, Wallace J. Remarks on Gallot Sources: How Tablatures Differ, Journal of the Lute Society of America, XX/XXI (1987/1988), p. 87-107.
  • Romanillos, Jose Luis. “The vihuela in Spain and the instrument in the Jacquemart André Museum”. Classical Guitar 5, no. 7 (1987): 39-42.
  • Schneider, Hugo. “Über den Nachbau einer Vihuela”. Instrumentenbau: Bericht uber das 7. Symposium zu Fragen des        Musikinstrumentenbaus: Zupf- und Schlaginstrumente des 17. und 18. Jahrhunderts, Zupfinstrumente: Michaelstein 7./8.11.1986. Michaelstein: Die Forschungsstatte, 1987.
  • Sparr, Kenneth. Some Unobserved Information about John Dowland, Thomas Campion and Philip Rosseter, The Lute, 27 (1987), p. 35-37.
  • Sparr, Kenneth. An Unknown and Unique Broadside Lute Instruction, The Lute, 27 (1987), p. 30-34.
  • Spring, Matthew. The Lute in England and Scotland after the Golden Age, 1620-1750. Ph.D., Musicology, Magdalen College, Oxford University, 1987.
  • Spring, Matthew. The Lady Margaret Wemyss Manscript, The Lute, 27 (1987), p. 5-29.
  • Underwood, Kent David. The Renaissance Lute in Solo Song and Chamber Ensemble: A Study of Musical Sources to ca. 1530. Ph.D., Musicology, Stanford University, 1987. vii, 405 p.
  • Vendrix, Philippe. "Le tombeau en musique en France à l’époque baroque." RMFC XXV (1987): 105–38.
  • Wainwright, Jonathan. "Some manuscript sources associated with Notari." Lute News 3 (January 1987):



1988        
  • Ashbee, Andrew. "The King's Music in the 17th century." Lute News 7 (January 1988):
  • Barber, Stephen. "Two little-known orpharions." Lute News 7 (January 1988):
  • Barber, Stephen.  "A chitarrone by Magno Dieffopruchar." Lute News 10 (October 1988):
  • Batchelor, Anne. "Daniel Bacheler: The Right Perfect Musician." The Lute 28 (1988): 3-12.
  • Brown, Howard Mayer. "The importance of Sixteenth-Century Intabulations." in: Grijp/Mook (eds.), Proceedings of the International Lute Symposium, Utrecht 1986 (Utrecht: STIMU Foundation for Historical Performance Practice, 1988): 1-29.
  • Chauvel, Claude. Introduction to facs. of M. GalileiIl primo libro d’intavolatura di liuto. Geneva, 1988. [incl. list of sources]
  • Court, Suzanne. Giovanni Antonio Terzi and the Lute Intabulations of Late Sixteenth-Century Italy. Dissertation, University of Otago, 1988.
  • Crawford,Tim. "A neglected early source of Italian lute music, BL Add MS 31389." Lute News 10 (October, 1988):
  • Deprez, M.  François Campion (1686–1748) et la guitare: ses traités et ses compositions. Thesis, University of Liège, 1988.
  • Dugot, Joël. "Some Aspects of the Construction of Archlutes and Theorboes in Venice (ca. 1600-1650)." in: Grijp/Mook (eds.), Proceedings of the International Lute Symposium, Utrecht 1986 (Utrecht: STIMU Foundation for Historical Performance Practice, 1988): 113-123.
  • Eastwell, Martin. "Right-hand technique in the 17th and 18th centuries." Lute News 9 (July 1988):
  • Edwards, David van. "The 12-course lute: construction and development." Lute News 9 (July 1988):
  • Egerton, Christopher. "The Horoscope of Signor Angelo Notari (1566-1663)." The Lute 28 (1988): 13-18.
  • Eklund, Robert, and Mathias Thiel. "The Instructions of Johann Christian Beyer." The Lute 28 (1988): 34-46.
  • Fabris, Dinko. "Un progetto internazionale di catalogazione della musica per liuto (secc. XV-XVIII)." Le Fonti musicali in Italia 2 (1988): 143-145.
  • Flotzinger, R. "Graz und die österreichische Lautenmusik zwischen 1650 und 1720." Festschrift für H. Federhofer, ed. C.H. Mahling (Tutzing 1988): 103 ff.
  • Forrester, Peter. "The cittern in Italy - notes, observations and speculations.FoMRHI Quarterly 50 (January, 1988):
  • Forrester, Peter. "Citterns in the Paris Conservatoire." Lute News 7 (January 1988):
  • Gill, Donald. "The Skene Mandora Manuscript." The Lute 28 (1988):
  • Griffiths, John. "La música renacentista para instrumentos solistas y el gusto español." NassarreRevista Aragonesa de Musicología 4 (1988): 59-78.
  • Grijp, Louis Peter, and Willem Mook (eds.). Proceedings of the International Lute Symposium, Utrecht 1986 (Utrecht: STIMU Foundation for Historical Performance Practice, 1988): 1-29.
  • Grijp, Louis Peter. "The Ensemble Music of Nicolaes Vallet." in: Grijp/Mook (eds.), Proceedings of the International Lute Symposium, Utrecht 1986 (Utrecht: STIMU Foundation for Historical Performance Practice, 1988): 64-85.
  • Ivanoff, Vladimir. Das Pesaro-Manuskript, 2 volumes. Tutzing: Schneider, 1988; Münchner Veröffentlichungen zur Musikgeschichte, 45.
  • Jacobs, C. A Spanish Renaissance Songbook. University Park, PA, 1988.
  • Jensen, Richard d’Arcambal. The Lute Ricercar in Italy: 1507-1517. Ph.D., Musicology, University of California at Los Angeles, 1988. xv, 299 p.
  • Kapeller, Ulrike. Untersuchungen zu John Sturt’s Lute Book [GB-Lbl Ms. Add. 38539] (Regensburg: Bosse, 1988; Kölner Beiträge zur Musikforschung, 153)
  • Lowe, Michael. "Renaissance and Baroque Lute: a False Dichotomy. Observations on the Lute in the Seventeenth Century." in: Grijp/Mook (eds.), Proceedings of the International Lute Symposium, Utrecht 1986 (Utrecht: STIMU Foundation for Historical Performance Practice, 1988): 124-139.
  • Minamino, Hiroyuki. Sixteenth-Century Lute Treatises with Emphasis on Process and Techniques of 
    Intabulation. Dissertation, University of Chicago, 1988.
  • Ness, Arthur J. Introduction to Tablature de luth italienne dite Siena Manuscript (ca. 1560–1570)Geneva, 1988. [facs. of NL-DHgm 28 B 39]; [see also review by D. Fabris, JLSA XX-XXI (1987–-8): 165-70]
  • Ness, Arthur J. Introduction to Francesco da Milano: Intavolatura da viola o vero lauto, I–II. Geneva, 1988. [facs.]
  • Ness, Arthur J. "The Siena Lute Book and its Arrangements of Vocal and Instrumental Part-Music." in: Grijp/Mook (eds.), Proceedings of the International Lute Symposium, Utrecht 1986 (Utrecht: STIMU Foundation for Historical Performance Practice, 1988): 30-49.
  • Nordstrom, Lyle. "The Lute in Settings for Consort." in: Grijp/Mook (eds.), Proceedings of the International Lute Symposium, Utrecht 1986 (Utrecht: STIMU Foundation for Historical Performance Practice, 1988): 50-63.
  • Nurse, Ray. "Design and Structural Development of the Lute in the Renaissance." in: Grijp/Mook (eds.), Proceedings of the International Lute Symposium, Utrecht 1986 (Utrecht: STIMU Foundation for Historical Performance Practice, 1988): 101-112.
  • O'Dette, Paul. “Some Observations about the Tone of Early Lutenists.” in: Grijp/Mook (eds.), Proceedings of the International Lute Symposium, Utrecht 1986 (Utrecht: STIMU Foundation for Historical Performance Practice, 1988): 86-91.
  • Orsini, C. "Vincenzo Galilei." Il Fronimo XVI/62 (1988): 7-28.
  • Spencer, Robert. "Making and Using Facsimiles." in: Grijp/Mook (eds.), Proceedings of the International Lute Symposium, Utrecht 1986 (Utrecht: STIMU Foundation for Historical Performance Practice, 1988): 92-97.
  • Tunley, D. "Ballard’s Publications Airs de differents autheurs (1608–1632): Some Reflections." MMA XV (1988): 100-113.



1989        
  • Annoni, Maria T. “Tuning, Temperament, and Pedagogy for the Vihuela in Juan Bermudo's Declaración de instrumentos musicales (1555)”. Thesis, Ohio State University, 1989.
  • Arnautova, Olga. "Moskovskoi Manuskript Leopolda Silviusa Vaisa. Starinnaia muzyka v kontekste sovremennoi kultury: problemy interpretatsy i istochnikovedenia. Mareialy muzykovedecheskogo kongressa (Moskovskaia Konservatoria 27 sentiabra - 1 octiabra 1989) (Moscow, 1989): 527-537.
  • Baranova, Tat’jana. "Leningradskaja ljutnevaja tabulatura (BAN, O N° 124)." Starinnaia muzyka v kontekste sovremennoi kultury: problemy interpretatsy i istochnikovedenia. Mareialy muzykovedecheskogo kongressa (Moskovskaia Konservatoria 27 sentiabra - 1 octiabra 1989) (Moscow, 1989): 552-573.
  • Baranova, Tat’jana. "Rekopismienna tabulatura lutniowa ze zbiorów Biblioteki Akademii Nauk ZSRR w Leningradzie." Muzyka XXXIV (1989/1): 49-56 (and suppl.: 54 p. musical incipit).
  • Corona-Alcalde, Antonio. "Some Reflections upon the Vihuela, Bermudo and Other Sundry Matters." Lute Society of America Quarterly XXIV/3 (1989): 6
  • Cristoforetti, O.  Introduction to Pier Francesco ValentiniIl leuto anatomizzato. Florence, 1989. [facs. of I-Rvat Barb.lat.4433]
  • Dunn, Alexander. Style and Development in the Theorbo Works of Robert Visée: an Introductory Study. Dissertation, University of California, San Diego, 1989.
  • Fabris, Dinko. "Una composizione per liuto di Gherardo Cibo." Gherardo Cibo, alias Ulisse Severino da Cissgoli: desegni, ed. A. Nesselroth (Florence, 1989).
  • Forrester, Peter. "The Morley consort lessons and the English cittern.FoMRHI Quarterly 56 (July, 1989):
  • Greenlee, Robert, and Alexander Smith. "Performing Early Seventeenth-Century Monody." Lute Society of America Quarterly XXIV/1 (1989): 5
  • Griffiths, John. "Mudarra’s Harp Fantasy: History and Analysis." Australian Guitar Journal 1 (1989): 19-25.
  • Griffiths, John. "At Court and at Home with the vihuela de mano: Current perspectives of the Instrument, its Music and its World." Journal of the Lute Society of America XXII (1989): 1-27.
  • Holman, Peter. "Lutenists and lute-playing at the English Court." Lute News 12 (April, 1989):
  • Lane, Todd. "The Lute Quartets in the Thysius Lute Book." Journal of the Lute Society of America XXII (1989): 28-59.
  • Moretti, M.R. "Simone Molinaro maestro di cappella di Palazzo: contributo per una nuova biografia." Musica a Genova tra Medio Evo e età moderna (Genoa, 1989): 45-83. 
  • Ryding, Erik S. "Cutting’s 'Lachrimae'?" Lute Society of America Quarterly XXIV/2 (1989): 20
  • Ryding, Erik S. “Addendum to ‘Cutting’s Lachrimae’?” Lute Society of America Quarterly XXIV/3 (1989): 5
  • Schlegel, Andreas. Bemerkungen zur Rhétorique des DieuxGitarre und Laute, 2/1989, p. 17-22; 3/1989, p. 17-23, 4/1989, p. 27-32.
  • Shepherd, Martin. A Strange Varietie of Concordance, The Lute, 29 (1989), p. 36-37.
  • Snook-Luther, Susan. "J. F. Daube’s The Musical Dilettante (1773): A Galant Composition Method", Lute Society of America Quarterly XXIV No. 2 (1989), p. 11
  • Sparr, Kenneth. David Kellner: A Biographical Survey, The Lute, 29 (1989), p. 3-36.
  • Sparr, Kenneth. An Unknown Lute Manuscript in Poland, Lute Society of America Quarterly, XXIV/1 (1989), p. 16-17. [= PL-LZu Ms. M. 3779]
  • Usher, Caroline. "The Four Humors or Temperaments." Lute Society of America Quarterly XXIV/4 (1989): 9
  • Vendrix, Philippe. "Il “tombeau” in musica nel periodo barocco." NRMI XXIII (1989): 325–41.
  • Wells, Robin Headlam. "Ars amatoria: Philip Rosseter and the Tudor Court Lyric." ML LXX (1989): 58-71.



1990        
  • Batchelor, Anne. A Batchelor's Delight. Beverley, 1990.
  • Beier, Paul. "More on right-hand technique." Lute News 17 (August 1990):
  • Cœurdevey, Annie. "Dynamique et phrasé dans les tablatures de luth des airs de cour (1608-1643)." Revue de Musicologie 76 (1990): 226-245.
  • Corona-Alcalde, Antonio. “The vihuela and the guitar in sixteenth-century Spain: A critical appraisal of some of the existing evidence.” The Lute 30 (1990): 3-24.
  • Eastwell, Martin. "Changes in lute right-hand technique from the late 16th century." Lute News 16 (April 1990):
  • Eastwell, Martin. "Performance preparation." Lute News 17 (August 1990):
  • Fabris, Dinko. "Il primo libro di Tabolatura di Citthara di Paolo Virchi (1574) e la tradizione degli strumenti a corda a Brescia nel Cinquecento." Liuteria e musica strumentale a Brescia tra Cinque e Seicento, Salò 1990, ii: 65-89.
  • Fabris, Dinko. "The Tradition of the La sol fa re mi Theme from Josquin to the Neapolitans through an Anonymous 4-part Ricercar (ca.1567)." Journal of the Lute Society of America XXIII (1990): 37-47.
  • Griffiths, John. "Une fantaisie de la Renaissance—an Introduction." Journal of the Lute Society of America XXIII (1990): 1-6.
  • Griffiths, John, and V. Coelho (eds.). "A Renaissance Fantasy." Journal of the Lute Society of America 23 (1990):
  • Irvine, Robin. "Why did the right-hand position for playing the lute change in mid 16th century." Lute News 15 (February 1990):
  • Jeffreys, J. The Life and Works of Philip Rosseter. Aylesbury, 1990.
  • Jones, Lewis. "Vocal passaggi, the viola bastarda, and the lute contrapunto." Lute News 15 (February 1990):
  • Judd, Robert. “Cabezon, Malheur me bat, and the Process of Musical Reference.” Journal of the Lute Society of America XXIII (1990):
  • Lay, Peter. "The lute music of S L Weiss." Lute News 16 (April 1990):
  • Ledbetter, David. "French Lute Music 1600-1650: Towards a Definition of Genres." The Lute 30 (1990): 25-47.
  • Lowe, Michael. "A history of the lute part 1." Lute News 16 (April 1990):
  • Mengozzi, Stefano. "Is this Fantasia a Parody? Vocal Models in the Free Compositions of Francesco da Milano." Journal of the Lute Society of America XXIII (1990): 7-17.
  • Paniagua, Carlos. “La Guitarra y la vihuela en el renacimiento.” La guitarra en la historia 1 (1990): 21-44.
  • Polk, Keith. "Voices and Instruments, Soloists and Ensembles in the 15th Century." Early Music XVIII (2) (1990): 179-198.
  • Pozniak, Piotr. "Problems of Tonality in the Ricercars of Spinacino and Bossinensis." Journal of the Lute Society of America, XXIII (1990): 63-79.
  • Russell, Craig H. “The Eight Modes as Tonal Forces in the Music of Luis Milán”. De música hispana et aliis: miscelánea en honor al Prof. Dr. José López-Calo, S.J., en su 65° cumpleaños. Ed. Emilio Casares y Carlos Villanueva. Santiago de Compostela: Universidade de Santiago de Compostela, Servicio de Publicaciónes e Intercambio Científico, 1990. 321-62.
  • Schulze-Kurz, Ekkehard. Die Laute und ihre Stimmungen in der ersten Hälfte des 17. Jahrhunderts (Wilsingen: Tre Fontane, 1990).
  • Smith, Dorman H. Guitar and Lute Misic in Periodicals: An Index. Berkeley: Fallen Leaf Press, 1990
  • Vaccaro, Jean-Michel. "The Fantasia sopra... in the Works of Jean-Paul Paladin." Journal of the Lute Society of America XXIII (1990): 18-36.
  • Wagner, K. "Los libros del canónigo y vihuelista Alonso Mudarra." Bulletin Hispanique XCII (1990): 655-61.
  • Zehring, Lawrence Edward. Richard Mynshall’s Lute Book: A Transcription and Commentary. D.M.A. Conducting, University of Missouri, 1990. x, 320 p.



1991        
  • Batchelor, Anne. "Daniel Bacheler: The Right Perfect Musician." Lute News 18 (January 1991):
  • Bermúdez, Egberto. “La vihuela: Los ejemplares de Paris y Quito.” La guitarra española-The Spanish guitar. (Madrid: Sociedad Estatal Quinto Centenario, 1991): 25-47.
  • Bordas, Cristina, et al. La Guitarra Española-The Spanish Guitar. Madrid: Sociedad Estatal Quinto Centenario, 1991.
  • Callon, Gordon J. "Songs with Theorbo by Charles Colman and his Contemporaries in Oxford, Bodleian Library Ms Broxbourne 84.9 and London, Lambeth Palace Library." Journal of the Lute Society of America XXIV (1991): 15-51.
  • Corona-Alcalde, Antonio. “‘You will raise a little your 4th fret’: An equivocal instruction by Luis Milan?” Galpin Society Journal XLIV (1991): 2-45.
  • Corona-Alcalde, Antonio. “On the Manipulation of Intabulation: a proposed Transposition of 3 Fantasias by Esteban Daza.” Lute Society of America Quarterly XXVI/4 (1991): 4-11.
  • Craig-McFeely, Julia."'Orderly arrangement, grace and beauty': Early modern handwriting in English lute manuscripts." Lute News 18 (January 1991):
  • Craig-McFeely, Julia. "A Can of Worms: Lord Herbert’s of Cherbury Lute Book." The Lute 31 (1991): 20-48.
  • Durosoir, G. L’air de cour en France 1571–1655. Liège, 1991.
  • Forrester, Peter. "Italian Citterns in the Museum of the Paris Conservatoire." The Lute 31 (1991): 8-19.
  • GásserL. Vincenzo Galilei's Manuscript ‘Libro d'Intavolatura di liuto (1584)’: an Introductory Study. Dissertation, Stanford University, 1991.
  • Goldschmidt, Gusta (ed.). Vijf suites voor twee elf korige Luiten uit Warszawa, Biblioteka Uniwersytecka, RM 4135. Amsterdam: Nederlanse Luitvereniging, 1991.
  • Goy, François-Pierre. "Richard Mathew’s Prefatory Epistle and the Contents of The Lutes Apology." The Lute 31 (1991): 2-7.
  • Goy, François-Pierre, C. Meyer, and M. Rollin (eds.). Sources manuscrites en tablature. Baden-Baden, 1991– .  [catalogue]
  • Grijp, Louis Peter. Het Nederlandse lied in de Gouden Eeuw. Amsterdam, 1991.
  • Guillo, L. Les éditions musicales de la Renaissance lyonnaise. Paris, 1991.
  • Lowe, Michael. "A history of the lute part 2." Lute News 18 (January, 1991):
  • Lowe, Michael. "History of the lute, part 3, The lute in northern Europe in the 17th century." Lute News 19 (April, 1991):
  • Mattax, Ch. Accompaniment on theorbo and harpsichord: Denis Delair´s treatise of 1690/ a translation with commentary. Bloomington, Indiana University Press, 1991.
  • Meyer, Christian and Tim Crawford, François-Pierre Goy, Monique Rollin, Peter Kiràly, et al. Sources manuscrites en tablature: Luth et theorbe (c. 1500-c.1800). Collection d'Etudes Musicologiques, vols. 82, 87, 90 and 93, Baden-Baden and Bouxwiller: Koerner, 1991, 1994, 1997, 1999.
  • Moreno, José Miguel. “La evolución de la guitarra e instrumentos de cuerda a través de los tiempos.” La guitarra en la historia 2 (1991): 25-50.
  • Pavan, Franco. "Francesco Canova and his Family in Milan: New Documents." Journal of the Lute Society of America XXIV (1991): 1-14.
  • Poulton, Diana. A Tutor for the Renaissance Lute. London: Schott and Co., 1991.
  • Pozniak, Piotr. "Corrigenda and addenda to his “Problems of Tonality in the Ricercars of Spinacino and Bossinensis” in Volume XXIII." Journal of the Lute Society of America XXIV (1991):
  • Wolzien, Charles. "Early Guitar Literature." Soundboard XVIII (1991): 69-71.



1992        
  • Beier, Paul. "Un madrigale in esame" [Special insert]. Bollettino della Società italiana del liuto 4 (April 1992):
  • Bermúdez, Egberto. “La vihuela de la Iglesia de la Compañía de Jesús de Quito.” Revista de Musicología 15 (1992): 97-105.
  • Brown, Howard Mayer. "Vincenzo Galilei in Rome: his First Book of Lute Music (1563) and its Cultural 
    Context." Music and Science in the Age of Galileo, ed. V. Coelho (Dordrecht, 1992): 153-84.
  • Buch, David J. "On Dating the Lute Music in La Rhetorique des dieux: New Evidence from Watermarks." Journal of the Lute Society of America XXV (1992): 25-37.
  • Canguilhem, P. "Tel père, tel fils? Les opinions esthétiques de la famille Galilei." IRASM, XXIII (1992): 27-42.
  • Christensen, T. "The Spanish Baroque Guitar and Seventeenth-Century Triadic Theory." JMT XXXVI (1992): 1-42.
  • Coelho, Victor (ed.). Music and Science in the Age of Galileo. Dordrecht: Kluwer Academic Publishers, 1992.
  • Corona-Alcalde, Antonio. “The earliest vihuela tablature: a recent discovery.” Early Music 20 (1992): 594-600.
  • Craig-McFeely, Julia. "Fragments of English Lute Music, I: The British Library." The Lute 32 (1992): 72-82.
  • Crawford, Tim. "Sylvius Leopold Weiss and his time." Lute News 24 (November, 1992):
  • Dobbins, Frank. Music in Renaissance Lyons. Oxford, 1992.
  • Dry, François. “Théorie Musicale et Technique Instrumentale d’après les Éscrits et les Oeuvres des Vihuelistes Espagnols. 1536-1593". Tesis. Centre d’etudes superieures de la Renaissance, Université François Rabelais, Tours, 1992.
  • Eklund, Robert. "Uppsala University Library MS 20: 13." Lute News 22 (April 1992):
  • Esses, M. Dance and Instrumental Diferencias in Spain during the 17th and Early 18th Centuries. Stuyvesant, NY, 1992.
  • Fabris, Dinko. “Tradizione e innovazione nella musica strumentale a Napoli durante l’età spagnola (1503-1707).” Cultura e Scuola 124 (Oct-Dec 1992): 71-83.
  • Fabris, Dinko. “Vita e opera di Fabrizio Dentice, nobile Napolitano, compositore del secondo cinquecento.” Studi Musicali 21 (1992): 61-113.
  • Griffiths, John and W. E. Hultberg. "Santa Maria and the Printing of Instrumental Music in Sixteenth-Century Spain." Livro de homenagem a Macario Santiago Kastner. Ed. Maria Fernanda Cidrais Rodrigues, Manuel Morais, Rui Veiera Nery (Lisbon: Fundaçao Calouste Gulbenkian, 1992): 345-60.
  • Harder, Thomas Lee. The Vihuela Fantasias from Miguel de Fuenllana’s ‘Orphenica Lyra’Introduction and Guitar Transcription of Nine Representative Works. Dissertation, Arizona State University, 1992.
  • Jones, Lewis. "The enharmonic lute." Lute News 21 (January 1992):
  • Kirsch, Dieter, und Lenz Meierott, Berliner Lautentabulaturen in Krakau. Breschreibender Katalog der handschriftlichen Tabulaturen für Laute und verwandte Instrumente (...) (Mainz, etc.: Schott, 1992; Schriften der Musikhochschule Würzburg, 3).
  • Le Cocq, Jonathan. "Pitch and Tuning of the Lute in French Lute Song: 1603-1643." The Lute 32 (1992): 46-71.
  • Ledbetter, David. "What the Lute Sources Tell us about the Performance of French Harpsichord Music." The Harpsichord and its Repertoire, ed. P. Dirksen (Utrecht, 1992): 59–85.
  • Lowe, Michael. "A history of the lute, part 4: the 17th and 18th centuries in Northern Europe." Lute News 21 (January 1992):
  • Lowe, Michael. "History of the lute, part 5." Lute News 24 (November 1992):
  • May, J. Georg Leopold Fuhrmanns Testudo gallo-germanica: ein Lautentablaturdruck aus dem Jahre 1615. Frankfurt, 1992.
  • Meyer, Christian. "Un répertoire de luth allemand des années 1520: Kraków, Biblioteka Jagiellonska, Mus. ms. 40154." Fontes Artis Musicae 39 (1992): 331-343.
  • Navarrete, Ignacio. “The Problem of the Soneto in the Spanish Renaissance Vihuela Books.” Sixteenth Century Journal 23 (1992): 769-789.
  • Nordstrom, Lyle. The Bandora. Its Music and Sources. Detroit Studies in Music Bibliography 66. Warren, Michigan, 1992.
  • Otterstedt, Annette, and Hans Reiners. "English Empfindsamkeit in the 17th century." Lute News 21 (January 1992):
  • Pelà, I. "Per una maggiore definizione del liutista conosciuto con lo pseudonimo de 'Il Cavaliere del Liuto'." Bollettino della Società italiana del liuto 2 (April 1992): 6-8.
  • Pintér, E. Claudio Saracini: Leben und Werk. Frankfurt, 1992.
  • Polk, Keith. German Instrumental Music of the Late Middle Ages: Players, Patrons and Performance Practice. Cambridge: Cambridge University Press 1992.
  • Prud’Homme, Bryan. The Theorbo and Lute Works of Robert de Visée and the French Theorbo School. Ph.D., Musicology, University of Colorado, 1992.
  • Romanillos, José Luis. “The Vihuela Makers of Toledo, 1617.” American Lutherie 32 (Winter, 1992): 48-51.
  • Sage, Jack. “A new look at humanism in 16th-century lute and vihuela books”. Early Music 20 (1992): 633-43.
  • Spring, Matthew. The Balcarres Lute Book, The Lute, 32 (1992), p. 2-45.
  • Tayler, David. The Solo Lute Music of John Dowland. Ph.D., Musicology, University of California at Berkeley, 1992.
  • Taylor, Andrew. "The Sounds of Chivalry: Lute Song and Harp Song for Sir Henry Lee." Journal of the Lute Society of America XXV (1992): 1-23.
  • Treadwell, Nina. "The Guitar Passacalles of Santiago de Murcia (c.1685–1740)." Musicology Australia XV (1992): 67-76.
  • Ward, John M. Music for Elizabethan Lutes, 2 vols. Oxford, 1992.



1993        
  • Bailey, James. “Regular Meantone Temperaments Applied to Francesco da Milano.” Journal of the Lute Society of America XXVI & XXVII (1993/1994):
  • Braun, Gundi. Die spanischen Vihuela-Lieder im 16. Jahrhundert. Dissertation, Universität Heidelberg, 1993.
  • Carlone, Mariagrazia. “Il Divino Francesco: International Symposium on Francesco da Milano.” Journal of the Lute Society of America XXVI & XXVII (1993/1994):
  • Clark, Walter Aaron. “Luis de Narváez and the Intabulation Tradition of Josquin’s Mille regretz.” Journal of the Lute Society of America XXVI & XXVII (1993/1994): 17-52.
  • Corona-Alcalde, Antonio. “La vihuela, el laúd y la guitarra en el Nuevo Mundo.” Revista de Muscología 16 (1993): 1360-72.
  • Craig-McFeely, Julia. "Fragments of English Lute Music, II: Oxford Libraries." The Lute 33 (1993): 34-54.
  • Crawford, Tim. "A thousand twangling instruments: the lute in the court masque." Lute News 25 (January, 1993):
  • Crawford, Tim. "Contemporary Lute Arrangements of Hasse’s Vocal and Instrumental Music." Johann Adolf Hasse und Polen (Warsaw, 1993): 73-95.
  • Dolata, David. “Lute Tuning with Harmonics: A Square Peg in a Round Hole,” Lute Society of America Quarterly XXVII/1 (February 1993):7-9.
  • Dolata, David. “Lute Tuning with Meantone Temperaments.” Lute Society of America Quarterly XXVII/1 (February 1993):12-15.
  • Dolata, David. “The Secret of Tuning by Harmonics.” Soundboard, Journal of the Guitar Foundation of America 19/4 (Spring 1993): 27-37.
  • Dolata, David. “An Introduction to Tunings and Temperaments, Part I.” Lute Society of America Quarterly XXVIII/2&3 (May/August 1993): 30-31.
  • Edwards, David van. "The mediaeval lute." Lute News 28 (November, 1993):
  • Gregory, Gordon. "Buying a lute in 1593, and 1993." Lute News 28 (November, 1993):
  • Griffiths, John. "Esteban Daza: Un enigma desvelado de un vihuelista español." La enseñanza de la lengua y cultura españolas en Australia y Nueva Zelanda. Ed A. Monclús (Canberra: Embajada de España,Consejería de Educación; Madrid: Iberediciones, 1993): 135-55.
  • Lawrence, Robert E. “Science, Lute Tablature, and Universal Languages: Thomas Salmon’s Essay to the Advancement of Musick (1672).” Journal of the Lute Society of America XXVI & XXVII (1993/1994).
  • Le Cocq, Jonathan. "An introduction to the air de cour." Lute News 27 (August 1993):
  • Leech-Wilkinson, Daniel. "The Thynne Lutebook." The Lute 33 (1993): 1-11.
  • Lowe, Michael. "The history of the lute, part 6." Lute News 28 (November 1993):
  • Lundgren, Stefan. The Baroque Lute CompanionMunich: Lundgren Musik-Edition, 1993.
  • Meyer, Christian, and M. Rollin. "Recherches biographiques." in: Oeuvres de Gumprecht (Paris, 1993): 
    xiii–xvii.
  • Minamino, Hiroyui. “A Monkey Business: Petrucci, Antico, and the Frottola Intabulation.” Journal of the Lute Society of America XXVI & XXVII (1993/1994):
  • Otaola, Paloma. “La vihuela et l'humanisme musical espagnol au XVIe siecle.” Revue des archeologues et historiens d’art de Louvain 26 (1993): 59-72.
  • Pavan, Franco. "Il ritratto di liutista della Pinacoteca Civica di Como." Bollettino della Società Italiana del Liuto X (1993): 10 only.
  • Poulton, Diana. "The Lute and I." The Lute 33 (1993): 23-30.
  • Pozniak, Piotr. Introduction to Jakub Polak (Jacob Polonois) Collected Works/Utwory zebrane. Kraków, 1993.
  • Ruiz Jiménez, Juan. “Insights into Luis de Narváez and music publishing in 16th-century Spain”, Journal of the Lute Society of America, XXVI & XXVII (1993/1994), 1-12.
  • Ryding, Erik S. In Harmony Framed: Musical Humanism, Thomas Campion, and the Two Daniels. Kirksville, Mo.: Truman State University Press, 1993.
  • Sánchez Mascuñano, Felipe. “Luys Milán: la convivencia de dos mundos musicales”. Revista de Musicología 16 (1993): 33 22-29.
  • Toft, Robert. Tune thy Musicke to thy Hart: the Art of Eloquent Singing in England 1597–1622. Toronto, 1993. 
  • Treadwell, Nina. "Guitar Alfabeto in Italian Monody: The Publications of Alessandro Vincenti." The Lute 33 (1993): 12-22.
  • Wilson, Christopher. "Tone and touch in lute playing." Lute News 26 (April 1993):



1994        
  • Banks, Jon. "A Piece of 15th-Century Lute Music in the Segovia Codex." The Lute 34 (1994): 3-10.
  • Barbieri, P. "L'accordatura strumentale in Toscana: proposte e contrasti da Vincenzo Galilei a Cristofori (c. 1580–1730)." Musicologia humana: Studies in Honor of Warren and Ursula Kirkendale, ed. S. Gmeinwieser, D. Hiley and J. Riedlbauer (Florence, 1994): 209-32.
  • Bermúdez, Egberto. "Sobre la identidad de Ludovico." Nassarre X (1994): 9-16.
  • Brossard, Y. de. La collection de Sébastien de Brossard. Paris, 1994.
  • Brown, Edward E. "Joseph Haydn’s String Quartet Op. 1 No. 6 and the Cassation for Lute, Violin and Cello." Lute Society of America Quarterly XXIX/2 (1994): 22.
  • Canguilhem, P. Les deux éditions de ‘Fronimo’ (1568 et 1584) et la place du luth dans la pensée musicale de Vincenzo Galilei. Dissertation, University of Tours, 1994.
  • Coelho, Victor. “Marino’s Toccata between the Lutenist and the Nightingale.” in: The Sense of MarinoLiterature, Fine Arts and Music of the Italian Baroque. Ed. Francesco Guardiani. New York & Toronto: Legas, 1994: 395-427.
  • Craig-McFeely, Julia. English Lute Manuscripts and Scribes 1530-1630.  Dissertation, Ph.D., University of Oxford, 1994.
  • Dolata, David. “An Introduction to Tunings and Temperaments, Part II.” Lute Society of America Quarterly XXIX/1 (February 1994): 20-23.
  • Ficole, Daniele, and Paolo Rigona. "The Toccata for Lute of Paolo d’Aragona." The Lute 34 (1994): 33-36.
  • Forrester, Peter. "An Elizabethan Allegory and Some Hypotheses." The Lute 34 (1994): 11-14.
  • Gill, Donald. "Intabulating for the Mandore: Some Notes on a 17th-Century Workbook." The Lute 34 (1994): 15-25.
  • Gregory, Gordon. "Choosing a first lute." Lute News 31 (September, 1994):
  • Hearn, William. "Playing Devil’s Advocate: The Shaky Case for Unison-Course Vihuela Stringing." Lute Society of America Quarterly XXIX/3 (1994): 3-10.
  • Kiràly, Peter. Some New Facts about Vendelio Venere, The Lute, 34 (1994), p. 26-32.
  • Knispel, Claudia. Das Lautenbuch der Elisabeth von Hessen (Frankfurt a. Main: Haag + Herchen, 1994).
  • Lowe, Michael. "What makes one lute sound different from another." Lute News 30 (April 1994):
  • McConnell, David E. "The Guitar Music of François Dufaut." Lute Society of America Quarterly XXIX/1 (1994): 7
  • Meyer, Christian. "Eine Lauten-Unterweisung aus dem späten 15. Jahrhundert." Musik in Bayern 49 (1994): 25-33.
  • Morrongiello, Christopher. "Measure for measure: structure in Elizabethan lute music and poetry." Lute News 31 (September 1994):
  • Negwer, Ingo. Die ""Harmonie universelle" des Marin Mersenne - ein verläßliches Dokument zur Geschichte der Lauteninstrumente des Frühbarock?" in: Beiträge zur musikalischen Quellenforschung. Protokoll-Band Nr. 3, ed. der Forschungs- und Gedenkstätte Heinrich-Schütz-Haus Bad Köstritz (1994):
  • Peruffo, Mimmo (trans. Ivo Magherini). "The Mystery of Gut Bass Strings in the 16th and 17th Centuries: The Role of Loaded Weighted Gut." Lute Society of America Quarterly XXIX/2 (1994): 5
  • Ree Bernard, Nelly van. “Ornamentation in sixteenth-century Iberian music for ‘tecla, harpa, y vihuela’: Quiebros, redobles and glosas”. Aspects of the historical harp: Proceedings of the International Historical Harp Symposium, Utrecht 1992. Utrecht: Stichting voor Muziekhistorische Uitvoeringsprakijk, 1994. 53-71.
  • Stubbs, Stephen L'armonia sonora: continuo orchestration in Monteverdi's Orfeo, in: EM 22, 1994, 86-98.
  • Wilson, Christopher. "Approaches to lute playing." Lute News 30 (April 1994):



1995        
  • Beier, Paul. "The most famous and divine Laurencini." Lute News 35 (September 1995):
  • Binkley, Thomas, and M. Frenk Alatorre. Spanish Romances of the Sixteenth Century. Bloomington, IN, 
    1995.
  • Bordas, Cristina. “La construcción de vihuelas y guitarras en Madrid en los siglos XVI y XVII.” La guitarra en la historia 6 (1995): 47-67.
  • Boye, Gary R. Giovanni Battista Granata and the Development of Printed Guitar Music in Seventeenth-Century Italy. Ph.D. Thesis, Duke University, 1995.
  • Boye, Gary R. "Music for the Baroque guitar" (1995-2013). http://applications.library.appstate.edu/music/guitar/home.html
  • Carlone, Mariagrazia. "A portrait of Francesco da Milano." Lute News 35 (September, 1995):
  • Coelho, Victor. “Raffaello Cavalcanti’s Lute Book (1590) and the Ideal of Singing and Playing.” in: Le Concert des voix et des instruments à la Renaissance. Ed. Jean-Michel Vaccaro. Paris: Centre National de la Recherche Scientifique, 1995: 423-42.
  • Coelho, Victor. The Manuscript Sources of Seventeenth-Century Italian Lute Music. New York: Garland, 1995.
  • Cœurdevey, Annie. "Les signes d’articulation des tablatures d’airs de cour (Pierre Ballard - 1608-1643)." in: Le concert des voix et des instruments à la Renaissance (Paris: CNRS Éditions, 1995): 525-544.
  • Crawford, Tim. "A personal tribute to Diana Poulton." The Lute 35 (1995): 1-3.
  • Crawford, Tim. "A little known Dowland sources: Johann Daniel Mylius." Lute News 36 (December, 1995):
  • Dempster, Miles, and John H. Robinson (eds.)Der ander theil des lautenbuchs Hans Neusidler (1536), a performing edition in French Tablature. Montreal: Score Conversions, 1995.
  • Dolata, David. “Tunings and Temperaments: Theory in the Service of Practice.” Lute Society of America Quarterly XXX/1 (February 1995): 26-29.
  • Edwards, David van. "Making an archlute." Lute News 33 (January 1995):
  • Espinosa, Dawn Astrid. “Juan Bermudo ‘On Playing the Vihuela’ (‘De tañer vihuela’) from Declaración de instrumentos musicales (Osuna, 1555): a new translation with commentary.” Journal of the Lute Society of America XXVIII & XXIX (1995/1996): i-xxii, 1-139.
  • Fabris, Dinko. "Voix et instruments pour la musique de danse. A propos des Airs pour chanter et danser dans les tablatures italiennes de luth." Le concert des voix et des instruments à la Renaissance. Paris: CNRS Éditions, 1995: 389-422.
  • Freis, Wolfgang. “Perfecting the perfect instrument: Fray Juan Bermudo on the tuning and temperament of the vihuela de mano.” Early Music 23 (1995): 421-36.
  • Gallo, F. Alberto. Music in the Castle. Troubadours, Books, and Orators in Italian Courts of the Thirteenth, Fourteenth, and Fifteenth Centuries. Chicago & London: University of Chicago Press 1995.
  • Gill, Donald. "The Seventeenth Century Gittern and the English Zitterlein." The Lute 35 (1995): 76-86.
  • Goodwin, Christopher. "How fast should we play Elizabethan lute music." Lute News 34 (May, 1995):
  • Goodwin, Christopher. "Rediscovered and reconstructed mid-16th century lute songs." Lute News 36 (December, 1995):
  • Griffiths, John. "Veinte años con una vihuela en las manos." La guitarra en la historia 6 (1995). Córdoba: Ayuntamiento de Córdoba, 1995: 66-85.
  • Griffiths, John. "The confluence of two traditions: vocal and instrumental elements in 16th-century solo instrumental music." Les concerts des voix et des instruments dans la musique de la Renaissance. Ed. J-M. Vaccaro (Paris: Centre Nationale de Recherche Scientifique, 1995): 639-56.
  • Griffiths, John. "Esteban Daza: a gentleman musician in Renaissance Spain." Early Music 22 (1995): 437-48.
  • Hearn, William. Performing the music of Alonso Mudarra: an investigation into performance practice in the music of the vihuelistas. Dissertation, University of Arizona, 1995.
  • His, Isabelle. "Le passage des voix au luth dans le Novum Pratum Musicum d’Adriaenssen (Anvers, Phalèse & Bellère, 1592)." in: Le concert des voix et des instruments à la Renaissance (Paris: CNRS Éditions, 1995): 255-272.
  • Kiràly, Peter. Jean-Baptiste Besard: New and Neglected Biographical Information, The Lute, 35 (1995), p. 62-72.
  • Kiràly, Peter. A Lantjáték Magyarországon a XV. századtól a XVII. század közepéig (Budapest, 1995).
  • Kiràly, Peter. Some New Facts about Vendelio Venere: Errata in The Lute 1994, The Lute, 35 (1995), p. 73-75.
  • Lafargue, Véronique. "Transposer ou ne pas transposer. Quelques exceptions à la "règle" dans les recueils de Canzonette avec tablature de luth et de clavecin publiées par Simone Verovio." Le concert des voix et des instruments à la Renaissance (Paris : CNRS Éditions, 1995): 443-462.
  • Le Cocq, Jonathan. "The Status of Le Roy’s Publications for Voice and Lute or Guitar." The Lute 35 (1995): 4-27.
  • Lowe, Michael. "John Dowland's lutes, an open forum." Lute News 34 (May 1995):
  • Lowe, Michael. "A lute by Sixtus Rauwolf, the lute in 17th century England." Lute News 36 (December 1995):
  • Mengozzi, Stefano. "Vocal Themes and improvisation in Alberto da Ripa’s Lute Fantasies." in: Le concert des voix et des instruments à la Renaissance (Paris: CNRS Éditions, 1995): 371-388.
  • Meyer, Christian. "‘Ein stim zu singen die andern zwicken’. Les arrangements pour voix et luth d’Arnold Schlick (Brown 15121, n° 15-26)." Le concert des voix et des instruments à la Renaissance (Paris: CNRS Éditions, 1995): 287-298.
  • Miteran, A. "Manuscrit inédit de Robert de Visée." Guitare LV (1995): 32-4.
  • Morrongiello, Christopher. "Titles and allusions." Lute News 33 (January 1995):
  • Pavan, Franco. "Ex paupertate evasit: Francesco da Milano et sa famille." Le concert des voix et des instruments à la Renaissance (Paris: CNRS Éditions 1995): 361-370.
  • Pozniak, Piotr. "Le vocal et l’instrumental dans les tablatures manuscrites polonaises du XVIe siècle, in: Le concert des voix et des instruments à la Renaissance (Paris: CNRS Éditions, 1995): 671-688.
  • Spencer, Robert. Dowland’s Dance-Songs: Those of his compositions which exist in Two Versions, Songs and Instrumental Dances" in: Le concert des voix et des instruments à la Renaissance (Paris : CNRS Éditions, 1995), p. 587-600.
  • Varela de Vega, Juan Bautista. “Alonso Mudarra, músico vallisoletano del siglo de oro.” Boletín de la Real Academia de Bellas Artes de la Purísima Concepción de Valladolid 30 (1995): 15-26.
  • Viragh, Laszlo. "Les mises en tablature de Valentin Bakfark." Le concert des voix et des instruments à la Renaissance (Paris : CNRS Éditions, 1995): 689-696.
  • Yakeley, M. June, and Monica Hall. "El estilo castellano y el estilo catalan. An Introduction to Spanish Guitar Chord Notation." The Lute 35 (1995): 28-61.



1996        
  • Barrio Moya, J.L. "Algunas noticias sobre el mallorquín D. Francisco Garau, músico cantor en la capilla real de Madrid durante los reinados de Carlos II y Felipe V." Bolletí de la Societat arqueològica Lulmliana,LII (1996): 303-14.
  • Caffagni, Mirco, and F. Pavan. Introduction to Perino FiorentinoOpere per liuto. Bologna, 1996.
  • Cantalupi, Diego. La tiorba ed il suo uso in Italia come strumento per basso continuoDissertation, Cremona, Scuola di Paleografia e Filologia Musicale dell'Università di Pavia, 1996; R/2006 MV Cremona.
  • Carpenter, Stephen. "The lute music of Francis Cutting." Lute News 38 (June 1996):
  • Castagna, Paulo. “Os modos e a gênese musical em Luis de Milán.” Revista eletrônica de musicologia 1 (September, 1996):
  • Coelho, Victor. “The Reputation of Francesco da Milano (1497-1543) and the Ricercars in the Cavalcanti Lute Book.” Revue Belge de Musicologie 50 (1996): 49-72.
  • Curry, Donna. "Diana Poulton: An Appreciation of Her Life." Lute Society of America Quarterly XXXI (February, 1996):
  • Gásser, Luis. Luis Milán on Sixteenth-Century Performance Practice. Bloomington and Indianapolis: Indiana University Press, 1996.
  • Harmon, Roger. "Listeners in depictions of Orpheus and (?) Francesco da Milano." The Lute 36 (1996): 17-36.
  • Haynes, Stephen. "Hans Newsidler and the case for authentic fingering." Lute News 37 (March, 1996):
  • Hervás, Francisco. "Vihuela de piezas con taraceas." Música oral del Sur 2 (1996): 250-56.
  • Higney, John J. Chromatic Inflections in the Printed Vihuela Intabulations of Vocal Works by Nicholas Gombert. Dissertation, The University of Western Ontario, 1996.
  • Knispel, Claudia. The international character of the lute music at the court of Moritz, Landgrave of Hesse, The Lute, 36 (1996), p. 1-16.
  • Lay, Peter. "French music for solo theorbo, an introduction." Lute News 40 (December 1996):
  • Nardella, Luigi. “Luys de Narvaez: Le trascrizioni per vihuela di opere polifoniche-vocali. I." Il Fronimo 24, (Oct-Dec 1996): 52-56.
  • Parsons, David. "Lute and guitar, can you play both?" Lute News 37 (March 1996):
  • Pavan, Franco. Francesco Canova da Milano. Dissertation, University of Milan, 1996-7.
  • Pesci, Marco. "Nuove proposte di prassi esecutiva fondate su un inedito trattato di basso continuo per arciliuto [Rom 1720]." Recercare VIII (1996): 5-58.
  • Segerman, Ephraim “Vihuela string quality and thickness, and the Paris vihuela”. FoMRHI Quarterly no. 85 (Oct 1996): 30.
  • Shepherd, Martin. The interpretation of signs for graces in English lute music, The Lute, 36 (1996), p. 37-84.
  • Thomson, Kenneth J. El ciudadano y su tiempo: Diego Pisador: una inmersión en la vida de un músico, vezino de la Salamanca del Renacimiento. Salamanca: Ars viva, 1996.
  • Walls, P. Music in the English Courtly Masque, 1604–1640. Oxford, 1996.



1997        
  • Aguirre Rincón, Soterraña. “El uso de la semitonía en las cláuslas de las secciones de misas de Morales transcritas por Fuenllana.” Los instrumentos musicales en el siglo XVI. Actas del I Encuentro Tomás Luis de Victoria y la música española del siglo XVI (Avila, May 1993). Avila: Fundación Cultural Sta. Teresa, 1997: 141-52.
  • Boye, Gary R. "Performing Seventeenth-Century Italian Guitar Music: the Question of an Appropriate Stringing." Performance on Lute, Guitar, and Vihuela: Historical Practice and Modern Interpretation, ed. V.A. Coelho (Cambridge, 1997): 180-94.
  • Burris, Timothy Allen. Lute and Theorbo in Vocal Music in 18th-Century Dresden: A Performance Practice Study. Ph.D., Musicology, Duke University, 1997. xiv, 457 p.
  • Burzik, Monika. Quellenstudien zu Europaisichen Zupfinstrumenten formen: Methodenprobleme, kunsthistorische Aspekte und Fragen der Namenszuordnung. Kassel: Gustav Bosse Verlag, 1997.
  • Cardin, Michel. "Silvius Leopold Weiss: the London Manuscript Revealed." Lute Society of America Quarterly XXXII/2 (1997): 5
  • Cardin, Michel. "Silvius Leopold Weiss: the London Manuscript Revealed – Part II." Lute Society of America Quarterly XXXII/4 (1997): 6
  • Coelho, Victor. “Authority, Autonomy, and Interpretation in Seventeenth-Century Italian Lute Music.” in: Performance on Lute, Guitar, and VihuelaHistorical Practice and Modern Interpretation, ed. Victor Coelho, Cambridge Studies in Performance Practice. Cambridge: Cambridge University Press, 1997: 108-41.
  • Coelho, Victor. “Kapsberger’s Apotheosis… of Francis Xavier (1622) and the Conquering of India.” in: The Work of OperaGenre, Nationhood, and Sexual Difference, ed. R. Dellamora & D. Fischlin. New York: Columbia University Press, 1997: 27-47.
  • Coelho, Victor (ed.). Performance on Lute, Guitar, and VihuelaHistorical Practice and Modern Interpretation. Cambridge Studies in Performance Practice. Cambridge: Cambridge University Press, 1997.
  • Court, Suzanne. "Structure, Imitation and Paraphrase in the Ornamentation of Giovanni Antonio Terzi’s 
    Lute Intabulations." Liber amicorum John Steele, ed. W. Drake (Styvesant, NY, 1997): 171-96.
  • Deák, Endre. "Albo Juss Dalej", ein Chanson von Sandrin in Bakfarks Transkription, Die Laute, I (1997), p. 18-23.
  • Dugot, Joël. “La Vihuela de Paris: Retour aux sources." Los instrumentos musicales en el siglo XVI. Actas del I Encuentro Tomás Luis de Victoria y la música española del siglo XVI (Avila,m ay 1993). Avila: Fundación Cultural Sta. Teresa, 1997: 113-21.
  • Dugot, Joël. “Viola da mano o viola d’arco: il caso degli angeli musicante dell’organo di Gonesse.” Liuteria Musica Cultura 29 (Sept, 1997): 23-29.
  • Edwards, David van. "The English theorbo, the 12-course lute and Thomas Mace's Lute dyphone." Lute News 40 (December 1996):
  • Erickson, Clay. "A Lutenist’s First Look at Rhetoric and Gesture." Lute Society of America Quarterly XXXII/1 (1997): 5
  • Erickson, Clay. "How Did They Do That? A Further Look at 17th Century Hand Positions." Lute Society of America Quarterly XXXII/2 (1997): 17-20.
  • Fabris, Dinko. “Lute Tablature Instructions in Italy: A Survey of the Regola from 1507 to 1759,” in: Victor Anand Coelho (ed.), Performance on Lute, Guitar, and Vihuela. Historical Practice and Modern Interpretation, Cambridge etc. (Cambridge Studies in Performance Practice 6) 1997: 16-46.
  • Falkenstein, Richard K. The Late Sixteenth-Century Repertory of Florentine Lute Song. Dissertation, SUNY, 1997.
  • Farstad, Per Kjetil. “Life and Works of Ernst Gottlieb Baron.” Journal of the Lute Society of America XXX (1997):
  • Goodwin, Christopher. "Early English lute songs." Lute News 43 (September, 1997):
  • Goodwin, Christopher, and H. Ridout. "How much did second-hand lutes cost?" Lute News 44 (December, 1997):
  • Griffiths, John. "The Vihuela: performance practice, style and context." Lute, Guitar, and VihuelaHistorical Performance and Modern Interpretation. Ed Victor Coelho. Cambridge Studies in Performance Practice (Cambridge: CUP, 1997): 158-79.
  • Hahne-Overmann, Elisabeth. "Ikonographie der Lautengriffe" [Nachdruck aus:Zeitschrift f. Musikwissenschaft,Jg. 10, 1929/30, S.527–530]. Lauten Info der DLG (1997/no. 3): 12
  • Harmon, Roger. "Luys Milan’s Orpheus woodcut." The Lute 37 (1997): 37-43.
  • Harwood, Ian. "So who’s really a ‘lutenist’ then?" The Lute 37 (1997): 1-4.
  • Henriksen, Chris. "A Possible Likeness of John Dowland.” Journal of the Lute Society of America XXX (1997):
  • Ivanoff, Vladimir. “An invitation to the Fifteenth-Century Plectrum Lute: The Pesaro Manuscript,” in: Victor Anand Coelho (ed.), Performance on Lute, Guitar, and Vihuela. Historical Practice and Modern Interpretation, Cambridge University Press 1997: 1-15 (Cambridge Studies in Performance Practice 6).
  • Kiràly, Peter. Einige Beobachtungen und Anmerkungen über Lautenmusikquellen, Lautenisten und Amateure im 16. und frühen 17. Jahrhunderts, Die Laute I (1997), p. 24-44.
  • Le Cocq, Jonathan. French Lute-Song, 1529-1643. Ph.D., Musicology, Oxford University, 1997. 2 vols., vii, 233 p.
  • Le Cocq, Jonathan. "Notation and interpretation in the 17th century air de cour." Lute News 44 (December 1997):
  • Maz, Andrew. The vihuela villancicos and the craft of intabulation. Dissertation, UCLA, 1997.
  • Minamino, Hiroyuki. "Johannes and Carolus Fernandez, fifteenth-century composers of music for lute." The Lute 37 (1997): 5-8.
  • Minamino, Hiroyuki. "Dream of a dream: Giovan Maria’s extra-musical career." The Lute 37 (1997): 9-16.
  • Minamino, Hiroyuki. "Duet for One Lute." Lute Society of America Quarterly XXXII/2 (1997): 21
  • Minamino, Hiroyuki. “The First Japanese Lutenists.” Lute Society of America Quarterly XXXII/3 (August 1997): 19-20.
  • Minamino, Hiroyuki. “Where has fortune gone: Music-iconographical problems in Schultzbach’s viola da mano books.” RIdIM Newsletter 22/1 (Spring, 1997): 31
  • Morrongiello, Christopher. "Roads to Ralegh’s ‘Walsingham’ and the figurative passages of Edward Collard and Francis Cutting." The Lute 37 (1997): 17-36.
  • Nardella, Luigi. “La chanson Mille regretz di Josquin ovvero la Cancion del emperador di Narvaez.” Il Fronimo 25 (Julio-Oct 1997): 71-76.
  • Negwer, Ingo. "Die Gitarre und ihre Musik in Renaissance und Barock." in: Gestrichen und gezupft 22 Tage Alter Musik in Herne, Ausstellungskatalog, ed. Kulturamt der Stadt Herne (1997):
  • Otaola González, Paloma. “La división del tono en la vihuela según Bermudo.” Nassarre 13 (1997): 147-162.
  • Perry, Mark Evan. “Performance practice of the vihuela de mano.” Dissertation, University of Idaho, 1997.
  • Pesci, Marco. "Lorenzo Tracetti, alias Lorouzino, suouatore di Riuto." Recercare IX (1997): 233-242.
  • Pinto, David. "Dowland’s tears: aspects of Lachrimae." The Lute 37 (1997): 44-75.
  • Schlegel, Andreas. Was ich dank der Rhétorique des Dieux bisher lernen konnte, Die Laute, I (1997), 45-83.
  • Schneider, Matthias. Matthias Schneider, Erfahrungen und Gedanken eines Lautenmusiksammlers, Die Laute, I (1997), 1-4.
  • Smith, Douglas Alton, and Mirco Caffagni. “Autobiography of Pietro Bertacchini”, Journal of the Lute Society of America XXX (1997).
  • Torres, George. “French Lyricism in 17th century pièces de luth. Journal of the Lute Society of America XXX (1997):
  • Trilupaitiene, J. "Vilnius als Musikzenrum des Grossfurstentums Litauen." Musica BalticaInterregionale musikkulturelle Beziehungen im Ostseeraum, Frankfurt, 1997: 144-150. 
  • Wilson, Christopher. "Diana's room, reminiscences of Diana Poulton." Lute News 43 (September 1997):
  • Wilson, Christopher. "The International symposium on the 500th anniversary of Francesco da Milano." Lute News 44 (December 1997):



1998        
  • Ashbee, Andrew. "Lutes and viols at the Tudor and Stuart Courts, c.1495–1642." Lute News 48 (December 1998):
  • Baur, Andrea Cordula. Die handschriftlichen Eintragungen im Florilegium des Adrian Denss (München Bayerische Staatsbibl. 2° Mus. pr. 93), Die Laute, II (1998), 35-59.
  • Brinzing, Armin. "Formen und Traditionen in den deutschen Lautentänzen des 16. Jahrhunderts." Die Laute I (1998):
  • Buetens, Stenley. "In defence of my book, The Meaning and Performance of Ornament Signs in English Lute Tablatures." Lute News 48 (December 1998):
  • Cardin, Michel. "The Late Baroque Lute: Sonority, Sound Aesthetic and Ornamentation, Seen through the Genius of Silvius Leopold Weiss." Lute Society of America Quarterly XXXIII/1 & 2 (1998):
  • Coelho, Victor. “Revisiting the Workshop of Howard Mayer Brown: [Josquin’s] Obsecro te Domina and the Context of Arrangement.” in: La musique de tous les passetemps le plus beauHommage à Jean-Michel Vaccaro, ed. H. Vanhulst, F. Lesure & V. Coelho. Paris: Éditions Klincksieck, 1998: 47-65.
  • Deák, Endre. "'Albo Juss Dalej', ein Chanson von Sandrin in Bakfarks Transkription." Die Laute I (1998): 18-23.
  • Denhard, Gus. "Exploring Reentrant Tuning on the Theorbo."  Lute Society of America Quarterly XXXIII/4 (1998): 14
  • Dolata, David. The Sonatas and Dance Music in the Capricci a due stromenti (1622) of Bellerofonte Castaldi (1580-1649). Ph.D., Musicology, Case Western Reserve University, 1998. 672 p.
  • Domning, Joachim. "Zu Falckenhagens Biographie." Lauten Info der DLG (1998/1): 6
  • Fabris, Dinko. Da Napoli a Parma: itinerari di un musicista aristocratico. Opera vocali di Fabrizio Dentice, 1530ca-1581. L’Arte Armonica, Serie II, Musica Palatina, vol 3. Roma: Accademia Nazionale di Santa Cecilia – Milano: Skira, 1998.
  • Farstad, Per Kjetil. Ornaments in 18th-Century german Lute Music, Die Laute, II (1998), p. 85-115.
  • Ferenczi, Ilona. Genfer Psalmsätze für Laute aus dem 18. Jahrhundert - Eine neu entdeckte Quelle in Budapest, Die Laute, II (1998), 60-71.
  • Griffiths, John. "Laúdes y guitarras en las Cantigas de Santa María." Alfonso X el Sabio impulsor del arte, la cultura y el humanismoel arpa en la Edad Media española. Ed. María Rosa Calvo Manzano (Madrid: Arlu Ediciones, 1998): 209-224.
  • Griffiths, John. "Música, vihuelas y burguesía." Scherzo Nº 121 (Jan/Feb, 1998): 136-38.
  • Griffiths, John. "Na dworze i w domu z vhuela da mano: Spoirzenie na instrument, jego muzyke i swiat." Canor 21 (1998): 3-14.
  • Harmon, Roger. "Studies in the Cambridge Lute Manuscripts I: ‘Musica’." The Lute 38 (1998): 29-42.
  • Harwood, Ian. "An hour with Philip Rosseter." Lute News 46 (June, 1998):
  • Kiràly, Peter. Ein Falckenhagen Concerto sowie andere Denkmäler der Lauten- und Mandoramusik des 18. Jahrhunderts in Ungarn, Die Laute, II (1998), p. 72-84.
  • Lafargue, Véronique. "Adrian le Roy: Those Accompaniments which Resemble Solo Music." The Lute 38 (1998): 68-82.
  • Legl, Frank. “Between Grottkau and Neuburg: New Information on the Biography of Silvius Leopold Weiss.” Journal of the Lute Society of America XXXI (1998):
  • Lowe, Michael. "The lute in restoration England." Lute News 45 (March 1998):
  • Magherini, Ivo. "An 11-course lute by Andreas Berr." Lute News 47 (September 1998):
  • Marincola, Federico (tr. Thomas Schall). "Über Vincenzo Capirola." Lauten Info der DLG (1998/2): 17
  • Meyer, Wolfgang. "Der Nova Testudo bei Besard." Lauten Info der DLG (1998/4): 10
  • Minamino, Hiroyuki. "Chicken or Egg? Frottola ‘Arrangements’ for Voice and Lute." The Lute 38 (1998): 43-57.
  • Minamino, Hiroyuki. "Was Francesco da Milano a Viola da Mano Player?" The Lute 38 (1998): 58-64.
  • Minamino, Hiroyuki. "On the Semibreve: Time is Money." Lute Society of America Quarterly XXXIII/1 & 2 (1998): 29
  • Minamino, Hiroyuki. “Valencian Vihuela De Mano Tablature.” Lute Society of America Quarterly XXXIII/3 (August, 1998): 4-6.
  • Minamino, Hiroyuki. "Henry VIII’s Pastime with Good Company." Lute Society of America Quarterly XXXIII/4 (1998): 11
  • Neemann, H. "Philipp Martin, ein vergessenerLautenist" [Nachdruck aus: Zeitschriftf. Musikwissenschaft 9/10, Heft 9, Juni/Juli1927, S. 545–559]. Lauten Info der DLG (1998/3): 20
  • Smith, Douglas Alton. “A Biography of Silvius Leopold Weiss”, Journal of the Lute Society of America XXXI (1998).
  • Sparr, Kenneth. A Lute by Raphael Mest in Sweden, The Lute, 38 (1998), p. 1-28.
  • Torres, George. Seventeenth-Century Pièces de luth: An Examination of the Manuscript Anthology Tradition with a Special Emphasis on the Barbe Manuscript. Ph.D., Musicology, Cornell University, 1998. xvii, 363 p.
  • Wilson, Christopher R. "Shakespeare's 'Fair viols, sweet lutes and rude pipes' as symbolic musics." Lute News 48 (December 1998):



1999        
  • Banks, Jon. “Performing the instrumental music in the Segovia Codex.” Early Music 27/2 (1999): 295-309.
  • Baur, Andrea Cordula. "Die handschriftlichen Eintragungen im Florilegium des Adrian Denss (München Bayerische Staatsbibl. 2° Mus. pr. 93)." Die Laute II (1999): 35-59.
  • Čepalák, Jiří. “Lutes in the Lobkowicz Collection, Nelahozeves Castle, Bohemia.” Journal of the Lute Society of America XXXII (1999):
  • Chateauneuf, Paula. "The beginnings of lute continuo in 17th century Italy and the accompaniments of Jacopo Peri." Lute News 52 (December 1999):
  • Chauvel, Claude. "Quelques aspects de la renaissance du luth dans les pays germaniques." in: Luths et luthistes en Occident (Paris: Cité de la Musique, 1999): 343-349.
  • Coelho, Victor. “Public Works and Private Contexts: Lorenzo Allegri and the Florentine Intermedi of 1608.” in: Luths en Occident, ed. J. Dugot. Paris: Éditions Klincksieck, 1999: 101-12.
  • Crawford, Tim. "A splendid decline: the lute in the last years of the 18th century." Lute News 49 (March, 1999):
  • Crawford, Tim. "The historical importance of François Dufault and his influence on musicians outside France." in: Luths et luthistes en Occident (Paris: Cité de la Musique, 1999): 201-216.
  • Damiani, Andrea. Method for Renaissance Lute. Ut Orpheus Edizioni, 1999.
  • Denhard, Gus. "An Introduction to Late Seventeenth-Century Harmony for Theorbo." Lute Society of America Quarterly XXXIV/1 (1999): 10
  • Dietrich, Wolf. "Zur Frühgeschichte und Verbreitung der Lauten." Die Laute II (1999):
  • Dobbins, Frank. "Les airs pour luth de Charles Tessier, luthiste et compositeur en Angleterre à l’époque de Dowland." Luths et luthistes en Occident (Paris: Cité de la Musique, 1999): 169-183.
  • Domning, Joachim. "Tombeau für Prof.Heinz Teuchert." Lauten Info der DLG (1999/1): 5
  • Domning, Joachim. "Phillipo Martino in Rostock gesichtet!" Lauten Info der DLG (1999/3): 14
  • Domning, Joachim. "Neue Forschungen zu Augsburg Tonkunst Fasz.III." Lauten Info der DLG (1999/4): 5
  • Dugot, Joël. “Un nouvel exemplaire de vihuela au Musée de la Musique?” Luths et luthistes en Occident: Actes du Colloque May 13-15 1998 (Paris: Cité de la Musique, 1999): 307-317.
  • Dupraz, Christophe. "Duos de luths en Allemagne dans la première partie du XVIe siècle: Hans Wecker (1552) et Wolf Heckel (1556/1562)." Luths et luthistes en Occident (Paris: Cité de la Musique, 1999): 77-102.
  • Edwards, David van. "A Caravaggio rediscovered?" Lute News 50 (June 1999):
  • Fabris, Dinko. "Une extension du manuscrit de Sienne (c. 1590) à Haslemere (GB): hommage à Bob Spencer." Luths et luthistes en Occident (Paris: Cité de la Musique, 1999): 113-120.
  • Fallows, David. A Catalogue of Polyphonic Songs 1415-1480. New York, Oxford University Press, 1999.
  • Farstad, Per Kjetil. "Ornaments in 18th-Century German Lute Music." Die Laute II (1999): 85-115.
  • Ferenczi, Ilona. "Genfer Psalmsätze für Laute aus dem 18. Jahrhundert - Eine neu entdeckte Quelle in Budapest." Die Laute II (1999): 60-71.
  • Goy, François-Pierre. "Luth et guitare dans le journal et la correspondance (1631-1636) de Bullen Reymes." in: Luths et luthistes en Occident (Paris: Cité de la Musique, 1999): 185-200.
  • Griffiths, John. "Extremities: the Vihuela in Development and Decline." Luths et luthistes en OccidentActes du colloque 13-15 May, 1998 (Paris: Cité de la Musique, 1999): 51-61.
  • Hall, Monica. "The five-course guitar continuo instrument." Lute News 52 (December, 1999):
  • Harmon, Roger. "'My Lute Awake': Thomas Wyatt, Sappho and Lyric Poetry." The Lute 39 (1999): 1-6.
  • Hart, Anthony D. "Zu Johann Adolf Hasses 200. Geburtstag (1699–1783)." Lauten Info der DLG (1999/no. 3): 13
  • Holman, Peter. "A New Source of Jacobean Lute Music." The Lute 39 (1999): 7-15.
  • Holman, Peter. "The lute as a continuo instrument in 17th century England." Lute News 52 (December, 1999):
  • Holzenburg, Oliver. "Internationales Lexikon Neue Lautenmusik." Lauten Info der DLG (1999/3): 17
  • Lafargue, Véronique. "Des sources pour le chant au luth à la Renaissance." Luths et luthistes en Occident (Paris: Cité de la Musique, 1999): 63-76.
  • Lafargue, Véronique. “'Par un luth marié aux doulceurs de la voix': la musique pour voix et instruments à cordes pincées au XVIème siècle.” Thesis, Centre d’Etudes Superiueres de la Renaissance, Université François Rabelais (Tours), 1999.
  • Le Cocq, Jonathan. "Experimental notation and entrepreneurship in the seventeenth century : the air de cour for voice and lute, 1608-1643." Revue de Musicologie 85 (1999): 265-275.
  • Le Cocq, Jonathan. "A Guide to the Notation in the Air de Cour for Voice and Lute (Ballard Editions, 1608-1643)." The Lute 39 (1999): 27-45.
  • Legl, Frank. Eine alte Theorbe, ein halber Schragen Holz und die Winter 1815/16 und 1816/17, Die Laute, III (1999), p. 94-104.
  • Lüdtke, Joachim. Die Lautenbücher Philipp Hainhofers (1578-1647). Göttingen: Vandenhoeck & Ruprecht, 1999 ; Abhandlungen zur Musikgeschichte, 5.
  • Lundberg, Robert. “The German Baroque Lute, 1650 to 1750.” Journal of the Lute Society of America XXXII (1999):
  • Lundberg, Robert. “Weiss’s Lutes: The Origin of the 13-Course German Baroque Lutes.” Journal of the Lute Society of America XXXII (1999):
  • Marincola, Federico. "Vincenzo Capirola et le luth en Italie au début du XVIe siècle." in: Luths et luthistes en Occident (Paris: Cité de la Musique, 1999): 135-143.
  • Meyer, J.T. The Tonal Language of John Dowland’s Lutesongs: Character of the Airs and Constructive Use of Gesture. Dissertation, University of Minnesota, 1999.
  • Minamino, Hiroyuki. “The Viola da Mano in Renaissance Italy: A Synopsis.” Lute Society of America Quarterly XXXIV/1 (1999): 5
  • Minamino, Hiroyuki. “Neapolitan (Viola da mano) Tablature.” Lute Society of America Quarterly XXXIV/4 (1999): 8-18.
  • Moretti, M.R. Composizioni di Simone Molinaro e Giovanni Paolo Costa nell’intavolatura di Pelplin e nelle raccolte di Geronimo Cavagliere. Savona, 1999.
  • Mortensen, Kristian Buhl. "More repertoire for 5-course guitar and continuo." Lute News 50 (June 1999):
  • Pasqual, Sandro. "Laux Maler (c.1485-1552)." Lute News 51 (September 1999):
  • Pavan, Franco. "Marco dall'Aquila and his times [conference report]." Lute News 49 (March 1999):
  • Piperno, Franco. The Lute at the Court of Guidubaldo II. Della Rovere Duke of Urbino, Die Laute, III (1999), 1-27.
  • Pizà, A. Francesc Guerau i el seu temps. Palma de Mallorca, 1999.
  • Pozniak, Piotr. "Jan Dziki, lutenista gdanski." Muzykolog wobec dzieła muzycznego (ks. pam. E. Dziębowskiej), red. M. Woźna-Stankiewicz i Z. Dobrzańska-Fabiańska, Kraków 1999: 37-47.
  • Pozniak, Piotr. "Nie znamy motetu Diomedesa Catona" [There is no known motet by Diomedes Cato]. Affetti musicologici: ȧ Book of Essays in Honour of Professor Zygmunt Marian Szweykowski on his 70th Birthday, ed. P. Poźniak (Krakow, 1999): 125-8.
  • Pozniak, Piotr. "Tonalité des ricercars de Joanambrosio Dalza." Luths et luthistes en Occident, red. Ph. Canguilhem i in., Paris 1999: 145-153.
  • Rodgers, James. "The In nomines for Lute: an Introduction", Lute Society of America Quarterly XXXIV No. 2 (1999), p. 15
  • Schöner, Oliver. Die Vihuela de mano im Spanien des 16. Jahrhunderts. Europäsiche Hochschulenschriften, vol 198. Frankfurt am Main: Peter Lang, 1999.
  • Schröder, Karl-Ernst. Reconstructing the Dresden Lute Duos of Silvius Leopold Weiss, Lute Society of America Quarterly XXXIV No. 2 (1999), p. 5
  • Sparr, Kenneth. Charles de Lespine - Lutenist and Composer, Die Laute, III (1999), 42-63.
  • Sparr, Kenneth. Israel Pourel - Lutenist and Musician in 17th-Century Stockholm, in: Luths et luthistes en Occident (Paris: Cité de la Musique, 1999), 217-233.
  • Vanhulst, Henri. "Musiciens, regardez devant vous de Clemens non Papa. Essai de reconstitution de la chanson à partir de la version pour le luth (1571)." Luths et luthistes en Occident (Paris: Cité de la Musique, 1999): 103-112.
  • Vendrix, Philippe. "Jacques de Saint-Luc. Entre la France et le Saint-Empire." Luths et luthistes en Occident (Paris: Cité de la Musique, 1999): 235-245.
  • Witzke, Scott. "The Language of the Basso-Continuo: Some Practical and Theoretical Considerations." Lute Society of America Quarterly XXXIV/2 (1999): 10
  • Witzke, Scott. "Johann Adolf Hasse and the Lute." Lute Society of America Quarterly XXXIV/4 (1999): 7
  • Yakeley, M. June. "The Life and Times of José Marín." The Lute 39 (1999): 16-26.



2000        
  • Ayala, Juan Carlos. “La vihuela en Málaga." Hoquet - Revista del Conservatorio Superior de Música de Málaga 1 (2000): 21-28.
  • Banks, Jon. "A new old repertory for lutes." Lute News 55 (September 2000):
  • Barber, Stephen, and Sandi Harris. "The Lute in Holbein’s 'The Ambassadors.'"Lute Society of America Quarterly XXXV/4 (2000): 5
  • Beier, Paul. "The so-called lute works of JS Bach: some thoughts." Lute News 53 (April 2000):
  • Cardin, Michel (tr. Joachim Domning). "Die späte Barocklaute –Klang, Ästhetik und Verzierungbetrachtet über das Genie Weiß." Lauten Info der DLG (2000/3): 2
  • Cardin, Michel (tr. Markus Lutz & Rainer Schmidt). "Ver zierungen & Wie ich eineAngloise von Weiss verziere." Lauten Info der DLG (2000/4): 3
  • Corona-Alcalde, Antonio. The Players and Performance Practice of the Vihuela and Related Instruments, the Lute and the Guitar, from 1450 to c. 1650, as Revealed by a Study of Musical, Theoretical, Literary and Archival Sources. Ph.D., Musicology, Royal Holloway College, University of London, 2000. 402 p.
  • Court, Suzanne. "Giovanni Antonio Terzi’s Venetian Lute Books: Fantasia and Intabulation and the Lute in Ensemble." The Lute 40 (2000): 12-31.
  • Dittmann, Beate. "Schule der deutschen Lautentabulatur." Lauten Info der DLG (2000/4): 41
  • Domning, Joachim. "Die Rostocker Lautentabulaturen." Die Laute III (2000): 75-93 [with regard to facsimile of Mus. Saec. XVIII 65.6a-z].
  • Farstad, Per Kjetil. "Bernhard Joachim Hagen (1720-87): Some New Biographical Information." The Lute 40 (2000): 1-11.
  • Farstad, Per Kjetil. German Galant Lute Music in the 18th Century. Ph.D., Musicology, Göteborg, 2000. 513 p.
  • Fontana, Eszter. Rätselraten über einen Theorbenkasten in Leipzig, Die Laute, IV (2000), p. 48-63
  • Goodwin, Christopher. "What proportion of lute music has come down to us?" Lute News 53 (April, 2000):
  • Goodwin, Christopher. "Some recent discoveries in Elizabethan Song." The Lute 40 (2000): 32-50.
  • Griffiths, John. "[Cristóbal de Morales] En manos de los vihuelistas." Scherzo Vol. 16 Nº 147 (September, 2000): 128-30.
  • Harmon, Roger. "Studies in the Cambridge Lute Manuscripts II: Liminary Verse to Ms Dd.2.11." The Lute 40 (2000): 70-74.
  • Held, Joachim, Aspekte des Generalbassspiels für den Chitarrone inder italienischen Music der ersten Hälfte des 17. Jahrhunderts, Dissertation, Schola Cantorum Basiliensis, 2000.
  • Holzenburg, Oliver. "Internationales Lexikon neue Lautenmusik – ILNL." Lauten Info der DLG (2000/4): 42
  • Kapsa, Václav, and Claire Madl, “Weiss, the Hartigs and the Prague Music Academy: Research into the ‘profound silence’ left by a ‘pope of music’”, Journal of the Lute Society of America XXXIII (2000).
  • Landmann, Ortrun. "Stuttgarter Musikhandschriften des 18 Jahrhunderts in der Universitätbibliothek Rostock 2." Die Laute III (2000):
  • Legl, Frank. "Eine alte Theorbe, ein halber Schragen Holz und die Winter 1815/16 und 1816/17." Die Laute III (2000): 94-104.
  • Luckhardt, Rainer. "„Intavolatura di Liuto“ imJahr 2000 – Ein Vergleich von Tabulaturschreibprogrammen ." Lauten Info der DLG (2000/4): 16
  • Luckhardt, Rainer. "Drauf oder drüber – ein Selbstversuch über Positionder Zeichen in Lautentabulaturen." Lauten Info der DLG (2000/4): 13
  • Lüdtke, Joachim. "Miszellen zu Adrian Denss." Die Laute III (2000): 28-41.
  • Madl, Claire. “Johann Christian Anthoni von Adlersfeld: The Original Owner of the Weiss London Manuscript.” Journal of the Lute Society of America XXXIII (2000):
  • Meyer, Wolfgang. "Eine Straube Anekdote in einem Lautenbuch." Die Laute III (2000): 105-108. 
  • Minamino, Hiroyui. "Fortune Vincinecta, a song or duet?" Lute News 55 (September, 2000):
  • Minamino, Hiroyuki. "A Battle of the Old and New: Giovan Maria Hebreo and Francesco da Milano at the Papal Court." Lute Society of America Quarterly XXXV/4 (2000): 7
  • Möller, Erwin. "Erinnerungen an Peter Harlan." Lauten Info der DLG (2000/4): 32
  • Negwer, Ingo. Laute und Theorbe in Marin Mersennes "Harmonie universelle". Zur Aufführungspraxis frühbarocker Musik in Frankreich. Frankfurt a. M. 2000 (be obtained from the author or the German Lute Society).
  • Payne, Ian. "Three Chorister-Play Consort Songs in Sources Associated with the Lute." The Lute 40 (2000): 51-69.
  • Peruffo, Mimmo. "Gut strings." Lute News 56 (December 2000):
  • Pinto, David. "John Dowland: tears and equivocations." Lute News 56 (December 2000):
  • Piperno, Franco. "The Lute at the Court of Guidubaldo II. Della Rovere Duke of Urbino." Die Laute III (2000): 1-27.
  • Schneider, Matthias. Wer Weiss? — Überlegungen zu einer auffallenden Eintragung in einer Sammelhandschrift, Die Laute, IV (2000), p. 64-110.
  • Schreiner, Michael. "A Lute in a Paris Museum: E.980.2.230 and What We Can Learn from a Damaged Lute", Lute Society of America Quarterly XXXV No. 4 (2000), p. 11
  • Smith, Douglas Alton. “Weiss and the 1719 Saxon-Hapsburg Wedding Festival in Dresden”, Journal of the Lute Society of    America XXXIII (2000).
  • Tarling, Judy. "Classical rhetoric in the renaissance." Lute News 56 (December 2000):
  • Thomsen-Fürst, Rüdiger. ...mit einem Priester in der Pfaltz verheyrathet Zur Biographie der Juliana Margaretha und zu einem unbekannten Zweig der Lautenistenfamilie Weiss, Die Laute, IV (2000), p. 41-47.
  • Vacca, Francesca. “Weiss In Rome (1712–1713): First Archival Findings.” Journal of the Lute Society of America XXXIII (2000):
  • Young, (Robert) Crawford. “Lute, Gittern, and Citole." A Performer's Guide to Medieval Music, ed. Ross W. Duffin, Bloomington 2000: 355-375.
  • Young, (Robert) Crawford. "Laute und Lautenmusik bis zum Anfang des 16. Jahrhunderts." Provokation und Tradition (ein Forschungsbericht 100 Jahre nach Oswald Körte). Stuttgart, J.B. Metzler, 2000: 17-54.
  • Żak, Jerzy. “The Sobieskis in Silesia and in Rome: Weiss’s First Royal Patrons.” Journal of the Lute Society of America XXXIII (2000):



2001        
  • Batov, Alexander. "Lute body assembly; an unusual perspective." Lute News 59 (September 2001):
  • Birsak, Kurt. Salzburger Quellen zu Mandora und Colachon, Die Laute, 5 (2001), p. 80-108
  • Cardin, Michel. "The London Manuscript Unveiled: Part III – Suites 13 – 19." Lute Society of America Quarterly XXXVI/1 (2001): 17
  • Cardin, Michel. "The London Manuscript Unveiled: Part IV – Suites 20 – 26." Lute Society of America Quarterly XXXVI/2 (2001): 23
  • Carlone, Mariagrazia. “A Trip to Venice in 1530 by Francesco da Milano.” Journal of the Lute Society of America XXXIV (2001):
  • Dittmann, Beate. "Keine Angst vor deutscher Tabulatur." Lauten Info der DLG (2001/3): 4
  • Dolata, David, and Nigel Fortune. “Bellerofonte Castaldi.” in the New Grove Dictionary of Music and Musicians, 2nd Ed. (2001).
  • Escartí, V. J., and A. Tordera (eds.). Luis Milà: El Cortesano. Valencia, 2001.
  • Falkenstein, Richard. “Perino Fiorentino (1523–1552), His Life and Works.” Journal of the Lute Society of America XXXIV (2001):
  • Foxe, Wilfred. "The Cavalcanti lute manuscript: unanswered questions and intriguing possibilities." Lute News 58 (June 2001):
  • Hall, Monica. "I Will Praise God with My Guitar: Jean Baptiste de Castillion – Bishop and Amateur Musician." Lute Society of America Quarterly XXXVI/2 (2001): 4-12.
  • Harmon, Roger. "Timotheus’ Speeches in Thomas Robinson’s The Schoole of Musicke (1603)." The Lute 41 (2001): 39-46.
  • Hauge, Peter. "Dowland in Denmark 1598-1606: a Rediscovered Document." The Lute 41 (2001): 1-27.
  • Holzenburg, Oliver. "Die Stufenprüfungen des Schweizerischen Musikpädagogischen Verbandes." Lauten Info der DLG (2001/2): 46
  • Kirnbauer, Martin. "Possi stampar canto figurado ne intaboladure dorgano et de liuto" - Zur Problematik früher Instrumentaltabulaturen, Basler Jahrbuch für historische Musikpraxis, XXV (2001), p. 159-175.
  • Kirnbauer, Martin. Die "Wertheimer Lautentabulatur" - Eine Musikhandschrift des frühen 16. Jahrhunderts, Wertheimer Jahrbuch, 2001 (Wertheim: Verlag des Historischen Vereins Wertheim e. V.), p. 27-62.
  • Luckhardt, Rainer, and Christoph Dalitz. "„Intavolatura di Liuto“ im Jahr 2000; Vergleich von Tabulaturschreibprogrammen– Teil 2." Lauten Info der DLG (2001/1): 5
  • Lüdtke, Joachim. Handschrift Mus. ant. pract. 2000 der Lüneburger Ratsbücherei: Das Lautenbuch des Wolff Christian von Harling, Die Laute, V (2001), 32-79.
  • Lutz, Markus. "Der Satan versuchte michimmer wieder mit derLaute – J.G.Hamannüber die Laute." Lauten Info der DLG (2001/2): 15
  • Meyer, Christian. Die Verbreitung der Lautenmusik im 17. Jahrhundert - Einige Bemerkungen zum Werk des Lautenisten Johann Gumprecht, Die Laute, V (2001), p. 1-19.
  • Spring, Matthew. The Lute in Britain: A History of the Instruments and its Music (Oxford: Oxford University Press, 2001).
  • Taylor, Rachelle. "Peter Philips (c. 1560-c. 1628), Composer, Priest and Man of Intrigue." The Lute 41 (2001): 28-38.
  • Wikla, Arto. "Ein Anfangspunkt zum Continuolernen." Lauten Info der DLG (2001/3): 6



2002        
  • Achtman, Jane. 'For the Harpe, Base Violl and Theorbo.' An Edition of William Lawes's Harp Consorts [Vol. 1: Critical Text; Vol. 2: Music]. Dissertation, Schola Cantorum Basiliensis, Basel, 2002.
  • Bailes, Anthony. "The Lute, 1600-1645, a review." Lute News 63 (September 2002):
  • Cardin, Michel (tr. Markus Lutz & Rainer Schmidt). "Das Londoner Manuskripterklärt." Lauten Info der DLG (2002/2): 11
  • Cardin, Michel (tr. Thomas Schall). "Das Londoner Manuskript erklärt (Teil 2)." Lauten Info der DLG (2002/4): 13
  • Coelho, Victor. “Picking through Cultures: A Guitarist’s Music History.” in: The Cambridge Companion to the Guitar. Ed. V. Coelho. Cambridge: Cambridge University Press, 2002: 1-14.
  • Court, Suzanne (tr. Mathias Rösel). "Giovanni Antonio Terzisvenezianische Lautenbücher:Fantasie,Intavolierung und Lauteim Ensemble (Teil 1)." Lauten Info der DLG (2002/4): 6
  • Crawford, Tim. “S. L. Weiss’s Use of the Lower Bass Courses.” Journal of the Lute Society of America XXXV (2002):
  • Damiani, Andrea. "Lute technique." Lute News 61 (April 2002):
  • Dittmann, Beate. "Keine Angst vor deutscher Tabulatur." Lauten Info der DLG (2002/1): 2
  • Fontana, Eszter. “The Case of the Missing Lute.” Journal of the Lute Society of America XXXV (2002).
  • Fontana, Eszter. “The Edlinger Lutes in Leipzig and Frankfurt am Main.” Journal of the Lute Society of America XXXV (2002):
  • Fontana, Eszter. "Rätselraten über einen Theorbenkasten in Leipzig." Die Laute IV (2002): 48-63.
  • Gondko, Michal. The CitoleSummary, Open Issues, Possible RepertoireDissertation, Schola Cantorum Basiliensis, Basel, 2002.
  • Goodwin, Christopher. "The earliest English lute manuscript?" Lute News 61 (April, 2002):
  • Goodwin, Christopher. "What is a dump?" The Lute 42 (2002):
  • Griffiths, John. "The Lute and the Polyphonist." Studi Musicali 31 (2002): 71-90.
  • Griffiths, John. "The Transmission of Secular Polyphony in Renaissance Spain, Esteban Daza, and Rodrigo de Ceballos." Encomium MusicaeA Festschrift in Honor of Robert J. Snow. Ed. David Crawford & G. Grayson Wagstaff (New York: Pendragon Press, 2002): 321-40.
  • Harwood, Ian. "'Six several instruments': Aspects of the English consort and its music." Lute News 62 (June, 2002):
  • Kitsos, Theodorus. Apeggiated Chords in Early Seventeenth-Century Italy, The Lute, 42 (2002).
  • Legl, Frank. "Zwischen Grottkau und Neuburg Neues zur Biographie von Silvius Leopold Weiss." Die Laute IV (2002): 1-40.
  • Lowe, Michael. "Historical right-hand technique, lute construction and aesthetics." Lute News 64 (December 2002):
  • Luckhardt, Rainer. "A New Booke of Tabliture (1596) (Teil 1)" [William Barley]. Lauten Info der DLG (2002/3): 15
  • Luckhardt, Rainer. "A New Booke of Tabliture (1596) (Teil 2)"  [William Barley]. Lauten Info der DLG (2002/4): 17
  • Martius, Klaus. “Sebastian Schelle and the Swan-Necked Lute.” Journal of the Lute Society of America XXXV (2002):
  • Narvey, Benjamin. "The differing temperaments of Gioseffo Zarlino and Vincenzo Galilei, an exploration of 16th century tuning systems and world views." Lute News 64 (December 2002):
  • North, Nigel. "Plucked continuo: some personal thoughts on the current art of basso continuo accompaniment." Lute News 63 (September 2002):
  • Pinto, David. "Dowland’s True Tears." The Lute 42 (2002):
  • Pozniak, Piotr. "Kasper Sielicki, lutnista-kompozytor i jego twórczość." Saeculum Christianum IX/2 (2002): 131-150 (nr poświęcony J. Pikulikowi, wyd. IX 2003, Uniw. Im. Kard. Wyszyńskiego).
  • Prosser, Pietro (tr. Mathias Rösel). "Accord Mandorae estuna quarta [...] altius,quam Galizona." Lauten Info der DLG (2002/3): 7
  • Schreiner, Michael. "The Chambure Vihuela", Lute Society of America Quarterly XXXVII No. 3 and 4 (2002), p. 7
  • Smith, Douglas Alton. A History of the Lute from Antiquity to the Renaissance. S.l.: The Lute Society of America, 2002.
  • Taylor, John. "Recording the lute." Lute News 62 (June 2002):
  • Thomsen-Fürst, Rüdiger. "Mit einem Priester in der Pfaltz verheyrathet Zur Biographie der Juliana Margaretha und zu einem unbekannten Zweig der Lautenistenfamilie Weiss." Die Laute IV (2002): 41-47.
  • Tyler, James, and P. Sparks. The Guitar and Its Music: from the Renaissance to the Classical Era. Oxford, 2002.
  • Vladar, Horst. "Johann Adolf Faustinus Weiss. Fundsache." Lauten Info der DLG (2002/1): 11
  • Wenke, Wolfgang. “The Conservation, Restoration and Reconstruction of S. L. Weiss’s (?) Theorbo." Journal of the Lute Society of America XXXV (2002):
  • Wikla, Arto. "Ein Anfangspunkt zumContinuolernen." Lauten Info der DLG (2002/1): 7
  • Yelloly, Margaret. "Lady Mary Killigrew (c.1587-1656), Seventeenth-Century Lutenist." The Lute 42 (2002):



2003        
  • Bailes, Anthony. "Cat-lines." Lute News 66 (June 2003):
  • Birsak, Kurt. "Salzburger Quellen zu Mandora und Colachon." Die Laute V (2003): 80-108.
  • Bream, Julian. "Some reflections on the old early music racket." Lute News 65 (April 2003):
  • Coelho, Victor. “The Players of Florentine Monody in Context and in History, and a Newly Recognized Source for Le Nuove Musiche.” Journal of Seventeenth-Century Music 9 (2003): 48-67.
  • Coelho, Victor (ed.). The Cambridge Companion to the Guitar. Cambridge: Cambridge University Press, 2003.
  • Court, Suzanne (tr. Mathias Rösel). "Giovanni Antonio Terzisvenezianische Lautenbü-cher: Fantasie, Intavolierungund Laute im Ensemble (Teil 2)." Lauten Info der DLG (2003/1): 12
  • Durbrow, Ed. "An interview with Robert Barto." Lute News 67 (October, 2003):
  • Goodwin, Christopher. "Who owned the Folger Dowland lute book? A solve-it-yourself historical puzzle." Lute News 65 (April, 2003):
  • Goodwin, Christopher. "Philip van Wilder’s English Songs." The Lute 43 (2003):
  • Griffiths, John. "Luis Milán, Alonso Mudarra y la canción acompañada." Siglos de Oro 22 (2003): 7-28.
  • Griffiths, John. "Strategies for the Recovery of Guitar Music of the Early Seventeenth Century." Rime e suoni alla spagnolaAtti della giornata internazionale dei studi sulla chitarra barocca. Ed Giulia Veneziano. Secoli d’oro – Comparatistica 33 (Florence: Alinea Editrice, 2003): 59-81.
  • Griffiths, John. "Improvisation and Composition in the Vihuela Songs of Luis Milán and Alonso Mudarra." Gesäng zur Laute, ed. Nicole Schwindt. TroJa — Trossingen Jahrbuch für Musikforschung 2. (Kassel: Bärenreiter, 2003): 111-32.
  • Griffiths, John. Tañer vihuela según Juan Bermudo. Zaragoza: Institución Fernando el Católico, 2003. [104 pp].
  • Foxe, Wilfred. "John Dowland and the soggetto cavato." Lute News 66 (June, 2003):
  • Goodwin, Christopher. "Who owned the Folger Dowland lute book? A solve-it-yourself historical puzzle." Lute News 65 (April, 2003):
  • Goy, François-Pierre. "Louis XIII luthiste." in: Georgie Durosoir et Thomas Leconte, Journées Louis XIII musicien et les musiciens de Louis XIII. Automne 2003. Programme édité à l’occasion des Grandes Journées réalisées par le Centre de Musique Baroque de Versailles au château de Versailles. Automne 2003 (Versailles: Centre de Musique Baroque de Versailles, 2003): 205-218.
  • Griffiths, John. “Luis Milán, Alonso Mudarra y la canción acompañada”. Siglos de Oro 22 (2003): 7-28.
  • Griffiths, John. “Strategies for the Recovery of Guitar Music of the Early Seventeenth Century”. Rime e suoni alla spagnola. Atti della giornata internazionale dei studi sulla chitarra barocca. Ed Giulia Veneziano. Secoli d’oro – Comparatistica, 33. Florence: Alinea Editrice, 2003. 59-81.
  • Griffiths, John. “Improvisation and Composition in the Vihuela Songs of Luis Milán and Alonso Mudarra”. Gesäng zur Laute, ed. Nicole Schwindt. TroJa — Trossingen Jahrbuch für Musikforschung 2. (Kassel: Bärenreiter, 2003). 111-32.
  • Griffiths, John. Tañer vihuela según Juan Bermudo. Zaragoza: Institución Fernando el Católico, 2003. [104 pp].
  • Hall, Monica. Baroque Guitar Stringing: a Survey of the Evidence. Guildford, 2003/R.
  • Harwood, Ian. "Conversations with Diana Poulton." Lute News 68 (December, 2003):
  • Heidrich, Jürgen. "Vokale Gattungen in der Vihuela-Musik des 16. Jahrhunderts — Intavolierungen von Messens Josquins in Miguel de Fuenllanas Orphénica Lyra." Gesang zur Laute. Troja — Trossinger Jahrbuch für Renaissancemusik 2. (Kassel, Bärenreiter, 2003): 147-60.
  • Luckhardt, Rainer. "Petit Discours aus Le Secret des Muses (Amsterdam1615)" [Nicolas Vallet]. Lauten Info der DLG (2003/3): 11
  • Lüdtke, Joachim. "Handschrift Mus. ant. pract. 2000 der Lüneburger Ratsbücherei: Das Lautenbuch des Wolff Christian von Harling." Die Laute V (2003): 32-79.
  • Martius, Klaus, and Markus Raquet. “Lute Endclasps in X-Ray Photos.” Journal of the Lute Society of America XXXVI (2003):
  • Meyer, Christian. "Die Verbreitung der Lautenmusik im 17. Jahrhundert - Einige Bemerkungen zum Werk des Lautenisten Johann Gumprecht." Die Laute V (2003): 1-19.
  • Negwer, Ingo. "Pierre Trichets "Traité des instruments de musique" und Marin Mersennes "Harmonie universelle" - Zwei französische Quellen zur Geschichte der Zupfinstrumente im Vergleich." Die Laute V (2003):
  • Ophee, Matanya. "A history of Transcriptions of Lute Tablature from 1679 to the Present." The Lute 43 (2003):
  • Reeve, John. A Mid Sixteenth-Century Guide to Fret Placement, The Lute, 43 (2003).
  • Romanillos, José Luis y Marian Harris Winspear. The Vihuela de Mano and the Spanish guitar: A Dictionary of the Makers of Plucked and Bowed Musical Instruments of Spain (1200-2002). Guijosa (Guadalajara): Sanguino Press, 2003.
  • Torres, George. “Performance Practice Technique for the Baroque Lute: An Examination for the Introduction of Avertissements from Seventeenth-Century Sources.” Journal of the Lute Society of America XXXVI (2003):
  • Torres, George (tr. Mathias Rösel). "Der Niederschlag französischer Lyrik in den Pièces de luth des 17. Jahrhunderts." Lauten Info der DLG (2003/2): 15
  • Young, (Robert) Crawford. and Kirnbauer, Martin. Frühe Lautentabulaturen im Faksimile, ed. Thomas Drescher, Winterthur (Amadeus) 2003 (= Practica Musicale 6).
  • Zelenková, Petra, and Martin Mádl, “The Celebration of the Losy of Losinthal Family on the Thesis Print from 1667." Journal of the Lute Society of America XXXVI (2003):



2004        
  • Baldassare, Joseph A. "Playing the lute of mediaeval Europe, part 1." Lute News 69 (April 2004):
  • Baldassare, Joseph A. "Playing the lute of mediaeval Europe, part 2." Lute News 70 (July 2004):
  • Baldassare, Joseph A. "Playing the lute of mediaeval Europe, part 3." Lute News 72 (December 2004):
  • Barto, Robert, and Boris Marold. "In memoriam Karl-Ernst Schröder. Ein Nachruf." Lauten Info der DLG (2004/1): 8
  • Batov, Alexander. "Vihuela building, some recent discoveries and personal thoughts." Lute News 71 (October 2004):
  • Cardin, Michel (tr. Markus Lutz & Rainer Schmidt). "Das Capriccio von Silvius Leopold Weiss in einer vervollständigten Version." Lauten Info der DLG (2004/1): 10
  • Carlone, Mariagrazia. “The Knights of the Lute.” Journal of the Lute Society of America XXXVII (2004): 1-125.
  • Coelho, Victor. “The Baroque Guitar: Players, Patrons, Paintings, and the Public.” in: The World of Baroque Music, ed. G. Stauffer. Bloomington: Indiana University Press, 2004: 184-203.
  • Dittmann, Beate. "Vom Passo e mezzo zur Waschamesa." Lauten Info der DLG (2004/2): 6
  • Edwards, David van. "Arnault of Zwolle's lute design; a puzzle solved?" Lute News 69 (April 2004):
  • Forrester, Peter. "Vihuela and viola da mano, an outline of some of the evidence." Lute News 71 (October 2004):
  • Gale, Michael, and Timothy Crawford. "John Dowland’s 'Lachrimae' at Home and Abroad." The Lute 44 (2004):
  • Goodwin, Christopher. "A Few More Discoveries in Elizabethan Song." The Lute 44 (2004):
  • Griffiths, John. "L’essor et le déclin de la vihuela." Au origins de la guitarela vihuela de mano. Ed. Joel Dugot. Les cahiers du Musée de la Musique 5 (Paris: Musée de la Musique, 2004): 8-15.
  • Griffiths, John. "La vihuela en la época de Felipe II." Políticas y Prácticas musicales en el mundo de Felipe IIEstudios sobre la música en España, sus instituciones y sus territorios en la segunda mitad del siglo XVI. Ed. J. Griffiths and J. Suárez-Pajares. Música Hispana (Madrid: Instituto Complutense de Ciencias Musicales, 2004): 415-48.
  • Griffiths, John and D. Fabris (eds.). Neapolitan Lute MusicFabrizio Dentice, Giulio Severino, Giovanni Antonio Severino, Francesco Cardone. Recent Researches in Music of the Renaissance 140. Madison: A-R Editions, 2004. [xxvi + 181pp]
  • Harmon, Roger. "Some Literary and Philosophical Aspects of the Idea of the Fantasy." The Lute 44 (2004):
  • Lutz, Markus. "Sylvius Leopold Weiss in München." Lauten Info der DLG (2004/2): 2
  • McFarlane, Ronn. "Lute technique, beyond the basics." Lute News 72 (December 2004):
  • Morrongiello, Christopher. "Notes from the scriptorium of Daniel Bacheler." Lute News 69 (April 2004):
  • Otaola, Paloma. “Los Romances para vihuela del siglo XVI.” Actas del XIV Congreso de ll Asociación International de Hispanistas (New York, July 16-21, 2001). Ed. Isaías Lerner, Robert Nival y Alejandro Alonso. Newark (Delaware): Juan de la Cuesta, 2004, vol. II: 435-446.
  • Poulos, P.S. The Life and Sacred Music of Simone Molinaro. Dissertation, University of Cincinnati, 2004.
  • Pozniak, Piotr. "The Kraków Lute Tablature: A Source Analisis." Musica Iagellonica III (2004): 27-91.


2005        
  • Beier, Paul. “Some Observations on the Music of Lorenzino and the Knight of the Lute.” Journal of the Lute Society of America XXXVIII (2005).
  • Boye, Gary R. "The Case of the Purloined Letter Tablature: The Seventeenth-Century Guitar Books of Foriano Pico and Pietro Millioni." Journal for Seventeenth-Century Music 11, no. 1 (2005):
  • Bresson, Jean-Luc (trans. George Torres). "Weiss or Questenberg?" Lute Society of America Quarterly XL/3 (2005): 12
  • Bruger, Hans Dagobert (Joachim Lüdtke). "Herkunft und Entwicklungder modernen (einchörigen) Laute [Kommentierter und annotierter Wiederabdruck aus Die Musikantengilde1926]." Lauten Info der DLG (2005/4): 14
  • Carlone, Mariagrazia. "The Knights of the Lute: Musical Sources.” Journal of the Lute Society of America XXXVIII (2005):
  • Coelho, Victor. “Papal Tastes and Musical Genres: Francesco da Milano ‘Il Divino’ (1497-1543), and the Clementine Aesthetic.” in: The Pontificate of Clement VIIHistory, Politics, Culture. Ed. K. Gouwens & S. Reiss. Aldershot: Ashgate, 2005: 277-92.
  • Corona-Alcalde, Antonio. "The Fernández de Córdoba Printers and the Vihuela Books from Valladolid." Lute Society of America Quarterly XL/2 (2005): 20
  • Dalitz, Christoph, and Thomas Karsten. "Automatische Erkennung historischer Tabulaturdrucke." Die Laute VI (2005):
  • Deák, Endre, and I. Szabó. "Bakfarks "IX. Fantasie" - offenbar ein Pasticcio." Die Laute VI (2005):
  • Dolata, David. “Visual and Poetic Allegory in Bellerofonte Castaldi's Extraordinary Capricci a due stromenti," Early Music XXXIII/3 (August 2005): 371-91.
  • Domning, Joachim. "Eine Huldigungskantate von Johanna Emilia Falckenhagen." Die Laute VI (2005):
  • Durbrow, Ed. "An interview with Jacob Heringman." Lute News 76 (December 2005):
  • Eckhardt, Achim O. "Vom Lachrimae zum Dies Irae - Melancholische (Wahl-) Verwandtschaften in Benjamin Brittens War Requiem." Die Laute VI (2005):
  • Edwards, David van. "So what is air wood?." Lute News 74 (June 2005):
  • Emmerich, Wolfgang. "A 'new' Pietro Railich lute." Lute News 74 (June 2005):
  • Emmerich, Wolfgang. "Eine „neue“ Pietro Railich-Laute." Lauten Info der DLG (2005/2): 3
  • Forrester, Peter. "Wood and wire: cittern building." Lute News 75 (October 2005):
  • Franklin, Eric. "Some evidence on hand stretches to inform discussion on barrés." Lute News 76 (December 2005):
  • Freimuth, Michael, and Tim Crawford. "Unknown lute music by S.L. Weiss discovered in an Austrian castle." Lute News 76 (December 2005):
  • Freimuth, Michael, and Tim Crawford (tr. Markus Lutz). "Unbekannte Lautenmusikvon S. L. Weiss in einem österreichischen Schloß entdeckt." Lauten Info der DLG (2005/4): 9
  • Griffiths, John. "The Two Renaissances of the Vihuela — Los dos renacimientos de la vihuela." Goldberg 33 (April, 2005): 34-43.
  • Hall, Monica. "Recovering a Lost Book of Guitar Music by Corbetta." The Consort LXV (2005): 43-58. 
  • Harwood, Ian. "'A Lecture in Musick, with the Practice thereof by Instrument in the Common Schooles', Mathew Holmes and Music at Oxford University c.1588-1627." The Lute 45 (2005):
  • Heringman, Jacob. "The Alexander Technique and the lute." Lute News 73 (April, 2005):
  • Herreid, Grant. "Thoughts on Rhetorical Use of Mode in the Earliest Operas." Lute Society of America Quarterly XL/2 (2005): 9
  • Kirnbauer, Martin. “Petrucci in the Fifteenth Century: The Lute Duos,” Giulio Cattin & Patrizia Dalla Vecchia ed.), Venezia 1501: Petrucci e la stampa musicale. Atti del convegno internazionale Venezia, Palazzo Giustinian Lolin 10-13 ottobre 2001, Venedig: Edizioni Fondazione Levi 2005 (Serie III: Studi musicologici B: Atti di convegno 6): 591-607.
  • Lüdtke, Joachim. "Tanzmusik – Ein kleines Portrait der Lautenistin Wilma Franke." Lauten Info der DLG (2005/4): 20
  • Lüdtke, Joachim. "Zwischen Überbrettl und Wanderfahrt - Aspekte zur Geschichte der Laute und ihrer Musik in Deutschland von 1900 bis 1926." Die Laute VI (2005):
  • Luckhardt, Rainer. "Beschreibungen von Laute und Theorbe aus dem vorrevolutionären Frankreich." Lauten Info der DLG (2005/2): 6
  • Martius, Klaus, and Ian Watchorn. "Tielke reloaded - Beobachtungen zu einer Laute des Hamburger Meisters." Die Laute VI (2005):
  • McCoy, Stewart. "New ballad, dance and masque tunes, and a Dowland intabulation, in a recently rediscovered lute book." Lute News 74 (June 2005):
  • Päffgen, Peter. "Reusner, Reussner. Familie: Esaias (d.Ä.), sein Sohn Esaias d.J." MGG 13 (Kassel et al.: 2005): 1584
  • Pasqual, Sandro. "Laux Maler (c.1485-1552)." The Lute 45 (2005):
  • Plommer, Evan. "When is a Quote Not a Quote?" Lute Society of America Quarterly XL/2 (2005): 39
  • Tarling, Judy. "The rhetoric of Mary Burwell's instruction book for the lute." Lute News 76 (December 2005):
  • Treder, Michael. "Der 'doppelte Knickhals'." Lauten Info der DLG (2005/1): 3
  • Wilfling, Lothar. "Gedanken zum Editorial von Mathias Rösel im Lauteninfo 1/2004." Lauten Info der DLG (2005/1): 32



2006        
  • Banks, Jon. The Instrumental Consort Repertory of the Late Fifteenth Century. Aldershot, 2006.
  • Barber, Stephen. "Some unusual lutes." Lute News 78 (June 2006):
  • Batov, Alexander."The Royal College Dias: guitar or vihuela." Lute News 77 (April 2006):
  • Behr, Julian. Ms. Q 907. Eine Lautenhandschrift in der Zentralbilbiothek Zürich. Dissertation, Schola Cantorum Basiliensis, Basel, 2006.
  • Bonavita, Rafael. La Musica di Angelo Michele Bartolotti nel contesto della vita di Cristina di SveziaDissertation, Schola Cantorum Basiliensis, Basel, 2006.
  • Cardin, Michel. "The London Manuscript Unveiled, Part V: The 35 Individual Pieces." Lute Society of America Quarterly XLI/2 (2006): 18
  • Cardin, Michel (tr. Markus Lutz & Rainer Schmidt). "Das Londoner Manuskript erklärt – 12 Schlussfolgerungen [Teil 1]." Lauten Info der DLG (2006/2): 8
  • Cardin, Michel (tr. Markus Lutz & Rainer Schmidt). "Das Londoner Manuskript erklärt – 12 Schlussfolgerungen. Teil 2." Lauten Info der DLG (2006/3): 27
  • Carter, William. "Speculations on the Tuning and Technique of the Baroque Guitar, with Some Observations on the Music of Joanambrosio Dalza, Diomedes Cato, Ennemond Gaultier and Cuthbert Hely." Lute News 77 (April, 2006):
  • Charteris, Richard. "Wolfgang Hoffman von Grünbühel’s Lute Book: A New Source from the Early Seventeenth Century." The Lute 46 (2006):
  • Coelho, Victor. “Music in New Worlds.” in: The Cambridge History of Seventeenth-Century Music. Ed. T. Carter and J. Butt. Cambridge University Press, 2006: 88-110.
  • Coelho, Victor (with Keith Polk). "Instrumental Music in Europe: 1520-1640." in: European Music1520-1640. Ed. James Haar. Woodbridge: Boydell and Brewer, 2006: 527-55.
  • Crawford, Tim. “Silvius Leopold Weiss and the Dresden and London Manuscripts of His Music.” Journal of the Lute Society of America XXXIX (2006):
  • Denhard, Gus. "Lute Realizations for the English Cavalier Songs (1630-1670): A Guide for Performers." Lute Society of America Quarterly XLI/4 (2006): 4
  • Dolata, David. Bellerofonte Castaldi's “Capricci a due stromenti.” Recent Researches of Music in the Baroque Era 141 & 142. Middleton, Wisconsin: A-R Editions, 2006.
  • Eisenhardt, Lex. "The Italian battute-pizzicate: music, tunings and performance." Lute News 77 (April 2006):
  • Emmerich, Wolfgang. "Bisher kaum beachtet: MAGNO STEGHER INVENETIA 1598." Lauten Info der DLG (2006/1): 11
  • Fabris, Dinko and J. Griffiths (eds.). Cosimo Bottegari: Il libro di canto e liuto / The Song and Lute Book. Biblioteca Musica Bononiensis, Sezione IV, Nº 98. Bologna: Arnaldo Forni Editore, 2006.
  • Franklin, Eric. "Practical barre sizes on an instrument: further thoughts on lute sizes." Lute News 78 (June 2006):
  • Goodwin, Christopher. "Paul Thomson, luthier, interviewed by Chris Goodwin." Lute News 77 (April, 2006):
  • Gregory, Gordon. "The different sizes of renaissance lutes and their uses." Lute News 78 (June, 2006):
  • Gregory, Gordon. "Tuning lutes." Lute News 79 (October, 2006):
  • Griffiths, John. "Printing the Art of Orpheus: Vihuela Tablatures in Sixteenth-Century Spain." Early Music Printing and Publishing in the Iberian World. Ed. Iain Fenlon and Tess Knighton. De Musica 11 (Kassel: Edition Reichenberger, 2006): 181-214.
  • Griffiths, John (ed.). "Obras del manuscrito ‘Barbarino’ (Nápoles[?] c. 1580-1610) Manuscrito Ms Mus 40032 de la Biblioteca Jagiellonska de Cracovia (olim Berlin, Deutsche Staatsbibliothek). Obras oara laúd o vihuela de 6 o 7 órdenes." Separata Musical Nº 4 of Hispanica Lyra. Madrid: Sociedad de la Vihuela, 2006. (24 pp)
  • Hall, Monica. "Francesco Corbetta and piracy." Lute News 80 (December, 2006): 18-23.
  • Hall, Monica. "Francesco Corbetta’s Missing Guitar Books." Lute Society of America Quarterly XLI/3 (2006): 11
  • Heringman, Jacob. "A trial of silk lute strings." Lute News 78 (June, 2006):
  • Jones, Lewis. "The lute in renaissance intarsias." Lute News 79 (October, 2006):
  • Krause, Reinhold: "Reusner Echos." Lauten-Info of the German lute society, 4 (2006), Frankfurt am Main:17 ff.
  • Lüdtke, Joachim. "How to hold a Lute: The Hollar Way." Lauten Info der DLG (2006/2): 16
  • Lüdtke, Joachim. "Ein Reusnerisches Postskriptum– Wer gab die Auflage von Erfreuliche Lautenlust von 1697 heraus?" Lauten Info der DLG (2006/4): 24
  • Lüdtke, Joachim. "Zur geplanten Einschränkungder KünstlerDiensteder Bundesagenturfür Arbeit." Lauten Info der DLG (2006/4): 25
  • Lutz, Markus. "Die Leichenpredigt von Esaias Reusner (1636 – 1679)." Lauten Info der DLG (2006/4): 19
  • Minamino, Hiroyuki. "Who was Henricus?" The Lute 46 (2006):
  • Minamino, Hiroyuki. "The Schlick-Virdung Intabulation Controversy." The Lute 46 (2006):
  • Mrzlecki, Anton (tr. Tiziana Sbisa). "The Lute in Croatia." The Lute 46 (2006):
  • Narvey, Benjamin. "‘Galant’ Continuo: Towards an Informed Approach to Accompaniment in the Accord Nouveau." Lute Society of America Quarterly XLI/2 (2006): 23-28.
  • Peruffo, Mimmo. "Gut top strings for lutes." Lute News 79 (October 2006):
  • Schlegel, Andreas, and Joachim Lüdtke (eds.) The Lute in Europe. Menziken: The Lute Corner, 2006.
  • Stephens, Denys. "Sources of Early Italian Renaissance Lute Music, 1480 – 1530", Lute Society of America Quarterly XLI No. 1 (2006), p. 4
  • Stone, Terrell. ”Italy and the Transformation of Weiss’s Solo Lute Style”, Journal of the Lute Society of America XXXIX (2006).
  • Wadsworth, Matthew. "Playing from memory." Lute News 80 (December 2006):
  • Wiehe, Wolfgang. "A Pange lingua Intabulation from the Stefan Craus Lute Book." Lute Society of America Quarterly XLI/1 (February, 2006): 13-14.
  • Wilfling, Lothar. "Wie geht das mit der Laute?" Lauten Info der DLG (2006/3): 27
  • Zuckerman, Ken. "Why Learn Improvisation? or Does the Study of Improvisation Belong in a Music Conservatory?" Lute Society of America Quarterly XLI/1 (2006): 11



2007        
  • Arriaga, G. "Reflexiones en torno a Luis Milán: Vida, obra, historiografía." Roseta: Revista de la Sociedad Española de la Guitarra 0 (2007): 6–35.
  • Arriaga, G. "Las Pavanas de Luis Milán y su primera transcripción moderna." Roseta: Revista de la Sociedad Española de la Guitarra 0 (2007): 147–64.
  • Barto, Robert. "Baroque lute technique." Lute News 81 (April 2007):
  • Barto, Robert. "Some 18th Century German Sources for Right Hand Placement and Fingering." Lute Society of America Quarterly XLII/1 (2007): 4
  • Beckman, Gary Dean. The Sacred Lute: Intabulated Chorales from Luther’s Age to the beginnings of Pietism. Dissertation, University of Texas at Austin, December 2007.
  • Christy, Earl. "A Brief Introduction to Chamber Music for the Baroque Lute." Lute Society of America Quarterly XLII/1 (2007): 29
  • Crawford, Tim. “The Harrach Lute Manuscripts and the Complete Works of S. L. Weiss.” Journal of the Lute Society of America XL (2007):
  • Diaz-Latorre, Xavier. "Un camino hacia la vihuela." Hispánica Lyrarevista de la Sociedad de la Vihuela 5 (2007): 30-31.
  • Dolata, David. “Bellerofonte Castaldi (1580-1649) of Modena: Musician, Poet, and Adventurer.” Acta Musiologica, Journal of the International Musicogical Society LXXIX/1 (2007): 85-111.
  • Eisenhardt, Lex. "Bourdons as usual." The Lute 47 (2007): 1-37
  • Eisenhardt, Lex. "Dissonance and battuto, a Hidden Practice in the Performance of Seventeenth-Century Guitar Music." The Lute 47 (2007): 38-54.
  • Fiorentio, G. "La pavana ternaria de Luis Milán." Roseta: Revista de la Sociedad Española de la Guitarra 0 (2007): 36-43.
  • Griffiths, John. "Esteban Daza: Un enigma desvelado de un vihuelista español." Hispanica LyraRevista de la Sociedad de Vihuela No 5 (May 2007): 8-15.
  • Griffiths, John. "Venegas, Cabezón y la música para tecla, arpa y vihuela." Cinco siglos de música de tecla española —Five Centuries of Spanish Keyboard Music. Ed. Luisa Morales (Garrucha (Almería): Asociación Cultural Leal, 2007): 153-168.
  • Hall, Monica. "Dissonance in the Guitar Music of Francesco Corbetta." The Lute 47 (2007): 55-80.
  • Hall, Monica. "Angelo Michele Bartolotti's Lettere Tagliate." The Lute 47 (2007): 81-97.
  • Hall, Monica. "Tuning Instructions for the Baroque Guitar in Bibliotheque Nationale Res.Vmc ms. 59, f. 108v." The Lute 47 (2007):
  • Hall, Monica. Tuning Instructions for the Baroque Guitar in Bibliotheque Nationale Res.Vmc ms. 59, f. 108v, The Lute, 47 (2007).
  • Harwood, Ian. "A 16th century cittern at last?" Lute News 82 (July 2007):
  • Holman, Peter. "The lute family in Britain in the eighteenth and nineteenth centuries." Lute News 84 (December, 2007):
  • Lauermann, Christian, "Jacques Alexandre de St.Luc – Einige historische Betrachtungen." Lauten Info der DLG (2007/1): 11
  • Legl, Frank. "Die Silvius Leopold Weiss betreffenden Einträge im katholischen Taufregister des Dresdner Hofes." Die Laute VII (2007):
  • Lewon, Marc. Alexandre Agricola et ung bon joueur de luz – Agricola und die Laute. In: Nicole Schwindt (ed.): Alexander Agricola – Musik zwischen Vokalität und Instrumentalismus (= Trossinger Jahrbuch für Renaissancemusik, Bd. 6, 2006). Kassel, Basel, London, New York, Praha 2007: 141-170. 
    English translation in: "Agricola et ung bon joueur de luz – Agricola and the Lute." Lute Society of America Quarterly XLIII/4, November 2008: 7-21.
  • Lowe, Michael, and Stephen Gottlieb, and David Munro. "Restoring an original Sixtus Rauwolf lute." Lute News 83 (October 2007):
  • Meyer, Wolfgang. "Eine Aria in a-Moll von Comte Logis." Lauten Info der DLG (2007/3): 7
  • Ness, Arthur J. "Briefly Noted: A Physician’s Lute Book." Journal of the Lute Society of America XL (2007): 
  • North, Nigel. "Accompanying English 17th Century Song." Lute News 81 (April 2007):
  • O'Brien, Pat. "Just How Secret Were Those Muses?" Lute Society of America Quarterly XLII/1 (2007): 11
  • Stone, Richard. “Weiss’s Concerted Music: A Catalogue with Commentary”, Journal of the Lute Society of America XL (2007).
  • Thomsen-Fürst, Rüdiger. "Lautenisten und Lautenmusik am kurpfälzischen Hof in Mannheim." Die Laute VII (2007):
  • Treder, Michael. "Ein Nachtrag zum Thema 'Künstlervermittlung'." Lauten Info der DLG (2007/1): 27
  • Wiehe, Wolfgang. "'In Te Domine Speravi' - From Frottola to Real Lute Music." Lute Society of America Quarterly XLII/3 (September, 2007): 27-33.



2008        
  • Bailes, Anthony. "An approach to 17th century French lute music." Lute News 85 (April 2008):
  • Beier, Paul. "Francesco da Milano and Perino Fiorentino." Lute Society of America Quarterly XLIII/2 (2008): 7
  • Coakley, Chris. "Tuning temperaments for lutes." FoMRHI Quarterly 109 (August, 2008):
  • Coakley, Chris. "Elasticity of lute strings." FoMRHI Quarterly 109 (August, 2008):
  • Coakley, Chris. "Tapered lute strings, angled necks and bridges." FoMRHI Quarterly 109 (August, 2008):
  • Coakley, Chris. "Acoustics of lute soundboards and bars." FoMRHI Quarterly 109 (August, 2008):
  • Coakley, Chris. "Lute stability." FoMRHI Quarterly 109 (August, 2008):
  • Coakley, Chris. "Further acoustics of lutes: bridge areas, minor bars, angles." FoMRHI Quarterly 109 (August, 2008):
  • Coakley, Chris. "Lute sizes and optimum design." FoMRHI Quarterly 109 (August, 2008):
  • Eggert, Karl-L. "Kommentar zur Solomusik in Luys de Miláns El Maestro (1)." Lauten Info der DLG (2008/4): 6
  • Gale, Michael. "Two newly-discovered English lute tablature fragments." The Lute 48 (2008):
  • Gombosi, Otto. "In Search of Renaissance Dance Form: Francesco da Milano." Journal of the Lute Society of America (In celebration of Arthur J. Ness’ 75th Birthday) XLI (2008):
  • Goy, François-Pierre. "The origins and history of a Scots-owned lute book: The 'Ruthven Manuscript' (F-Pn Res. 1110)." The Lute 48 (2008):
  • Goy, François-Pierre. "Some additional information on Wolfgang von Gruenbuehel's lute book." The Lute 48 (2008):
  • Hall, Monica. "A few more observations on baroque guitar stringing." The Lute 48 (2008): 71-75.
  • Koonce, Frank. "Revisiting Guárdame las vacas by Narváez", Lute Society of America Quarterly XLIII No. 3 (2008), p. 14
  • Lewon, Marc. "Agricola et ung bon joueur de luz – Agricola and the Lute." Lute Society of America Quarterly XLIII/4, November 2008: 7-21.
  • Lüdtke, Joachim. "Godelieve Spiessens." Lauten Info der DLG (2008/4): 10
  • Mathiesen, Thomas J. “Skindapsos, Pandoura, and Trichordon: Hellenistic Lutes?” Journal of the Lute Society of America (In celebration of Arthur J. Ness’ 75th Birthday) XLI (2008):
  • Minamino, Hiroyuki. "Hayne van Ghizeghem, lutenist?" Lute News 86 (July 2008):
  • Minamino, Hiroyuki. “Production and Reception of Petrucci’s Lute Books.” Journal of the Lute Society of America (In celebration of Arthur J. Ness’ 75th Birthday) XLI (2008):
  • Narvey, Benjamin. "The 'French Lute': The Golden Age of the Baroque Lute in the Grand Siècle." in: Method for the Baroque Lute, Miguel Yisrael, Ut Orpheus (2008): 6-9.
  • Narvey, Benjamin. "Etes-vous precieuses? Refinement and preciosite in 17th century French lute music." Lute News 85 (April 2008):
  • Narvey, Benjamin. "Robert de Visée’s Musical Gravestones: The End of Grandeur & the Death of the French Lute." Goldberg Magazine 51 (April 2008): 44-55.
  • Treder, Michael. "Aureo Dix. Musik für die 11-chörige Barocklaute (Böhmische Lautenistendes Barock, Teil 1)." Lauten Info der DLG (2008/1): 11
  • Wieninger, Fritz. "Aus der Verwandtschaftder Lauten: Das Orpharion." Lauten Info der DLG (2008/3): 13
  • Yisrael, Miguel. Method for the Baroque Lute [Méthode de Luth Baroque. Guide pratique pour le luthiste débutant et avancé]. Ut Orpheus Edizioni, 2008.



2009        
  • Beier, Paul. "Some Remarks on the Seven-Course Lute Music in the Siena Manuscript." Lute Society of America Quarterly XLIV/2 (2009): 8
  • Croton, Peter. "Modern Lute Songs –Eine neue Website." Lauten Info der DLG (2009/2): 15
  • Domning, Joachim. "Die Lautenkunst in Franken im 18. Jahrhundert." Die Laute VIII (2009):
  • Domning, Joachim. "Tabulaturen im Druck." Lauten Info der DLG (2009/4): 11
  • Edwards, David van, and Martyn Hodgson. "Some remarks on the mandora." Lute News 90 (August 2009):
  • Egerton, Christopher. "The world’s oldest guitar? The British Museum citole and its restoration." Lute News 92 (December 2009):
  • Eggert, Karl-L. "Kommentar zur Solomusik in Luys de Miláns El Maestro (2)." Lauten Info der DLG (2009/1): 9
  • Fink, Michael. "Robert de Visée Teaches a Lesson in Rhythm." Lute Society of America Quarterly XLIV/1 (2009): 15
  • Goodwin, Christopher. "Lutes on the Danube." Lute News 91 (October, 2009):
  • Goy, François-Pierre. "Three Versions of Pierre Gaultier’s Bataille (1626, 1638, 1650)." Journal of the Lute Society of America (In celebration of Arthur J. Ness’ 75th Birthday, Part II) XLII & XLIII (2009/2010):
  • Greer, David, and John H. Robinson. "A fragment of tablature in the Marsh Library." The Lute 49 (2009):
  • Griffiths, John. "Luis Milán." Semblanzas de Compositores españoles. Madrid: Fundación Juan, March, 2009.
  • Griffiths, John. "Hidalgo, Mercader, sacerdote, o poeta: vihuelas y vihuelistas en la vida urbana." Hispanica LyraRevista de la Sociedad de Vihuela N9 (May, 2009): 14-25.
  • Griffiths, John. "Hidalgo, merchant , poet, priest: the vihuela in the urban soundscape." Early Music 37.3 (2009): 355-366.
  • Hall, Monica. "Was Foscarini also weird? Baroque guitar tablature for the perplexed." The Lute 49 (2009).
  • Kolb, Richard. "What Do Lute Players Really Need to Know About Temperament?", Lute Society of America Quarterly XLIV No. 2 (2009), p. 15
  • Legl, Frank. "Kleinere neue Funde zur Biographie von Silvius Leopold Weiss." Die Laute VIII (2009):
  • Lüdtke, Joachim. "Handschrift Köln Best.7020 Nr. 328 (1. Teil)." Lauten Info der DLG (2009/4): 19
  • Maginley, Andrew. "Continuo practice on the D-minor baroque lute." Lute News 90 (August 2009):
  • Milek, Kataryzna. "The M 6983 lute tablature manuscript from the Phillipp Spitta Collection." The Lute 49 (2009).
  • Minamino, Hiroyuki. "Lute lessons for fifteenth-century amateurs." The Lute 49 (2009):
  • Minamino, Hiroyuki. "Lutenists on Parnassus: Reputation of Renaissance Lutenists." Lute Society of America Quarterly XLIV/3 (2009): 8
  • Negwer, Ingo. "Notentext und intendierte musikalische Gestalt in Johann Sebastian Bachs Suite BWV 995 - Von der Quellenkritik zur spielpraktischen Einrichtung." Die Laute VIII (2009):
  • Negwer, Ingo. "Die Besetzungsfrage der 'Lautenwerke' Johann Sebastian Bachs unter besonderer Berücksichtigung der Suite BWV 995." in: Laute und TheorbeSymposium im Rahmen der 31. Tage Alter Musik in Herne 2006, ed. der Stadt Herne. Konzeption und Redaktion Christian Ahrens und Gregor Klinke (München, Salzburg 2009):
  • Reeve, John. English lute music and transitional turnings, a new discovery, The Lute, 49 (2009).
  • Robinson, John H. "A Description of MS II.C.23 (the Medici Lute Manuscript) in the Dolmetsch Library and a Summary of Modern Studies", Lute Society of America Quarterly XLIV No. 3 (2009), p. 15
  • Satoh, Toyohiko. "On the Use of Gut Strings", Lute Society of America Quarterly XLIV No. 1 (2009), p. 12
  • Schlegel, Andreas. “On Lute Sources and Their Music — Individuality of Prints and Variability of Music”, Journal of the Lute Society of America (In celebration of Arthur J. Ness’ 75th Birthday, Part II) XLII & XLIII (2009/2010).
  • Treder, Michael, and Markus Lutz. "Böhmische Lautenisten und Böhmische Lautenkunst. Teil 2: Eckstein /v. Adlersfeld." Lauten Info der DLG (2009/3): 8
  • Vladar, Horst. "Zum Bericht von Christoph Dalitz (Treffen der englischen Lute Society) im Lauten-Info 4/2008: Eine Bitte." Lauten Info der DLG (2009/1): 14
  • Waldeck, Rainer. "Beobachtungen zur Darmbesaitung bei Lauten." Lauten Info der DLG (2009/3): 18



2010        
  • Blackburn, Bonnie J. "’Il magnifico Sigismondo Maler Thedescho’ and his Family: the Venetian connection." The Lute 50 (2010):
  • Carlton-Willis, Rosemary. "Gesture in the English lute song." Lute News 94 (August, 2010):
  • Carreca, Michele. "Giacomo Gorzanis and his music." Lute News 93 (April, 2010):
  • Dressler, Ulf. "Die Klo-Quinterne." Lauten Info der DLG (2010/4): 14
  • Fink, Michael. "Fuenllana’s Crucifixus a tres: The Mystery Unraveled." Lute Society of America Quarterly XLV/3 (2010): 6
  • Goodwin, Christopher. "Lanier’s 1613 portrait, a suggested reading." Lute News 93 (April, 2010):
  • Goodwin, Christopher. "A tablature fragment in Bodleian MS Bod. 842, more evidence of Oxford consort playing?" The Lute 50 (2010):
  • Griffiths, John. "Juan Bermudo, Self Instruction and the Amateur Instrumentalist." Music Education in the Middle Ages and the Renaissance. Ed. Russell Murray Jr, Susan Forscher Weiss, and Cynthia J. Cyrus (Bloomington: Indiana University Press, 2010): 126-137.
  • Griffiths, John. "Las vihuelas en la época de Isabel la Católica." Cuadernos de Música Iberoamericana 20 (July-December, 2010): 7-36.
  • Heringman, Jacob. "Lost and found: a Francesco fragment in a Christ Church manuscript." Lute News 95 (October, 2010):
  • Linos, Andreas. "Mr Mace’s marvellous music room." Lute News 95 (October 2010):
  • Louw, Zirk Walter Eon. Libro Primo d'Intavolatura di lauto del. Sig: Giovanni Girolamo Kapsberger Nobile Alemano (1611). A transcription of the tablature with a critical examination of the gagliardi and correntiDissertation, Schola Cantorum Basiliensis, Basel, 2010.
  • Lüdtke, Joachim. "Handschrift Köln Best.7020 Nr. 328 (2. Teil)." Lauten Info der DLG (2010/1): 14
  • Lüdtke, Joachim. "Handschrift Köln Best.7020 Nr. 328 (3. Teil)." Lauten Info der DLG (2010/4): 13
  • Lüdtke, Joachim. "Die Kloake als Zeitkapsel." Lauten Info der DLG (2010/4): 16
  • Meyer, Wolfgang. "Ernst Gottlieb Barons Barocklautenduo in Bund C-Dur." Lauten Info der DLG (2010/3): 17
  • Miles, Natasha. "Rasgueado guitar notations: the use of chord ’L’ in accompaniment." The Lute 50 (2010):
  • Narvey, Benjamin. "The Man of the Monument: Thomas Mace." Lute News 95 (October 2010): 8-15.
  • Ooijen, David van. "String choice, a personal view." Lute News 96 (December 2010):
  • Pavan, Franco. “'The Court, Which is Nothing but a Show, now Comic and More Often Tragic': New Documents on the Last Years of Francesco da Milano.” The Lute 50 (2010): 34-59.
  • Peruffo, Mimmo. "Some evidence concerning right-hand position in the seventeenth century." Lute News 94 (August 2010):
  • Rossi, Doc. "Lute Connections with the English Guittar", Lute Society of America Quarterly XLV No. 1 (2010), p. 43
  • Segerman, Ephraim. “Why it was the vihuela and not the lute in 16th century Spain.” FoMRHI Quarterly no. 115 (March 2010): 44 (communication 1906)
  • Treder, Michael. "Der Giesbert-Nachlass –welch ein Erbe?!" Lauten Info der DLG (2010/3): 7
  • Treder, Michael. "Wolff Jacob Lauffensteiner (jun.)." Lauten Info der DLG (2010/4): 8
  • Trent, Peter. "Some thoughts on teaching the lute to primary school children." Lute News 93 (April 2010):
  • Westbrook, James. "A rare 1698 Joachim Tielke angélique." The Lute 50 (2010):



2011        
  • Abbot, Thea. "Ian Harwood (1931–2011) an obituary." Lute News 99 (October 2011):
  • Burgers, J. "The Thysius lute book." Lute News 97 (April 2011):
  • Burris, Timothy. "From Keyboard to Baroque Lute: One Player’s Approach to Transcription." Lute Society of America Quarterly XLVI/4 (2011): 43
  • Dalitz, Christoph. "Ricercare zum Genfer Psalter." Lauten Info der DLG (2011/1): 14
  • Dittmann, Beate. "Außergewöhnliche Fingersätzein den deutschen Lautenschulen von Judenkünig,Gerle undNewsidler." Lauten Info der DLG (2011/3): 16
  • Dolata, David, and Margaret Murata. "Two Spiritual Monodies by G.G. Kapsperger." Society for Seventeenth-Century Music Web Library. 2011.
  • Falkenstein, Richard K. “Perino Fiorentino and the Dentices: A Political Fantasia and the Siena Lute Book.” Journal of the Lute Society of America (In celebration of Arthur J. Ness’ 75th Birthday, Part III) XLIV (2011):
  • Goodwin, Christopher. "Did they dance to the lute? A quick minuet through the picture archives." Lute News 98 (August, 2011):
  • Goy, François-Pierre, and Joachim Lüdtke, and Andreas Schlegel. "Zur Biographie des Lautenisten„Tauseana“." Lauten Info der DLG (2011/no. 4): 8
  • Graziano, Stefano. From language to musicMapping the history of the Italian lute vocabulary. Dissertation, Ph.D, Boston University, 2011, 132 p.
  • Griffiths, John, "Spinacino’s Twelve-Tone Experiment." Journal of the Lute Society of America (In celebration of Arthur J. Ness’ 75th Birthday, Part III) XLIV (2011): 47-76.
  • Hall, Monica. "Sanseverino’s Alfabeto Songbook." Lute Society of America Quarterly XLVI/1 (2011): 19
  • Hancock, Wendy. "Thomas Mace and a sense of ‘humour’; the case for expression in seventeenth-century English instrumental music." The Journal of the Lute Society LI (2011):
  • Harwood, Ian. "'The Jewes Dance' and 'De Jerr A Mort': Music from Marlowe’s play The Jew of Malta?" The Lute 51 (2011):
  • Harwood, Ian. "The greatest English lute manuscript collection; Mathew Holmes and his work at Oxford and Wesminster." Lute News 99 (October, 2011):
  • Harwood, Ian. "Six several instruments; the consort and me." Lute News 99 (October, 2011):
  • Jarchow, Ralf. "Wir hätten wissen können, wenn wir hätten wissen wollen. Wolfgang Boettichers brauner Schatten auf die Musikwissenschaft zur Gitarre und Laute." Die Laute IX/X (2011):
  • Kowalcze, Piotr. The theorbo and other lutes with extended stringing in Polish museum collections, The Journal of the Lute Society Volume 51 (2011).
  • Legl, Frank."Neue Quellen zur Lautenistenfamilie Weiss / Paul Charles Durant und Wolff Jacob Lauffensteiner:--- Arlequinade --- Silvius Leopold Weiss als Trauzeuge ---Erwähnungen von Lautenisten in den Briefen von Friedrich Melchior Grimm an das Ehepaar Gottsched." Die Laute IX/X (2011):
  • Lüdtke, Joachim. “Hans Newsidler in Nuremberg,” Journal of the Lute Society of America (In celebration of Arthur J. Ness’ 75th Birthday, Part III) XLIV (2011): 77-105.
  • Lutz, Markus. "Graf von Questenberg - Theorbist in Caldaras Oper Euristeo." Die Laute IX/X (2011):
  • Lutz, Markus. "Die Silvius-Leopold Weiss-Seite." Lauten Info der DLG (2011/4): 16
  • Martius, Klaus. "'Des schönen Fülle hat den Weg gesegnet' Die Lauten in der Sammlung Fritz Wildhagen." Die Laute IX/X (2011):
  • Minamino, Hiroyuki. "Solo lute practice in Italy before Petrucci." The Lute 51 (2011):
  • North, Nigel. "John Dowland, aspects of interpretation." Lute News 97 (April 2011):
  • Schlegel, Andreas, and Joachim Lüdtke (eds.) The Lute in Europe 2. Menziken: The Lute Corner, 2011. ISBN 978-3-9523232-1-2
  • Schuett, Laudon Charles. "Articulus – Looking at Nicolas Vallet’s Left hand Fingerings for Clues on Articulation in His Music", Lute Society of America Quarterly XLVI No. 4 (2011), p. 37
  • Torelli, Francesca. "Playing a Kapsberger Toccata." Lute Society of America Quarterly XLVI/3 (2011): 23
  • Treder, Michael. "Pièces de Lut von Bittner (Büttner/Bittnero) Konkordanzen in Barocklautenmanuskripten des 17. und 18. Jahrhunderts." Die Laute IX/X (2011):
  • Treder, Michael. "„Häußler“ – Musik fürdie 11-chörige Barocklaute (Böhmische Lautenistendes Barock 3)." Lauten Info der DLG (2011/3): 8
  • Tyler, James. A Guide to Playing the Baroque Guitar. Indiana University Press, Bloomington, IN, 2011.
  • Vladar, Horst. "Zwei falsch rekonstruierte Lauten von 1607." Lauten Info der DLG (2011/1): 12
  • Wilson, Christopher. "Notation, ornamentation and interpretation in 17th century French lute music: the allemande and the courante." Lute News 97 (April 2011):



2012        
  • Carrasco, M. Wladimir. “La Vihuela y los Himnos del Intonarium Toletanum (1515).” Hispanica Lyra 16 (December 2012): 17-24.
  • Carter, William. "J.S. Bach’s lute works." Lute News 103 (October, 2012):
  • Crawford, Tim. "Two unknown 18th Century lute-songs." Lute News 101 (March, 2012):
  • Crawford, Tim. "The Electronic Corpus of Lute Music Project." Lute News 101 (March, 2012):
  • Dolata, David. “Castaldi’s Practice Room: Onomatopoeic Echoes.” FOHMRI Quarterly 121 (May 2012): 30-34.
  • Dragosits, Anna Marie. Giovanni Girolamo Kapsperger (ca. 1581 – 1651): Betrachtungen zu seinem Leben und Umfeld, seiner Vokalmusik und seinem praktischen Material zum Basso continuo-Spiel. Doctoral Thesis, Leiden University, 2012.
  • Dressler, Ulf. "Der Göttliche und Hansvon der Wiese." Lauten Info der DLG (2012/3): 11
  • Eastwell, Martin. "21st Century Lute Technique: A Compromise Too Far?" Lute News 101 (March 2012):
  • Falkenstein, Richard K. “A Souvenir from the Veneto: Vincenzo Galilei’s First Book of Lute Tablatures (1563).” Journal of the Lute Society of America, XLV (2012):
  • Ferraris, Giorgio. "Early mandolin in historical iconography and modern practice." Lute News 104 (December 2012):
  • Fink, Michael. “Newly Discovered Stringing for the Four-Course Guitar and its Implications for Performance.” Lute Society of America Quarterly XLVII/4 (2012): 7-25.
  • Gonzalez, Carlos. "The 'Marianita' vihuela of Quito." Lute News 102 (August, 2012):
  • Goy, François-Pierre. "Unechter Bach, aberechtes Lautenstück: BWV Anh. II 79, Variatio." Lauten Info der DLG (2012/no. 4): 14
  • Griffiths, John. "The Music of Castrato Lutenists at the time of Caravaggio." La Musica al tempo di Caravaggio, ed. Stefania Macioce and Enrico De Pascale (Rome: Gangemi, 2012): 87-103.
  • Herre, Susanne. "The mandolin in relation to the lute, a historical survey." Lute News 104 (December 2012):
  • Herreid, Grant. "Reconstructing Spanish Songs from the Time of Cervantes." Early Music AmericaXVIII/3 (2012): 29-34.
  • Holman, Peter. "Ann Ford’s instructions for guitar." Lute News 104 (December, 2012):
  • Larson, Dan. “La igualación del timbre para la música polifónica en un consort de vihuelas.” Hispanica Lyra 15 (June, 2012): 8-15.
  • Lutz, Markus. "Hat Heinrich Schütz Laute gespielt?" Lauten Info der DLG (2012/3): 14
  • Maier, Ralph. Josquin’s Mass Settings for Vihuela, with a Critical Edition of Diego Pisador’s Intabulations of Faysant Regretz (1552). Dissertation, University of Calgary, 2012.
  • Narvey, Benjamin. "On the Double Luth: Rethinking Plucked-Continuo Instrumentation in France." Lute Society of America Quarterly XLVII/3 (2012): 26
  • Olbertz, Stephan. “An Unknown Lute Piece in a Keyboard Manuscript with Works by Wilhelm Friedemann Bach.” Journal of the Lute Society of America XLV (2012):
  • Peruffo, Mimmo. The lute in its historical reality. Aquila Corde 2012.
  • Rebours, Gérard. "Robert de Visée’s Corpus: A Stylistic Tutor", Lute Society of America Quarterly XLVII No. 3 (2012), p. 7
  • Staehelin, Martin. “Norddeutsche Fragmente mit Lautenmusik um 1460 in Wolfenbüttel.” Kleinüberlieferung mehrstimmiger Musik vor1550 in deutschem Sprachgebiet”, IX, “Neue Quellen des Spätmittelalters aus Deutschland und der Schweiz” (= Abhandlungen der Akademie der Wissenschaften zu Göttingen, Neue Folge, Band 15), Berlin 2012.
  • Stover, Michael. "The “Petit Discours” of Nicolas Vallet, from the Secret of the Muses (1615 - 1618), a new translation", Lute Society of America Quarterly XLVII No. 1 (2012)
  • Stryjak, Julien. "The Lutes in Mouton’s Portrait", Lute Society of America Quarterly XLVII No. 3 (2012), p. 16
  • Treder, Michael. "A. Huelse. Musik für die 11-chörige Barocklaute (Böhmische Lautenistendes Barock 4)." Lauten Info der DLG (2012/1): 8
  • Treder, Michael. "Jean Berdolde Bernarde Bleystein." Lauten Info der DLG (2012/3): 16
  • Treder, Michael. "Nachtrag zum Artikel„Häußler“." Lauten Info der DLG (2012/3): 23
  • Villanueva, Francesc. “La identidad de Luis Milán: un misterio por resolver.” Hispanica Lyra 16 (December 2012): 9-10.



2013        
  • Abbot, Thea. Diana Poulton: The lady with the lute. Norwich: Smokehouse Press, 2013.
  • Bailes, Anthony. "A personal tribute to Julian Bream in his 80th birthday year." Lute News 107 (October 2013):
  • Campo Tejedor, (Cáceres Feria) Alberto del, and Rafael Cáceres Feria. “Tocar a lo barbero. Guitar, popular music and barbers in the 17th century." Boletín de Literatura Oral 3 (2013): 9-47.
  • Coelho, Victor. "Bronzino’s Lute Player: Music and Youth Culture in Renaissance Florence.” Renaissance Studies in Honor of Joseph Connors. Ed. M. Israëls & L. Waldman. Villa I Tatti Series 29 (Milan: Officina Libraria, 2013): 650-59.
  • Dalitz, Christoph. "Electronic Corpus of Lute Music." Lauten Info der DLG (2013/1): 18
  • Deák, Endre. "Bakfark miscellanea: Bestimmung eines weiteren Teils in der "IX. Fantasie" von Valentin Bakfark - Bemerkungen zum Nachleben von Bakfarks VI. Fantasie." Die Laute XI (2013):
  • Dolata, David. “Making Cents Out of Fretting Ratios and Vice Versa.” FOHMRI Quarterly 124 (June 2013): 16-24.
  • Domning, Joachim. "Neues aus der Falckenhagen-Forschung." Lauten Info der DLG (2013/4): 9
  • Fischer, Bernhard. "Die Besonderheiten der Neuen Lauten-Früchte und Hundert Geistliche Melodien Evangelischer Lieder von Esaias Reusner in der Österreichischen Nationalbibliothek." Die Laute XI (2013): 93.
  • Gabriel, Sheldon. "Reconstructing the Praetorius harp-lute." Lute News 108 (December 2013):
  • Goodwin, Christopher. "A historical stringing schedule at last? And another picture of the English consort." Lute News 107 (October, 2013):
  • Goy, François-Pierre. "The accords nouveaux: a survey of their history, sources and music." Lute News 105 (April, 2013):
  • Goy, François-Pierre. "Erste Gedanken über eine wichtige, noch unbekannte Lautenquelle." Die Laute XI (2013):
  • Griffiths, John. "Catorce hijos y una sola vihuela: la familia Daza de Valladolid." Cuadernos de la música iberoamericana 25-26 (2013): 149-163.
  • Griffiths, John. "Extremos: desarrollo y declive de la vihuela." Hispanica LyraRevista de la Sociedad de Vihuela N18 (December, 2013): 15-22.
  • Griffiths, John. "The Changing Sound of the Vihuela." A Musicological GiftLibro Homenaje for Jane Morlet Hardie, edited by Kathleen Nelson and Maricarmen Gómez (Lions Bay, Canada: Institute of Mediaeval Music, 2013): 123-146.
  • Herreid, Grant. "The Humors in the English Lute Song." Lute Society of America Quarterly XLVIII/1 & 2 (2013): 7
  • Hottmar, Michal. "Renaissance lute tablature prints in the territory of present-day Slovakia." Lute News [in the Lutezine] 107 (October, 2013):
  • Jacobs, Fred. "Observations on the lute in 17th century France; a source hitherto unrecognised." Lute News 108 (December 2013):
  • Krause, Reinhold, and Joachim Lüdtke. "Martin Luther und die Laute. Eine Quellensuche anlässlich des Musikjahrs der Luther-Dekade." Lauten-Info (1/2013) of the German lute society: 8 ff. 
  • Lawrence, Deborah. “The Music of Social Climbing: Spanish Vihuela Prints as Commonplace Books.” Musical Quarterly 96 (2013): 137-167.
  • Legl, Frank. "Wann und wo starb Paul Charl Durant?" Die Laute XI (2013):
  • Lowe, Michael, and Stephen Gottlieb and David Munro. "Restoring an Original Sixtus Rauwolf Lute." The Lute Society of America Quarterly XLVIII/3 (2013): 7
  • Lutz, Markus. "Die berühmte Verwandtschaft von Esaias Reusner." Die Laute XI (2013): 89
  • Lutz, Markus. "Es lebe August der Dritte - Silvius Leopold Weiss als treuer Untertan." Die Laute XI (2013):
  • Meyer, Wolfgang. "Ein wiedererstandenes Falckenhagen-Duo." Lauten Info der DLG (2013/2): 19
  • Nickel, Heinz. "Zu Quellen mittelalterlicher Lauten." Die Laute XI (2013):
  • O'Dette, Paul. "Thumb-inside lute technique." Lute News 106 (July 2013):
  • Pavan, Franco. "An unnoted caricature of Giovanni Angelo Testagrossa." Lute News 106 (July 2013):
  • Torelli, Francesca. "Cantori al liuto: Singer-Lutenists." The Lute Society of America Quarterly XLVIII/1 & 2 (2013):
  • Treder, Michael. "Esaias Reusner d. Jü. (Teil 1)." Lauten Info der DLG (2013/1): 21
  • Treder, Michael. "Esaias Reusner d. Jü. (Teil 2)." Lauten Info der DLG (2013/2): 14
  • Treder, Michael. "Nachträge zur Artikelserie Böhmische Lautenistendes Barock." Lauten Info der DLG (2013/3): 20
  • Wilson, Christopher. "A lesson with Charles Mouton." Lute News 109 (October 2013):
  • Wolzien, Charles. "A Few Observations on Adrian Le Roy’s Amour me sçauriez."  Lute Society of America Quarterly XLVIII/1&2 (2013): 36
  • Young, (Robert) Crawford. “The King of Spain: una bassadanza troppo forte.” Lute Society of America Quarterly XLVIII/1&2 (2013): 40-61.
  • Zuluaga, Daniel. “Spanish song, chitarra alla spagnola, and the a.bi.ci: Matheo Bezón and his 1599 alfabeto songbook.” Resonance: Interdisciplinary Music Journal Spring 2013.



2014        
  • Bailes, Anthony. "Obituary: Eugen M. Dombois." Lute News 111 (October 2014):
  • Dattis, Antonio, and Davide Rebuffa. "Building Thomas Mace's lute dyphone: Cambridge 1672-Sava 2012." Lute News 112 (December 2014):
  • Griffiths, John. "Musicología, informática y la vihuela en el siglo XXI." Humanidades Digitalesdesafíos, logros y perspectivas de futuro. Ed. Sagrario López Poza and Nieves Pena Suiero. Janus [on-line], Anexo 1 (2014): 21-36.
  • Hart, Anthony. "Sonaten für Laute und Bass von Antonino Reggio." Lauten Info der DLG (2014/no. 4): 22
  • Kieffer, Paul. Cantus firmus intabulation and improvisation on the lute c.1500. Dissertation, Schola Cantorum Basiliensis, Basel 2014, 376 pp.
  • Kieffer, Paul. "An Approach to Reconstructing the First Lute Intabulations." Lute Society of America Quarterly XLIX/2 & 3 (2014): 7-20.
  • Lewon, Marc. "The Wolfenbüttel Lute Tablature." Research News from Marc Lewon, web; 22. Feb. 2014, https://mlewon.wordpress.com/2014/02/22/wolfenbuettel-lute-tablature/
  • Lowe, Michael. "Stephen Gottlieb, an obituary." Lute News 110 (July 2014):
  • Marchese, Massimo. "The lute music and songs of Gabriel Fallamero." Lute News 111 (October 2014):
  • Minamino, Hiroyuki. "The Dissemination of Lute Music in Renaissance Society: The Case of Tablature Sheets." Lute Society of America Quarterly XLIX/2 & 3 (2014): 50-54.
  • Nelson, Jocelyn. "Celebrating the Life of Pat O’Brien 1947-2014. Memorial Service." Lute Society of America Quarterly XLIX/4 (2014): 13
  • O'Brien, Pat. "Basic Finger Motions." Lute Society of America Quarterly XLIX/4 (2014): 24 only.
  • O'Brien, Pat. "Basic Right Hand Exercise for Tone." Lute Society of America Quarterly XLIX/4 (2014): 24-
  • Peruffo, Mimmo. "Thomas Mace and lute strings." Lute News 112 (December 2014):
  • Tarling, Judy. "'Life is like a lute string', Constantijn Huygens and Hofwijk." Lute News 110 (July 2014):
  • Timpe, Carsten. "Die amputierte Laute des Georg Stösse." Lauten Info der DLG (2014/4): 9
  • Treder, Michael. "Johann Anton Graf Losy." Lauten Info der DLG (2014/2): 10
  • Wilson, Frank R. "Remembering Pat O’Brien." Lute Society of America Quarterly XLIX/4 (2014): 26


2015

  • Rebuffa, David. "A Partita by Filippo Sauli, theorbo and mandolin player at the Habsburg Court in Vienna." Lute News 113 (April 2015): 14-20.

2016
  • Narvey, Benjamin. "On the ‘Double Luth’: Towards a Definition of a New Instrument Type." Lute News 117 (April 2016): 12-17.
  • Page, Christopher. "Lutes and guitars in England 1550–1650, new material from the archive." Lute News 117 (April 2016): 24-28.
  • Pavan, Franco. "The Milanese lutenists." Lute News 117 (April 2016): 17-23.
  • Schlegel, Andreas. "The first known stringing table for baroque lute?" Lute News 117 (April 2016): 29-31.